Saturday, 12 June 2010

STARRY NIGHT


“It becomes increasingly easy, as you get older, to drown in nostalgia.” - Ted Koppel

A song from my youth, today sung by Don McLean. I remember listening to this while I was discovering myself, discovering art, discovering life and death. A great song about a great artist by a great artist. Here is “Vincent” from 1971.



Vincent

Starry, starry night
Paint your palette blue and grey.

Look out on a summer's day
With eyes that know the
Darkness in my soul.
Shadows on the hills
Sketch the trees and the daffodils,
Catch the breeze and the winter chills
In colors on the snowy linen land.

And now I understand what you tried to say to me,
How you suffered for your sanity
How you tried to set them free.
They would not listen
They did not know how
Perhaps they'll listen now.

Starry, starry night
Flaming flowers that brightly blaze
Swirling clouds in violet haze reflect in
Vincent's eyes of China blue.
Colors changing hue
Morning fields of amber grain
Weathered faces lined in pain
Are soothed beneath the artist's loving hand.

And now I understand what you tried to say to me,
How you suffered for your sanity
How you tried to set them free.
perhaps they'll listen now.

For they could not love you
But still your love was true
And when no hope was left in sight on that
Starry, starry night.

You took your life
As lovers often do;
But I could have told you, Vincent,
This world was never
Meant for one
As beautiful as you.

Starry, starry night
Portraits hung in empty halls
Frameless heads on nameless walls
with eyes that watch the world and can't forget.
Like the stranger that you've met
The ragged men in ragged clothes
The silver thorn of bloody rose
Lie crushed and broken
On the virgin snow.

And now I think I know what you tried to say to me,
How you suffered for your sanity
How you tried to set them free.
They would not listen
They're not listening still
Perhaps they never will.

Friday, 11 June 2010

POSTCARD FROM BRISBANE


“After these two, Dr. Diet and Dr. Quiet, Dr. Merriman is requisite to preserve health.” - James Howell

I was up in Brisbane for work once again today and essentially spent the whole day in long and packed meetings. I had to catch the first flight out, which meant I got up at 4:00 a.m. and eventually got home at 10:00 p.m. which makes for a very long day… Fortunately all the meetings went well and were very constructive with quite a lot achieved, which is more than can be said for many committees and meetings at work.

Usually at meetings like these, morning tea, lunch and afternoon are provided and the fare is typically an example of the colonial past where sandwiches, pastries, pies, biscuits, sweet rolls and other such carbohydrate and calorie-rich food abounds. It was unusual in today’s meetings that we were treated to a healthy choice of foods. Firstly, there were bowls of fruit on the tables and these were kept full of luscious seasonal fruits. Queensland is in a subtropical zone so the winters are warm and dry. Consequently we were able to enjoy grapes, bananas, passionfruit, strawberries, mandarins, kiwifruits , apples and pears. Secondly, there were dishes of nuts like cashews, almonds, macadamias and walnuts. Some dried fruit were also set out, including paw-paw, pineapple, apricots and pears.

Lunch consisted of fresh flat bread wraps with salad and cheese or lean ham. There were also some baked organic vegetarian pasties. There were juices and lots of cool water available during the day as well as herbal teas and green tea. Needless to say we all enjoyed the food, which did a great deal to keep our mind keen during the day and to make our meetings more productive.

We have a long weekend coming up, with Monday being Queen’s Birthday. This long weekend in Victoria is traditionally the opening of the ski season (http://www.vicsnowreport.com.au/reports/). There have been good snow falls already and the skiers have already started to congregate in the resorts that have fair to good cover that is conducive to good ski runs. No doubt, the weekend will be very busy on the snow fields.

I look forward to a quiet weekend at home with lots of R&R!

Thursday, 10 June 2010

AT THE STATION


“It is clear that the way to heal society of its violence... and lack of love is to replace the pyramid of domination with the circle of equality and respect.” - Manitonquat

I wrote yesterday on my blog about the railway station close to my house where I board the train every morning when I commute to work. I am rather lucky in that this station is well-cared for, has a strong sense of community and there are many “regulars” who see each other every morning (and often every evening on the return journey). A large part of the sense of community is the stationmaster, Peter Leith. His cheery face and friendly greeting every morning directed at all the commuters ensures that one’s day begins well. He has a calm manner, a kindly word for all and a good sense of humour.

This is an important element in maintaining safety, security and does much to discourage threatening or unruly behaviour at the station. Unfortunately, nowadays we have to be on guard every minute of the day and be wary in public places lest we fall victim to some senseless act of violence. Fortunately, In Melbourne this is not as common as in some other parts of the world, and where I live is much safer than in other suburbs. However, it is part of life and one has to be always vigilant and alert.

To the point is the incident that occurred at the Gardenvale railway station here in Melbourne, last Sunday. A 16-year-old was the victim of a bashing by a gang of youths, who struck him violently and pushed him off the platform onto the train tracks. The poor boy had been bullied at school and on Facebook for some months by the same gang members that attacked him at the train station. The station was not deserted, about twenty adults were there at the time.

The boy’s mother said that her son had walked his girlfriend to the railway station to see her safely onto a city-bound train, but the assailant and his accomplices saw him and attacked. They held his girlfriend back, while the assailant king hit the boy so he fell to the ground and he was kicked multiple times in the back. While many adults witnessed the attack, no-one lifted a finger even as one yelled out “someone, please help him”.

Fortunately, someone did do something. The rescuer was 17-year-old Sam Porter on the opposite side of the track. He witnessed the incident, horrified and jumped down the platform to get back up on the city side. Young Sam wasn’t prepared to just stand by while someone was bashed. His mother was a former police officer and he says that he was brought up to help people in need. The real surprise for Sam was that that no-one else joined in to help him in rescuing the attacked youth.

The bashed boy was prepared to lie on the tracks and put an end to his life, he confessed later. He felt absolutely desperate and humiliated. He was thoroughly demoralised after months of taunting, false rumours, and comments posted on Facebook. If it weren’t for Sam, the boy’s mother said, her son could well be dead now.

