Saturday, 13 March 2010

L' ORFEO


“A painter paints pictures on canvas. But musicians paint their pictures on silence.” - Leopold Stokowski

Some quintessential musical passages remain with us since the first time we hear them. They touch us and stir emotions within us with a force that other stimuli fail to do. Claudio Monteverdi is one of my favourite composers and his “L' Orfeo” is a masterpiece amongst masterpieces. Here is a piece that introduces the opera and is sung by Trudeliese Schmidt with Nicolaus Harnocourt leading the Monteverdi Ensemble of the Zürich Opera House. Although her singing is faultless, and the aria marvellous, the instrumental introduction (at 1:58 after the bashy Toccata), which recurs as the mellifluous ritornello every now and then, is a bewitching piece of pure music that always wrings my heart every time I hear it. A sublime few bars of genius that were penned by a master, whose art is ever-fresh and relevant even though several centuries old.

Enjoy!

Thursday, 11 March 2010

AN APPLE OR TWO...


“It is, in my view, the duty of an apple to be crisp and crunchable, but a pear should have such a texture as leads to silent consumption.” - Edward Bunyard

For lunch today I had a couple of new season’s apples. They tasted delicious – fruity, sweet, crunchy, juicy and they were beautiful to look at also. The introduction of new season apples into our greengrocers’ shops ushers in autumn for us of the southern hemisphere. The humble apple is the archetypal fruit par excellence, and its history goes back to palaeolithic times with preserved specimens being discovered in a variety of locations around the world. This fruit not only has been enjoyed as food for millennia, but is also the source of rich legends and myths in many cultures.

From the very beginning of history ancient people adored fruit. Except perhaps for honey, fruit is nature’s only pleasure-laden natural food. Apples (or to give them their botanical name Malus domestica) have been associated from ancient times with love, beauty, luck, health, comfort, pleasure, wisdom, temptation, sensuality, sexuality, virility and fertility. Myths about man’s origins connect him to a garden of paradise filled with fruit trees. The stories are essentially the same whether we consider the Semitic Adam, the Teutonic Iduna, the Greek Hesperides, or the Celtic Avalon. Human beings have paradise with an abundance of cultivated fruit.

In Greek mythology, Gaia (Mother Earth), presented a tree with golden apples to Zeus and his bride Hera on their wedding day. Guarded by Ladon, a serpent that never slept, the apple tree was in the garden of the Hesperides, daughters of the Evening Star. These golden apples became involved with many tales of love, bribery and temptation ranging from the abduction of Helen of Troy to the defeat and marriage of Atlanta. The sexual and romantic connotations of the apple were powerful reasons why apples came as dessert at the end of the meal. They not only tasted heavenly and were good for digestion but were regarded as a cunning transitional aphrodisiac for the pleasures that followed. Is it any wonder that apples became the most sought-after fruit on earth?

Apples, have been described as a “cleansing” food and contain fibre, which encourages good gastrointestinal system function. After all, “an apple a day keeps the doctor away, two apples a day keep the gastroenterologist at bay!” Although apples can be eaten freely, more than two or three a day does not increase the health benefits. Furthermore, large quantities of apple juice can encourage tooth decay and diarrhoea.

The nutritional value of apples is well known and for every 100 g of apple flesh, there are 10 g of sugars, 3 g of fibre, 120 mg of potassium, 10 mg of vitamin C, 2 mg of Vitamin A, 0.6 g of vitamin E and about 200 Joules of energy (≈50 calories). They contain no fat or cholesterol. Apples also contain antioxidants and fruit flavonoids. The most important of the flavonoids contained in apples is quercetin, which has anti-inflammatory as well as anti-cancer actions. Apples can reduce blood cholesterol levels, counter constipation and diarrhoea, help joint problems and help prevent diseases in general. Apples are best eaten raw, as cooking them can reduce the flavonoids by as much as 70 percent into the cooking water. It is also a good idea to eat the apple unpeeled as flavonoids are contained in or near the skin.