Gardenvale station is not in a ghetto or a poor working-class suburb. It is situated in Melbourne’s blue-ribbon suburb of Brighton where house prices fetch millions of dollars at auction and where the idle rich parade through shopping streets where shops display expensive imported items and the cars parked nearby are Jaguars, Porsches, Mercedes and BMWs. The youths could well have been born with a silver spoon in their mouths. Sam said that increased staffing at stations, extra police and stricter penalties were needed to prevent more incidents of this sort.

What are we doing wrong as a society? What is happening to our community? Why is it so hard for our stationmaster Peter to maintain that sense of community at our station? Why have we learned to live with violence and fear and indifference? If this is happening now, today what will it be like tomorrow? Will it be complete anarchy? Jungle rules?

King hit |ki ng hit|, noun
A king hit, also known as a sucker punch is a common street fighting technique. Experts may feign fear or friendliness to put their opponent off guard or approach him from the side or rear to deliver a surprise blow. To guard against this, fighters may place their backs against a wall or issue an ultimatum against any close approach. The king hit may carry the added connotation that the blow is, as a rule, pre-empting a fight, and intended to cause as much damage as possible, and is usually aimed at a weak point such as the groin or kidneys.

Tuesday, 8 June 2010

WINTER IN MELBOURNE


“In the hope to meet shortly again, and make our absence sweet.” - Ben Jonson

Oh, what a wintry day today in Melbourne! I was at the train station at 6:30 a.m. and it was still dark. It was very cold and rainy with the wind carrying a hefty chill factor with it. The train station was illuminated brightly in the darkness and a few (fewer than usual!) early morning commuters were braving the cold and darkness, and were waiting for the train with me. The station master at my station is a lovely, elderly man who always smiles and has a cheery word for everyone. He was wearing in his winter gear today, a greatcoat, gloves and a remarkable ushanka making him look quite Russian! Despite the early hour and the cold, wet day his good humour was there. Surely it was sorely needed today, much more so than it is needed on other days.

It was still dark when I got into the City just before seven and there was remarkably little traffic and not too many pedestrians as I walked to work. It seems everyone was luxuriating in their warm bed and putting off their departure from home. While I was standing at the traffic lights, waiting for them to change, I took it all in and it was quite a strong emotive experience while the cold crisp air mingled with my feelings and thought. I mentally jotted down a poem that I wrote down several hours later at the end of the day. Here it is…

Winter

A winter morning:
Cold, wet and the sky blacker now
Than in the dead of night.
The car headlights
Reflected on the moist tarmac;
My breath in steamy clouds,
As I wait to cross the street in falling rain.

A winter morning:
The sidewalk deserted,
Empty, just like my heart.
Your absence lingering
Like the smell of fallen leaves;
Your face, glimpsed as it were,
On a window as a passerby is reflected.

A winter morning:
A steaming cup of coffee
Warming my hand.
Thoughts of our shared breakfasts
Your ardent hand on mine,
The sound of your laughter,
The taste of fresh, warm buttered toast.

A winter morning:
The dawning day, grey and cold
The sun, absent, like you.
I linger expectantly for your return;
Spring thoughts in deepest winter,
Flowers made of the few yellowed leaves
On bare twigs; warmth imagined of our reunion.

Monday, 7 June 2010

ROBERT SCHUMANN


“And the night shall be filled with music,
And the cares that infest the day
Shall fold their tents like the Arabs
And as silently steal away.” - Henry Wadsworth Longfellow

Vachellia farnesiana, the needle tree, is the birthday plant for today.  It is a hardy tree with numerous thorns distributed along its branches, feathery leaves, and bright yellow, fragrant ball-like flowers like pom-poms. In the language of flowers, this plant symbolises “dangerous love”.

An Indian legend recounts how this plant originated: A falcon tried to steal soma (the drink of immortality of the Indian gods).  The falcon was wounded by one of the demons guarding the soma and thus it lost a feather and a claw, which fell to earth.  They sprouted forth and gave rise to plant with the feathery leaves, and sharp spikes, which bears the fragrant flowers reminiscent of the scent of the heavenly drink.

Cassie perfume is distilled from the flowers. Cassie absolute is employed in preparation of violet perfume bouquets, which are extensively used in European perfumery. Cassie pomades are manufactured In Uttar Pradesh and the Punjab.

In the northern hemisphere, this rhyme is said on this day:
    If on the eighth of June it rain
    That foretells of a wet harvest, men sayen.


Today is the 200th anniversary of Schumann’s birth, in 1810. Robert Alexander Schumann (1810–1856) was a German romantic composer. His wonderful solo piano music (such as the well known Carnaval and Kinderszenen) occupied him until 1840, when he began to turn to the orchestra and to songs. His orchestral works such as the Piano Concerto in A Minor (1841–45) and the Rhenish Symphony (1850) exemplify his mastery of classical forms but also show an emotional intensity that hint at his later nervous breakdown. An articulate and gifted critic, he championed younger composers such as Chopin and Brahms. His wife, Clara Josephine (Wieck) Schumann (1819–1896) was an outstanding concert pianist.  One of my favourite of his compositions is the Träumerei, Opus 15 N˚ 7.

Sunday, 6 June 2010

MOVIE MONDAY: VEER-ZAARA


“The love of one’s country is a splendid thing. But why should love stop at the border?” - Pablo Casals

We watched an Indian movie from Bollywood last weekend, which we enjoyed very much. Sure, it was melodramatic and some scenes were quite mushy and theatrical, but overall it was a good film with fantastic cinematography, colourful costumes, lush music and songs, expansive scenery, lots of action, goodies and baddies, a romance, a court-room scene, a message about national identity and an artistic document that attempts to broker peace between age-old enemies. The film is Yash Chopra’s 2004 “Veer-Zaara”.

The plot has as follows: The International Human Rights Commission, which has identified Pakistan as an area with some issues in Human Rights violations, recruits a young female barrister, Saamiya Siddiqui (Rani Mukerji), newly admitted to the bar, to investigate the rights of long-serving prisoners, who have not had a fair trial. Her first case concerns Prisoner No.786 who is the Indian Rajesh Rathore (Shahrukh Khan). He has been captured as an alleged spy and sentenced to jail indefinitely. Saamiya finds out that his real name is Veer Pratap Singh and goes to meet him in order to find out how she can help him. Although he has never spoken a word for over 22 years, he responds to her as she calls him by his real name. Veer starts to tell his story to her, and thereafter she realises that truly, he is neither Rajesh Rathore nor a spy. He is a Sikh man who loved a Moslem woman, Zaara Haayat Khan (Preity Zinta), a rich heiress of Lahore. Saamiya discovers that Veer was caught up in a web of deceit and betrayal, made to sign a “confession”, which resulted in his confinement.

She undertakes to prove that Veer has been wrongly imprisoned, but faces many obstacles, including the fact that her peers do not approve of her, as she is seen as a woman doing a “man’s job” as a barrister. She also has to confront the country’s top prosecutor, Zakir Ahmed (Anupam Kher), her former boss, who will be up in court against her. Saamiya courageously takes up the challenges and she investigates the case, with the added difficulty that Veer does not want Zaara’s name or her family’s to be brought up in court, in order not to stain her honour.

The film adhered to several classic Bollywood formulas: There is much emotion and sentimentality, there are the standard musical and dancing numbers (with admittedly well-written music and sensitive lyrics), beautiful costumes and a romantic story. It is also a long movie, running for 192 minutes, true to type Bollywood. The film was not meant to be a realistic documentary, but rather functioned in an idealised setting for a love story. However, it was more than the romantic story of the star-crossed lovers Veer and Zaara; it was a love story of people for their land, a love story of human beings for their traditions and family values, the love for truth, honour and respect. The settings are water-coloured, fairy-tale and idealised. But this is a movie produced for a public that wants its stars to live in larger than life settings, experience violent emotions, overcome tremendous obstacles and survive the wildest vicissitudes of fortune. Yash Chopra gives all this to the public and more. He provides a message that steals upon the viewer surreptitiously and when it hits, it is a revelation and packs a strong emotional punch.

The film makes a feminist statement, it looks at nationalism through eyes sick of the violence that nationalism often engenders, and it represents patriotism coming second after humanity. The final scenes when Veer is in the courtroom and recites his poem as his only contribution to the proceedings is a powerful, moving and poignant moment. The film is like an opera. There is sentiment and drama. There is coincidence and destiny. There is emotion and epic storyline. If you wish to see reality, go and see a documentary or a new-wave, grunge-city, crime drama. I recommend this, but only if you do not mind subtitles, if you do not have a cynical attitude, if you are pure of heart and open of mind…

ART SUNDAY - GEORGE KORDIS


“Certain thoughts are prayers.  There are moments when, whatever be the attitude of the body, the soul is on its knees.” - Victor Hugo

For Art Sunday, a contemporary Greek artist, George Kordis (Γεώργιος Κορδής). George Kordis was born in Greece in Makryracchi of Phthiotis in1956, and grew up in Athens. He studied theology in the Theological School of the University of Athens and concurrently studied Byzantine iconography under the tutelage of Cypriot hagiographer Symeon Symeou. He obtained a Master of Theology at the Holy Cross Seminary in Boston and also studied art at the School of Art of the Boston Museum. When he returned to Athens he continued his art studies in painting and engraving under Fotis Mastichiadis. He has become an expert in theology and the aesthetics of Byzantine painting. In 1991 he obtained a Doctorate of Theology and since 2003 he is a lecturer in the Theological School of the University of Athens.

His painting style owes much to the Byzantine tradition. He uses examples of Byzantine lay painting to set the stage for his subjects, which are often indebted to the West for their iconographic references and technique. He has exhibited his work widely, in more than 25 personal exhibitions and even more collective ones. His works are in many public and private collections.

As a hagiographer, he has an intimate knowledge of the past Byzantine riches of the icon, but he does not simply copy old works, he creates his own personal style, which although is traditional and builds on solid historical foundations, is fresh and startlingly original. He has painted many icons, but also has created the mural decorations of many churches in both Greece and abroad.

The painting above is his personal interpretation of the seasons personified. First comes Autumn losing a page of manuscript in the rising wind. Then pensive ageing Winter, playing with his worry beads. A youthful Spring rejoices in the flower-filled meadow at the feet and the flying kite of the beginning of Lent. Summer s a young fisherman, grasping the sun and ready to set sail with his nets in the green sea. A beautiful tableau of the year’s cycle.

Saturday, 5 June 2010

WORLD ENVIRONMENT DAY


“I think the environment should be put in the category of our national security. Defense of our resources is just as important as defense abroad. Otherwise what is there to defend?” - Robert Redford

A special piece of music for World Environment Day, which is today. It is Ludwig van Beethoven’s Symphony No 6 in F major, “The Pastoral”, Op. 68. It is one of the most easily accessible of Beethoven’s orchestral works as it follows a program. Beethoven's own full title for the work was “Pastoral Symphony, or Recollections of Country Life”. It was composed in the same time period and dedicated to the same people as the more famous Fifth symphony. However, the two works have many differences. The “Pastoral” is known as a “characteristic” symphony and Beethoven publicly declared the piece’s “extramusical” purpose: It is an expression of nature. His affinity for nature and his love for walks through the country outside Vienna were captured in the Sixth, as well as in the notes scribbled on sketches of the symphony.

Here is the first movement:

Thursday, 3 June 2010

FEEDING THE HUNGRY


“The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich. Consequently, the modern poor are not pitied but written off as trash. The twentieth-century consumer economy has produced the first culture for which a beggar is a reminder of nothing.” - John Berger

We are lucky in Australia compared to many places around the world. I am grateful for having a job, a house to live in, food on the table every day, being able to lead an existence that has dignity, comfort and safety. I realise that many people have nothing of these and their very existence is threatened daily. It is an indisputable fact that millions around the world starve, have no clean fresh water to use, the lives of many are threatened, or indeed taken, by warfare or terrorist action. Thinking of this every day can chasten one somewhat and when confronting those few have-nots that we come into contact with in our everyday life, our help becomes spontaneous and genuine. There are several beggars on the streets of the city that I see daily, some professional (you can tell by the designer sneakers and the mobile phones they use), some genuine down-and-outers.