Antioxidants are chemicals that reduce or prevent oxidation, thus preventing cell and tissue damage from destructive free radicals in the tissues. Antioxidants are chemical substances that donate an electron to the free radical and convert it to a harmless molecule. Fruits, vegetables and grains are rich sources of antioxidants.

Flavonoids are defensive plant chemicals found in apples, along with other fruits and vegetables. There are a number of different types of flavonoids with each having a protective health effect. Over 4,000 flavonoids have been documented to have antiviral, anti-allergic, anti-inflammatory, anti-tumour and antioxidant activities. The term flavonoids represents all of the following subclasses: Anthocyanins, Flavanols, Flavanones, Flavonols, Flavones, and Isoflavones.

Pectin is a natural fibre found in many fruits with apples being the richest source of pectin among all the fruits. Recent studies have revealed many health benefits from consumption of pectin. Of note are studies that show Pectin:
• Acts as an antioxidant against the bad cholesterol in the blood stream.
• Decreases the chances of large bowel cancer.
• Works well as an anti-diarrhoea agent.
• Reduces high blood pressure.
• Is effective in the regression, or prevention of, gallstones.

There is also recent evidence to suggest that taking Apple Pectin everyday over time can lead to a reduction in insulin requirements, which may lessen the severity of diabetes.

Further research suggests that phytochemicals may help slow the ageing process and reduce the risk of many diseases, including cancer, heart disease, stroke, high blood pressure, cataracts, osteoporosis, and urinary tract infections. "Phyto" is a Greek word that means plant and phytochemicals are usually related to plant pigments. So, fruits and vegetables that are bright colours - yellow, orange, red, green, blue, and purple - generally contain the most phytochemicals and the most nutrients.

Quercetin may be a major reason why the old saying about “eating an apple a day” has been associated with good health. Quercetin, primarily found in apples, onions, and black tea, belongs to a group of plant pigment flavonoids that serve as a building block for other members of the flavonoid family. It combats the destructive “free radical” molecules that play a part in many diseases.

Specifically, quercetin may help to:
• Reduce cancer risk
• Prevent heart attacks
• Ward off eye diseases such as cataracts and macular degeneration
• Control asthma
• Maintain health when suffering from Crohn’s disease
• Prevent recurrent gout attacks
• Speed up healing of recurrent heartburn, or gastroesophageal reflux disorder (GERD)

Tannins are substances that tan hides and make apples rust when exposed to the effects of the air. True tannins produce both tanning and puckering. The amount of tannin in an apple, especially in the skin, may differ not only from variety to variety, but also from tree to tree and even from year to year for the same tree. Research suggests tannins may help prevent periodontal or gum disease.

Apples: Delicious, nutritious, auspicious, propitious, healthful, delightful, flavourful and colourful!

A NIGHT AT THE OPERA


“No good opera plot can be sensible: People do not sing when they are feeling sensible.” - W.H. Auden

Last night we went to the Opera and saw Rossini’s masterpiece “The Barber of Seville”. It was a Melbourne Opera Company production staged at the Athenaeum theatre and we had a delightful time. Melbourne Opera prides itself on its commitment to producing high quality, accessible performances for the benefit of audiences and performers. It has an ensemble of dedicated performers and administrators, and they aim to provide opera of the highest standard to audiences of all ages and backgrounds at affordable prices. The company was only founded in 2002 as a non-profit public arts company dedicated to producing opera and associated art forms at realistic prices. At the performance last night, the company’s patron, Lady Potter announced a partnership with Monash University, which will no doubt greatly stimulate this company to go onto bigger and better things.

The Athenaeum Theatre is a Melbourne institution, founded in 1839. Originally it was called the Melbourne Mechanics’ Institute. This was expanded in 1846 to the Melbourne Mechanics’ Institution and School of Arts. The building on Collins Street was completed in 1842. The Athenaeum played a role in the establishment of Mechanics’ Institutes in Victoria. The Institution changed its name to the Melbourne Athenaeum in 1873. At that time, as now, a major activity was a library. The theatre in its present form was created in 1921. The theatre was the first venue in Australia to screen talking pictures. It is an intimate theatre, which nevertheless retains a classic appearance with stalls, dress circle and upper circle, quite commodious in its entirety. The stage and orchestra pit have been recently refurbished and renovations are now in full swing, made all the more urgent by the flood damage from last Saturday’s storm (the show did go on, however!).