Organisations such as the Salvation Army, the Smith Family, Anglicare and St Vincent De Paul Society are active in Australia and there is never a shortage of people that need help and rely on the resources of these charities in order to survive. It is a given that our problem here in Australia is minimal compared to other parts of the world, but I was shocked to learn that in Melbourne, there are about 400,000 people who do not have food on their table every day and rely on the kindness of charities to provide them with their daily bread…

This is quite a frightening statistic, especially considering that three million tonnes of food are thrown out each year in Australia! That’s 136 kg of food wasted per year, for every person living in Australia! Research by The Australia Institute shows that Australians throw away about $5.2 billion worth of food every year. This includes $1.1 billion of fruit and vegetables. The Institute estimates that the average Australian household throws away $616 worth of food per annum. This is frightening, considering so many people around the world starve to death every year and so many in Australia go hungry every day.

I have become aware of a campaign in Melbourne that attempts to right some of these wrongs and feed the hungry in our city. The Feed Melbourne Campaign is a means of raising funds and receiving food donations. Donations can be received online, but also at any Woolworths supermarket or by phone at (03) 9008 0685. It is a fantastic way of helping those people who are genuinely in need of help and whose tables are bare every day.

Another great initiative for feeding the hungry in Melbourne is Fare Share. This group attempts to limit the wastage of food and reclaim some of the good food that would normally be thrown out. The services that Fare Share provides, is the supply of free, tasty, nutritious meals to the hungry and the homeless using donated food not needed by markets, caterers, and retailers around Melbourne. This charity group does a great deal in order to reduce food wastage and feed the hungry, frequently organising special campaigns, functions and fund-raising drives.

One of the fund-raising events to be held this month is being organised by the m.a.d.woman group, which specialises in campaigns to improve our world. These include corporate social responsibility, public relations, communication, cause-related marketing, events and strategic philanthropic advice. It involves a special dinner where single men donate money in order to attend a dinner on 24th June. m.a.d.woman and Fare Share are hosting the largest Single Volunteers event to date as part of the Feed Melbourne campaign - a campaign to raise $1 million to help charities collect, store and distribute food to Victorians who are doing it tough (see illustration above).

Food Friday today has been about feeding the hungry, which can be found right next to us, even if we live in a rich, industrialised, Western, first world country… We only need to open our eyes and hearts in order to become aware of this problem and help in its solution in every way we can.

ANOTHER VIOLENT CRIME


“We live longer than our forefathers; but we suffer more from a thousand artificial anxieties and cares. They fatigued only the muscles, we exhaust the finer strength of the nerves.” - Edward George Bulwer-Lytton

Are we going mad collectively? Has our society reached such a level of stress and distress, that we are being driven insane by the massive shocks that assail us every day? Have we lost the ability to cope and are we being driven crazy? The more I listen to the news, the more convinced I become that this is indeed the case with more and more those around us losing touch with the reality that is so traumatic, that they become demented.

The latest news out of one of England’s most beautiful places, the Lake District, is an example of this.  The 52-year-old man, cab driver, who killed 12 people and injured at least 26 others as he drove around for three-and-a-half hours, surely must have snapped! The man is a divorced father of two and was described by shocked friends and family as a quiet, “regular” guy. Yet, this ordinary person purposefully drove around the tranquil countryside of Cumbria and indiscriminately shot people he didn’t know: An elderly shopper whom he beckoned to approach him before shooting her in cold blood; a father of two in his 30s, gunned down as he trimmed a hedge; and a 64-year-old grandfather who unluckily was riding his bike past the cab driver’s taxi.

But it gets worse! The man is believed to have been driven to execute his terrible rampage after he and his twin brother had a bitter row over his mother’s will. He shot his twin brother and then executed a solicitor who had been advising the family. He then went to kill some of his colleagues, taxi drivers with whom he had argued previously. The deadly carnage ended in even more blood as finally the unhinged cabbie shot himself fatally in remote woodland. Police were initially concerned that the man had also killed his mother, but she was found alive and is now being taken of by family.

How much pent-up hatred must have been festering inside this man for so long! How the lure of filthy lucre must have corrupted his logic, drowned any sense of morality, destroyed any sense of love or even sense of duty and respect towards his own family! How I pity the poor mother who now has to deal with the death of her twin sons, but also the knowledge that one had succumbed to fratricide and then to suicide after a bloody spree which killed so many and destroyed so many lives. It would be understandable is she were to go mad herself…

We live in an increasingly toxic society, surrounded by daily occurrences that subject us to countless tensions, engender anxiety, cause endless strain. We are constantly assailed by messages through the mass media that try to convince us that consumerism means happiness and that money can buy everything and everyone. We accumulate anger, frustration, dissatisfaction, disappointment, we bottle up our negativity and discontent. If we fail to develop mechanisms to resist this onslaught, the spring snaps and breaks. We move into an uncontrolled cycle of insanity that may end in violence – against others, against ourselves.

How can we prevent it? Is it possible to prevent it? Of course it is. There are so many people around us who live in the same environment as those who become unhinged and manage to live balanced and contented lives. I mentioned in yesterday’s blog that although I have a demanding job with many challenges, much responsibility and many stressors, I manage to remain free of stress and function well. How do I do it?

Firstly, one must be able to think coolly, control emotions positively and channel one’s energy away from negativity. One must have a sense of the spiritual. There must be creativity and humour in one’s life. People who work hard must learn to relax and play hard as well. Here are some pointers:
  • If you have no control over something, stop trying to alter it, check it or curb it. Rather accept that you cannot change it and move on. This can generate an enormous sense of peace and liberation.
  • Stop and reflect on situations that stress you. Take deep breaths, calm yourself down and remove your thoughts from the situation that is causing you angst. 
  • Meditation and yoga are another step in the right direction and if you can get into these, you will find that serenity will enter your life.
  • Regular exercise can also have a positive de-stressing effect.
  • Take the initiative to have a mental health day. We need a day like that every now and then to restore and renew our mind and soul. Don’t feel guilty, remember this is for your mental health and you are taking care of yourself.
  • Pamper yourself. Take a warm bath. Get a massage!
  • Read a good book that will allow you to enter another world and escape. Relax and let your imagination run riot.
  • Play! With your kids, play with your friends or your partner, but play!! You are never too old.
  • And last, but perhaps most important of all, laugh…

stress |stres| noun
1 pressure or tension exerted on a material object: The distribution of stress is uniform across the bar.
• the degree of this measured in units of force per unit area.
2 a state of mental or emotional strain or tension resulting from adverse or very demanding circumstances: He's obviously under a lot of stress | [in combination] stress-related illnesses.
• something that causes such a state: The stresses and strains of public life.
3 particular emphasis or importance: He has started to lay greater stress on the government's role in industry.
• emphasis given to a particular syllable or word in speech, typically through a combination of relatively greater loudness, higher pitch, and longer duration: Normally, the stress falls on the first syllable.