“The Barber of Seville” is derived from a play by Beaumarchais and introduces the likeable rogue, Figaro, who is a barber and general factotum of the city. He aids the Count Almaviva to win the affections of Rosina, the pretty young ward of Dr Bartolo (who lusts after her and wishes to marry her himself). The music of “The Barber of Seville” is too well known to require me talking about it at length here. It shows the composer in his most brilliant, amusing and most exhilarating mood, and sparkles with wit and fancy. Amongst his most familiar numbers are the Count’s serenade, Figaro’s celebrated description of his various duties, Basilio’s plotting aria, Rosina’s chamber aria, the ingenious dragoon finale of first Act, and the music-lesson. The well-known overture, as now played, was not originally composed for the opera, but had done varied service in other works.

Rossini wrote “The Barber” to the commission of the manager of the Argentina Theatre, at Rome, where it was first produced in February 1816. According to contract, it had to be finished by a very near date, and for thirteen days poet and composer had scarcely time to eat, while they slept (on a sofa) only when they could no longer keep their eyes open. Although the opera was not successful on its first few performances, within a couple of weeks it reaped the success it deserves. Before long it had spread all over Europe, with performances from London to St. Petersburg. In 1825 it became the first opera ever sung in Italian in New York City, and Rossini was arguably the most popular composer in the world. Rossini’s masterwork is still indisputably the most popular opera buffa (comic opera) of all-time.

The cast comprised international star Sally-Anne Russell stars as Rosina, with the dashing Phillip Calcagno as Figaro and Margaret Haggart as Berta; Operatunity Oz star Roy Best as Count Almaviva, popular baritone Ian Cousins as Dr Bartolo and David Gould as Basilio. The small orchestra was competent enough (except for some initial jitters from the brass section in the overture) and the harpsichordist did a marvellous job the whole performance through.

We had a delightful evening and enjoyed the performance very much. If you are in Melbourne do go and see it, it’s a good night out!

athenaeum |ˌaθəˈnēəm| (also atheneum) noun
Used in the names of libraries or institutions for literary or scientific study: The Melbourne Athenaeum library and theatre.
• Used in the titles of periodicals concerned with literature, science, and art.
ORIGIN mid 18th century: via Latin from Greek Athēnaion, denoting the temple of Athena, goddess of wisdom.

Here is a clip with Figaro’s famous aria “Largo al Factotum della Città” sung by Pietro Spagnoli in the famous production of Teatro Real in Madrid.

Wednesday, 10 March 2010

KO-UTA


“It's spring fever. That is what the name of it is. And when you've got it, you want - oh, you don't quite know what it is you do want, but it just fairly makes your heart ache, you want it so!” - Mark Twain

A very full day (and evening!) today, so for Poetry Wednesday, a Ko-Uta or “Little Song” of the Japanese Geishas. These marvelously lyrical songs are sung by the geishas while they accompany themselves on the shamisen (a three-stringed, fretless, long necked, banjo-like instument). They are called little songs as most of them take a minute to be performed, none being longer than three or four minutes long. The singer and shamisen take two different threads of melody and wind them around each other to give a harmonious whole.

This Ko-Uta is dedicated to all my northern hemisphere friends who are awaiting spring:

A Single Plum Blossom

A single plum blossom, then another
Opening one by one,
And the first plaintive notes
Of the bush warbler’s song,
Harbingers of the coming spring.
To tell the truth,
They only make me long
To see you again…

And in Japanese:

Ume ichirin
Ichirin zutsu ni
Uguisu no
Utai some soro
Haru no keshiki mo
Totonou mama ni
Jitsu wa aitaku
Natta no sa


Jacqui BB hosts Poetry Wednesday

Monday, 8 March 2010

STAMPEDE


“Prosperity is not without many fears and distastes, and adversity is not without comforts and hopes.” - Francis Bacon

I am thankful I have a job. I am thankful for every day that I go to the train station and am able to travel to work in public transport in safety and relatively cheaply and reliably. I am thankful I have a house to live in with reasonable comfort. I am thankful that I live in a country where I can expect a certain level of social welfare, relative safety and where my interests are looked after by laws and a political system that is there to serve my interests. I am thankful for my ability to have freedom of speech. I am thankful for not being discriminated against because of sex, age, politics, sexuality, religion, etc, etc.

What has prompted this outburst of gratitude? Well, firstly one of my colleagues at work was bemoaning the fact that we had to come back to work after the Labour Day holiday. Secondly, the angry comments of an irate fellow passenger this evening on the commuter train because the train was five minutes late. Third, was a news item that I read in the paper about a stampede in India where a young man died tragically and 11 were injured. The incident occurred in Mumbai where 30,000 young men were assembled ready to lodge a job application in an attempt to become part of the Mumbai police team (3,250 newly created positions). When the gate of the police camp opened, the 30,000 applicants gathered outside camp gate rushed in to allow submit their applications.

The victim was 22-year-old Ramesh Gopinath who lined up from the previous night, with all of his hopes collected on an application form. A young man who competed with the other 30,000 hopefuls in order to find a job, make something of his life and support his family. Instead of a job he found a horrible death as he was trampled. His grieving family that was depending on him for their daily bread is now left bereft and without any income. The recruitment process was resumed a few hours after the stampede…

Last week, 63 people died in the northern state of Uttar Pradesh in another stampede outside a Hindu temple. They were women and children, and the cause of the deaths was lax safety and overcrowding in a confined space. In the absence of safety regulations in congested spaces, as panic spreads quickly, the resulting stampede is often lethal. These events are not isolated occurrences. They have occurred with amazing regularity in the past and will continue to happen unless serious changes in Indian society are put into place. No mean feat for one of the most populous countries in the world (1.17 billion people, as estimated for July, 2009; more than one-sixth of the world’s population), and a land in which great poverty abounds.

When I visited India several years ago, I was astounded. It is a country of immense contrasts, a long history, an amazing civilisation and an extremely diverse population. I saw great riches right next to the most abject poverty. The glory of the Taj Mahal coexisting with the misery of shanty towns. And everywhere crowds and crowds of people. The people I met were gracious, courteous and possessed of a gentle nobility even if they were the poorest of the poor. In their poverty they were happy with what little they possessed, and generous of spirit to share that little with complete strangers.

I am distressed by this news from India, but even closer to home, the plight of some Indians who are living here in Australia and who are experiencing difficulties or violence concerns me. The latest news relates to the poor young Indian child of three years who was found dead in an outer Melbourne suburb last week. The toddler was visiting Australia with his parents and a 23-year-old Indian man who had been living in the same house has been arrested and charged with the child’s death. The case is a puzzling one and all is not what it appears to be.

We have many Indians living in Australia and many who are studying here, many who are hoping to immigrate here, or gain permanent residency. The links between our two countries are many and there are many factors that should unite rather than divide. Social conditions in India are more difficult than in Australia and the attractiveness of Australia as a destination for economic refugees is great. Australian society, which is generally tolerant and accepting, and quite cosmopolitan, also has some elements within it that are xenophobic and resistant to further immigration. Tensions develop and there are sometimes outbursts of violence and hate. A balance can be achieved. Our society has the capacity to accept more immigrants and still preserve all of the things that I am grateful about. The trouble is in finding that balance and convincing all concerned that Australia’s lifestyle and social conditions will not suffer as our population expands…

Sunday, 7 March 2010

INTERNATIONAL WOMEN'S DAY - THE PIANO


“One man gets nothing but discord out of a piano; another gets harmony. No one claims the piano is at fault. Life is about the same. The discord is there, and the harmony is there. Study to play it correctly, and it will give forth the beauty; play it falsely, and it will give forth the ugliness. Life is not at fault.”