verb
1 [ reporting verb ] give particular emphasis or importance to (a point, statement, or idea) made in speech or writing : [ trans. ] They stressed the need for reform | [with clause ] She was anxious to stress that her daughter's safety was her only concern | [with direct speech ] “I want it done very, very neatly,” she stressed.
• [ trans. ] give emphasis to (a syllable or word) when pronouncing it.
2 [ trans. ] subject to pressure or tension: This type of workout does stress the shoulder and knee joints.
3 [ trans. ] cause mental or emotional strain or tension in: I avoid many of the things that used to stress me before | [as adj. ] ( stressed) She should see a doctor if she is feeling particularly stressed out.
• [ intrans. ] informal become tense or anxious; worry: Don't stress—there's plenty of time to get a grip on the situation.

DERIVATIVES
stressless adjective
stressor |-ər| noun (in senses 2 and 3 of the verb) .
ORIGIN Middle English (denoting hardship or force exerted on a person for the purpose of compulsion): Shortening of distress , or partly from Old French estresse ‘narrowness, oppression,’ based on Latin strictus ‘drawn tight’.

Tuesday, 1 June 2010

KIPLING


“The purpose of life is not to be happy - but to matter, to be productive, to be useful, to have it make some difference that you have lived at all.” - Leo Rosten

I enjoy my work and find that on most days I am challenged, amused, satisfied and I have fun. Sometimes I am overwhelmed by the sheer volume of matters that I have to be aware of, deal with, resolve, comment on, initiate, check on, conclude, sign off on, etc. Not so frequently I am irritated, annoyed, perplexed or puzzled. However, I manage to be relaxed and not stress out, but that is not so much because of the nature of the job but because of my own character traits. Some of my colleagues with less responsibility than me manage to be in a state of constant stress. I don’t know how they cope because such a high level of stress can have dire physiological effects, not only negative emotional and psychological ones.

For Poetry Wednesday today, I’d like to give you a famous poem by Rudyard Kipling, which I first read when I was a child, growing up in Greece in translation. I have since enjoyed many times in the original and its simple construction and rich texture always complements well its message.

IF...
Rudyard Kipling


IF you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:

If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;

If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ‘em up with worn-out tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’

If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And - which is more - you'll be a Man, my son!

Monday, 31 May 2010

START OF WINTER

“I prefer winter and fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show.” - Andrew Wyeth

It’s the first day of Winter here in Australia and the weather has been very pleasant. Cool and sunny, but with the good news that our water reservoirs are at 32.7% (592.9 billion litres) full, compared with 26.5% (469.3 billion litres) at the same time last year. We are hoping for more good rains over winter and spring to keep those dams full! I had a very busy day at work today, full of meetings, hundreds of emails, phone calls and letters. At least much was achieved!

As one of my friends celebrated a birthday today (another crazy Gemini!), this is dedicated to all people celebrating a birthday today. And you are in good company with some of the other birthday boys and girls on this day:
  • Henry Francis Lyte, hymn writer (1793);
  • Nicolas Léonard Sadi Carnot, physicist (1796);
  • Brigham Young, Mormon prophet (1801);
  • Mikhail Glinka, Russian composer (1804);
  • John Edward Masefield, poet (1878);
  • John Drinkwater, poet/playwright (1882);
  • Frank Whittle, jet engine inventor (1907);
  • Marilyn Monroe (Norma Jean Baker), actress (1926);
  • Andy Griffith, actor (1926);
  • Bob Monkhouse, comedian (1928);
  • Pat Boone, singer (1934);
  • Gerald Scarfe, cartoonist (1936);
  • Colleen McCullough, Australian author (1938);
  • Robert Powell, actor (1944);
  • Frederica von Stade, opera singer (1945);
  • Jonathan Pryce, actor (1946);
  • Jason Donovan, Australian entertainer (1968).

The plant for today’s birthdays is the marjoram, Origanum majorana.  The name is derived from the Greek and means “joy of the mountain”.  Astrologically it under the dominion of Mercury and it symbolises blushing shyness.  The ancient Greeks crowned married couples with marjoram, as they believed that Aphrodite had blessed the herb and the pleasant fragrance was the result of the goddess’s touch.

Mikhail Ivanovich Glinka (1804–1857) one of today’s birthday boys, was the first of the nationalistic school of Russian composers. His operas “A Life for the Czar” (1836) and “Russlan and Ludmilla” (1842) introduced a characteristically Russian style into the language of music. He influenced many other composers, not only Russians but also many of the other Slavs. The exuberant overture of “Russlan and Ludmilla” is a gem amongst classical music. Here it is!





St Elmo (also known as St Erasmus), whose feast day it is today, was a bishop from Syria who was martyred by having his intestines drawn out through a slit in his belly with a capstan or windlass.  He is often invoked, therefore, against all sorts of intestinal disorders and bellyaches.  Because a capstan was used, he is also one of the patron saints of sailors.  The term “St Elmo’s Fire” describes the electrical discharges that are seen around ships during storms and are thought of by sailors to be a sign of the Saint’s protective presence.

CELLULAR


“I can't sit around and wait for the telephone to ring.” – Tony Curtis

I rather dislike talking on the telephone. More so on the mobile phone (“cellular phone” for our American cousins). I much prefer to talk to people face to face and interact with them using more than verbal language, and being able to interpret their meaning not only form their words, but from their gestures, facial expressions and body language. Having said all of that, I am very reliant on the telephone for my work, where I see it as tool (and to a lesser extent I rely on the phone for communicating with family). Yes, I do have a mobile phone and I do use it, but not as much as many other people do – at least no so much for making telephone calls on, as today’s mobile phones can do so much more than making telephone calls (I bet there are some that make coffee too!).

Now what has all of that got to do with Movie Monday, you may ask. Well, last weekend we watched the 2004 David R. Ellis film “Cellular”. The movie is a B-grade thriller, but very entertaining and unpretentious. As well as being gripping and tense it also had a good injection of humour that relieved some of the tension, and broached a serious topic (I won’t spoil it for you, in case you wish to watch it). The film stars Kim Basinger who does a good job of being the terrorised but gutsy biology teacher and mum whose life is not only turned upside down, but whose life and that of her family is being threatened in what appears to be a senseless abduction. Chris Evans does a good job of playing the young ingénu who has to help the hapless woman.

The plot centres on Ryan (Evans), a selfish young man, who receives a call on his mobile phone from Jessica (Basinger), a woman who says she's been kidnapped, and knows she will be killed soon, along with her husband and son who the kidnappers have captured next. The communication used is a broken phone that the woman uses to call someone at random. Ryan is the one and after becoming convinced of the woman’s sincerity he decides to help her.

The film is based on a story by Larry Cohen, who also wrote the 2002 film “Phone Booth”, once again on a similar theme, with the telephone in a phone booth being central to the plot. You will enjoy this lightweight film if you like thrillers, although there s considerable violence in this film – more implicit than explicit.

The film highlights the extent on which we rely on technology not only for our everyday communication, but also in an emergency (not to mention the coffee-making!).

Sunday, 30 May 2010

ART SUNDAY - RUPERT BUNNY


“We are not only less reasonable and less decent in our dreams... we are also more intelligent, wiser and capable of better judgment when we are asleep than when we are awake.” - Erich Fromm

We went to the Art Gallery today where there is a special exhibition of Australian artist Rupert Bunny’s works. Rupert Bunny (1864-1947), was one of the most successful expatriate artists of his generation. It is probably true that no other Australian achieved the critical acclaim nor enjoyed the artistic affiliations, which Bunny experienced in Paris in the decades around the turn of the century. He was a gifted colourist and a fine draughtsman, with a strong interest in rhythmic composition. He drew his inspiration from a range of late century tendencies, most particularly Symbolism with its affinity to the life of the imagination.

Bunny painted very individual statements from such influences, in imaginative tableaux which range from magnificent Salon-endorsed mythological fancies, to vibrant decorative allegories and the Belle Epoque paintings of Parisian leisure for which he is most widely celebrated. The exhibition we saw was “Rupert Bunny: Artist in Paris”, at the Ian Potter Centre of the National Gallery of Victoria at Federation Square. It traces Bunny’s extraordinary life and art, from Melbourne to Paris and back again. It is an exhibition organised by the Art Gallery of New South Wales, and is the first major exhibition of Bunny’s work since 1991 and includes over one hundred paintings, drawings and monotypes, some of which have never been seen before in Australia.

Illustrated above, is “A summer morning” c. 1897. It is a delightful pastel-coloured painting with dream-like atmospheric figures, so beloved of the artist. The quasi-mythological composition of women and swans could be well placed in antiquity, or just yesterday. The sheerness of the fabrics and the transparency of the water play with the luminosity of the ivory-like flesh, while the aqua tones of the water complement well the pinkness of the dresses. Such dreamy scenes established the reputation of the artist, while his voluptuous female figures earned the patronage of society gentlemen who delighted in this genre for their dark dens.

Saturday, 29 May 2010

YET ANOTHER GRADUATION!


“The roots of education are bitter, but the fruit is sweet.” - Aristotle

We had our graduation ceremony in Melbourne today at the Melbourne Town Hall. Consequently, it was another very busy day, coming right after a very busy week, which has seen me finalise our Annual Report to the Office of Higher Education, which is to be lodged first thing on Monday morning. Tomorrow is a day of rest!

The graduation went very well and the Town Hall, which is a magnificent venue, was full of graduands, family, friends, academics and the official party. I gave the welcoming speech that was well received and two hours later, we had finished. The official party then went to dinner at Feddish Restaurant at Federation Square where we had a very pleasant meal with much mirth and merriment.

As a consequence, for Music Saturday, something quite appropriate. Here is the Allegro from the G major organ concerto Op.4 No.1 HWV 289 by George Frideric Handel. The organ in the Melbourne Town Hall is magnificent and was used to great effect in the graduation this evening.

Friday, 28 May 2010

CREAM OF TARTAR CAKES


“Chemistry can be a good and bad thing. Chemistry is good when you make love with it. Chemistry is bad when you make crack with it.” – Adam Sandler

Cream of tartar
is one of those fascinating cooking ingredients that lives in the back of the pantry and one rarely uses, but which in certain recipes is indispensible. It is one of those “unnatural” natural ingredients that nowadays is manufactured in great quantities through chemical reactions, and most people will generally inveigh against because of this “chemical” identity. However, it is perfectly natural just as salt is, or soda, or vinegar – all of them are “chemicals”.

Potassium hydrogen tartrate is the proper name for cream of tartar, and it is an acid salt that has a number of uses in cooking. Most foods that we consume are mildly or considerably acidic, for example brown sugar, steak, plums, lemons, vinegar and apples. In fact, egg whites, baking soda, and milk are some of the few non-acidic (alkaline) foods we have.

When tartaric acid is half neutralised with potassium hydroxide, transforming it into a salt, we obtain cream of tartar. Grapes are the only significant natural source of tartaric acid, and cream of tartar is got from sediment produced in wine making. The scientific journal Nature reported some time ago, that traces of calcium tartrate found in a pottery jar in the ruins of a village in northern Iran, is evidence that wine was being made more than 7,000 years ago.

In the kitchen cream of tartar is used to help stabilise and give more volume to beaten egg whites. It is the acidic ingredient in some brands of baking powder. It is also used to produce a creamier texture in sugary desserts such as candy and frosting, because it inhibits the formation of crystals. It is used commercially in some soft drinks, candies, bakery products, gelatin desserts, and photography products. Cream of tartar can also be used to clean brass and copper cookware. Here is a recipe using cream of tartar.

FAIRY CAKES

Ingredients
•    350g caster sugar
•    1 cup cake flour (soft plain flour)
•    12 large eggwhites
•    1 tsp cream of tartar
•    1/2 tsp fine salt
•    1/4 tsp almond essence
•    1 tsp vanilla bean paste
•    300 ml thickened cream
•    1/2 cup icing sugar
•    1/4 cup raspberry jam
•    Extra icing sugar, for dusting

Method
1) Preheat oven to 160ºC. Line a 12-hole patty pan with paper cases.
2) Combine half the caster sugar and all the flour in a large bowl.
3) Whisk eggwhites with an electric mixer on high speed until very frothy. Add cream of tartar and salt and whisk briefly.
4) Add remaining caster sugar to eggwhite, a tablespoon at a time, while whisking on medium speed, until soft peaks form.
5) Fold into flour mixture with almond essence and vanilla. Spoon mixture evenly into each paper case until half-full and bake for 18-20 minutes. Cool on a wire rack.
6) Whip cream and icing sugar into soft peaks.
7) Cut tops off cupcakes with a serrated knife, then slice the tops in half. Spoon jam and whipped cream on cupcakes, then position halved tops to resemble fairy wings. Serve dusted with icing sugar.

Thursday, 27 May 2010

DEEPWATER HORIZON DISASTER

 
“Oh Beautiful for smoggy skies, insecticided grain,
For strip-mined mountain’s majesty above the asphalt plain.
America, America, man sheds his waste on thee,
And hides the pines with billboard signs, from sea to oily sea.” - George Carlin

The Gulf of Mexico environmental catastrophe in the BP oil rig is getting uglier and uglier by the day. Since the explosion in the rig on April 20th, there has been constant leakage of polluting oil into the sea, which not only causes damage locally but which also contaminates shorelines and kills millions of living things in its wake. Not only has the disaster caused untold environmental damage that will take decades to reverse and has cost human lives, but also now it appears that al this could have been prevented.

A memo has now shown that BP admitted to US congressional investigators its decision to ignore warning signs hours before the explosion in the rig. Tests indicated that something was wrong on the Deepwater Horizon, yet BP made what they termed a “fundamental mistake” in continuing operations (as the memo says). Two hours after the abnormal test results were recorded, the rig exploded and 11 workers lost their lives and the environmental disaster unleashed. However, that is not all. The memo also indicated that problems were found in equipment meant to provide fail-safe protection against a blowout.

BP today started the “top-kill” clean-up operation, while the world waits anxiously to see if this is effective. Heavy mud is being pumped into the oil-leaking rift undersea. If oil stops flowing to the surface in the Gulf of Mexico, BP officials will know that this latest effort to stem the continued leakage has been successful. It is hoped that this intervention will stemt eh flow of oil, but we won’t know until Thursday evening local time.

The gusher has spewed at least 7 million gallons of crude oil and has converted beautiful coastlines into nightmarish, polluted death traps for wildlife. Tourists are kept away, local industry has suffered, towns are beginning to feel the economic crunch, on top of already fragile finances. Dead fish, sharks and dolphins are washing ashore, while crabs, turtles and birds are being found soaked in oil as the slick invades into Louisiana’s wetlands. South of New Orleans, globs of oil have shut down public beaches. The spill is now impacting about 250 km of coastline. It is feared that the spreading oil slicks will catch the ocean current to the Florida Keys and up to the eastern seaboard.

The disaster illustrates highlights several home truths about our society and our present mindset:
First, our lifestyle is making demands on the environment that it cannot meet. The more we have the more we want and the more we despoil our earth in order to maintain a lifestyle that has extinction written all over it.
Second, multinational companies are motivated by greed and have a modus operandi set to increasing their profits and maximising the efficiency of their business. They have lost all sense of morality and have no ethics, allowing them to carry on their business in ways that bypass regulations and laws, and blatantly concentrate all their efforts on finding new loopholes to beat the system.
Third, our politicians are becoming increasingly corrupt, easily bribed and more and more involved in the nefarious deeds of big business, aiding and abetting the offenders.
Fourth, we as a population, as a society are becoming more apathetic and easily distracted by entertainment, material possessions, creature comforts and superficial values.
Fifth, those among us who still see the errors of our ways and cry out against the insanity around us have our voices drowned out by the multitude.

Can such a civilisation survive?

petroleum |pəˈtrōlēəm| noun
a liquid mixture of hydrocarbons that is present in certain rock strata and can be extracted and refined to produce fuels including gasoline, kerosene, and diesel oil; oil.
ORIGIN late Middle English: From medieval Latin, from Latin petra ‘rock’ (from Greek) + Latin oleum ‘oil.’

Wednesday, 26 May 2010

ABSENCE AND ITS CURE


“Days of absence, sad and dreary, Clothed in sorrow’s dark array, Days of absence, I am weary; She I love is far away.” – William Shakespeare

To be far away from the one we truly love is a tonic for a relationship that may be becoming too comfortable in its self-assurance and which may risk being taken for granted. The separation from one we love peppers our mind and body with the keenness of increased desire. Absence is the spice that we add to fondness, enriching it with the savour of passion. We reawaken memories of being in love and reanimate our endearment feelings of new ardour.

I write this while anticipating a rapidly approaching reunion…

Absence

They say that absence makes the heart grow fonder,
But ever since you left, my heart is smaller, colder.
Now by myself, all of my time is mine to squander;
But so much time is worthless and I feel inert and older.

They say that absence from our love is worse than death
And feeling all that distance separating us, I sympathise;
My life is empty, cold, each gulp of air a dying breath,
A heart that’s stopped, a silent mouth and closing eyes.

They say that absence lessens small loves, increases great ones;
How true that seems, as my love for you grows evermore;
With absence watered, my rushing river of love, swells, runs
And takes all with it, till it reaches welcoming far shore.

They say the joy of meeting pays the pangs of absence,
But all I feel is pain and torture; no thought of future bliss
Will now console me, and your lack is my quintessence;
I abide your deficit, only to live again when we shall kiss.

Tuesday, 25 May 2010

AFRICAN LIBERATION DAY


“We have learned to fly the air like birds and swim the sea like fish, but we have not learned the simple art of living together as brothers. Our abundance has brought us neither peace of mind nor serenity of spirit.” - Martin Luther King, Jr.

African Liberation Day is celebrated on May 25th every year and on this day, many countries in Africa celebrate the hard-fought achievements of their freedom from European colonial powers. Many African countries and African communities around the world play an active role in organising events and celebrating African Liberation Day. Ghana, Kenya, Spain, Tanzania, the United Kingdom, and the United States are all involved in maintaining the momentum of this commemorative day. In Ghana, May 25th is a public holiday. Various activities organised include formal gatherings with panel discussions, street marches, speeches by political and social leaders, rallies featuring cultural entertainment, poetry, and speakers.

The special connection with Ghana is that in 1957 Ghana was the first African country south of the Sahara to secure independence from colonial rule. The newly independent nation took its name from an empire that flourished near that region between the 4th and 10th centuries. African Freedom Day was founded during the first Conference of Independent African States, which attracted African leaders and political activists from various African countries, in Ghana on April 15, 1958. Government representatives from eight independent African states attended the conference, which was the first Pan-African conference in the continent. The purpose of the day was to annually mark the liberation movement’s progress and to symbolise the determination of the people of Africa to free themselves from foreign domination and exploitation.

Between 1958 and 1963 the struggle for independence in Africa grew bigger and there was much support and activism not only in Africa, but also around the world. During this period, 17 countries in Africa won their independence and 1960 was proclaimed the Year of Africa. On May 25, 1963, 31 African leaders convened a summit meeting to found the Organisation of African Unity (OAU). They renamed Africa Freedom Day as “African Liberation Day” and changed its date to May 25. The founding date of the OAU is also referred to as “Africa Day”. African Liberation Day has helped to raise political awareness in African communities across the world. It has also been a source of information about the struggles for liberation and development.

An outline of the map of Africa, or the shape of Africa, is often used as a symbol for the day. Pan-African colors, may also be used for the day, and come in different sets of three colours. For example, the green, gold, and red colors used in the flag of Ghana or the red, black, and green colors adopted by the American-based Universal Negro Improvement Association and African Communities League (UNIA)

After about 500 years of the most brutal suffering known to humanity, the enslavement of Africa and the subsequent trade in human souls, which cost Africa in excess of 100,000,000 of her children, the masses of African People in the 1950s and 1960s finally were able to shout with a single voice: “Enough! Let us be free and able to shape our own destiny.” The bell of freedom that rang then, still reverberates and fills Africans everywhere with pride, determination and renewed energy for continuing to fight for what is their birthright: Freedom, dignity, self-determination, prosperity and

Happy African Liberation Day to all Africans all over the world!

Monday, 24 May 2010

AVATAR POLITICS


“All animals are equal but some animals are more equal than others.” – George Orwell

For Movie Monday today I’ll first talk about politics. Totalitarian democracy is a term made famous by Israeli historian J.L. Talmon to refer to a system of government where lawfully elected representatives maintain the integrity of a nation whose citizens, while granted the right to vote, have little or no participation in the decision-making process of the government. For example, the type of government that USA, or Australia or the UK have. This is in opposition to a direct democracy where the people participate directly in the decision making on a regular basis. Examples of this include Switzerland, where five million voters decide on national referenda and initiatives two to four times a year; with direct democratic instruments are also well established at the cantonal and communal level.

The “democracy” that most nations operate under is a representative democracy that if carefully administered attempts to take into consideration the will of the people as much as possible and reach decisions that please most (a consensus democracy), such as we have in Sweden, for example. Or if powerful factions begin to take control of government, the system becomes more of a totalitarian democracy, as happens in some countries where capitalism is rampant and a rich and powerful aristocracy move the strings and the puppet government moves. The people are placated by lip-service elections and much rhetoric about liberty and equality, while a small minority control government and its decisions so that the aristocratic minority benefits most.

Why all of this on Movie Monday? Because a couple of weekends ago we watched a highly political film. It was James Cameron’s 2009 “Avatar”. This director’s left wing sympathies are well known, so it was difficult not to view the film as a political statement. Or to not equate the Na’vi with the American Indians or the American blacks, or to not equate Pandora with Korea, Vietnam, Iraq or the other multitude of locations where capitalist interests have despoiled countries and people in order to make money.

The film is an allegory and as such can be interpreted on many levels. The more innocent amongst us may see it simply as a sci fi fantasy, boys’ own adventure with lots of action and even fighting robots and lots of explosions, yeah! Those with a guilty conscience, will no doubt say it is a cheap, sensationalist, left-wing piece of propaganda that bags white, middle-aged capitalists, who only want the best for everyone (and this of course can’t be done with some small sacrifices). Others may call it racist, especially when one sees the way the Na’vi are depicted - uncivilised savages who have to wait for a liberator in the face of Will, the “superior” and more civilised half-human, half-Na’vi Avatar. Whatever one’s point of view the film is worth seeing.

One thing we immediately realised when viewing the film is why it didn’t win the Best Film Oscar. Such a controversial political hot potato couldn’t possibly be selected for an Academy Award. Instead of a film where the army are very much the bad guys (Avatar), the Oscar went to the Iraq war heroes, the army depicted as good guys (The Hurt Locker). It is the choice of a totalitarian democratic state defending itself. It is a natural choice, especially in these times of insecurity, lost national pride, global financial crisis and an overwhelming sense of needing to reassert what people hold dear to their hearts – good old-fashioned values that built nations and created empires.

Avatar is too much of an inflammatory thorn in the side of imperialist great powers. Belgium in Africa springs to mind, Holland in Indonesia, France in the Pacific, Britain in India and Australia and the US everywhere else. It is a criticism of our financial systems and capitalism where (until recently, at least) greed was good. It is a lament for the harm we are doing to our environment. Cameron has been quite open about his motives in making the movie: “Greed and imperialism tend to destroy the environment,” he said in a recent interview. “It’s a way of looking back on ourselves from this other world.”

Dryden’s and Rousseau’s concept of the “Noble Savage” very much underlies the film and the Na’vi are depicted as in touch with their environment, in a holistic, universal, harmonious way that we humans have lost. Humans are painted with garishly evil colours, especially the “civilised savages” of the army and the heartless capitalists whom they protect. Scientists are given better press, as it is they who attempt to understand the Na’vi and approach them so that they may come closer to them.

What has been described as a flaw in the film, and even labeled as “racist” is that Will, the white man in a Na’vi body is the “hero” who liberates the Na’vi. Will’s Na’vi body infact is a mixture of human and Na’vi DNA. As a hybrid he identifies more with his Na’vi genes and is recognised and accepted as part of the Na’vi ecosystem. It is a case of dominant and recessive genes and the Na’vi wins out in more way than one. When we see Will’s Na’vi Avatar we do not see a human we see a Na’vi.

I could discuss the film more, but I shall stop here as it is more of a discussion that lends itself to debate rather than monologue. It is a good film and contains much to think about.