Today is International Women’s Day, which had its origins in 1908 when 15,000 working women went on strike in New York. It was a struggle calling for electoral rights, improved working conditions, a shorter working day, and the same salary as men. In 1910 an International Conference of Working Women was held in Copenhagen. A woman named Clara Zetkin (Leader of the “Women’s Office” for the Social Democratic Party in Germany) tabled the idea of an International Women’s Day. She proposed that every year in every country there should be a celebration on the same day (a Women’s Day) to champion their causes. The conference of over 100 women from 17 countries, representing unions, socialist parties, working women’s clubs, and including the first three women elected to the Finnish parliament, greeted Zetkin’s suggestion with unanimous approval the result being International Women’s Day. Women still are not present in equal numbers in business or politics, and globally women’s education and health is worse than that of men.

A hundred years later, Amnesty International reminds us that women’s rights are basic human rights and violence against women remains one of the most serious barriers to equality. On average, women still earn almost a third less than men and face many obstacles in advancing their career, especially if they interrupt it to have children. In 1977, the United Nations General Assembly adopted a resolution calling on member states to proclaim a day for women's rights and international peace. Following the United Nations’ lead, many countries around the world chose March 8th as International Women’s Day.

For our Movie Monday today, a film written and directed by a woman about a woman. This is a film which I first saw when I was living in Holland as a new release in the early 90s. I had really liked it then and on viewing the film again at the weekend, I was able to appreciate it once more. It is the now classic Jane Campion 1993 movie “The Piano”, a New Zealand, Australian, French production.

The film is set in Victorian times in New Zealand, a colony of the British crown. The Europeans and Maoris live in a fragile peaceful co-existence and the Europeans rapidly develop the pristine land that they obtain from the Maoris by exchanging it with manufactured goods and guns. Two land owners, the well-to-do Alisdair Stewart (played by Sam Neill) and the more easy going and frugal George Baines (played by Harvey Keitel). Alisdair has remained very much a Victorian gentleman farmer, but George has a good relationship with the Maoris and his sojourn in New Zealand has changed him psychologically and behaviourally. Alidair has a clutch of horrible relatives, upon whose insistence (one supposes) arranges for a bride to be sent to him from the home country. This is Ada McGrath (Holly Hunter), a Scottish mute woman who has not spoken since she was six years old, but who can hear. Ada has a young daughter, Flora (Anna Paquin), with whom she can converse in sign language.

Ada’s voice is her piano, with which she cannot bear to be parted, and so it accompanies mother and daughter to the colonies. The film is the story of Ada and her liberation. Liberation from people’s expectations, from her confining, strait-laced Victorian morality, from society’s stranglehold on what a woman has to do, what she can and what she cannot do. It is about Ada’s discovery of her sexuality and of love.

The film is poetic and brutal at the same time. Its images are suffused with a wild beauty and the cinematography is stunningly beautiful. The raw sexuality that the film exudes is more akin to passionate love rather than a simple carnality. Ada’s discovery of herself through her love for her music and even more so her love for a man who loves her back and desires her for herself, is a powerful statement of feminism and self-determination. Ada’s sensuality is mirrored by her lover and the final scenes of the film when Ada chooses between her piano and her lover are stunning.

One of the strong points of the film is the music by Michael Nyman. It is amazingly apt and enhances every scene by touching the appropriate heart strings so that they resonate with the emotive force of the images and the story. The film won three Oscars (Holly Hunter – Best actress; Anna Paquin – Best supporting actress and Jane Campion – Best screenplay) as well as numerous other awards, and rightly so!

If you haven’t seen this film, watch it, it’s fantastic! Here is a short trailer with my favourite piece of music from the film:

ART SUNDAY - JAN VAN KESSEL'S NOAH'S ARK


“Some people walk in the rain, others just get wet.” - Roger Miller

The full effect of yesterday’s storm has become apparent around our City. Many millions of dollars of damage, many homes, cars and other property destroyed and a massive clean-up operation that started today. We had more heavy rain this evening and we kept thinking of the poor people who had lost home and possessions in the fury of the storm. Many others were knee in mud and water, trying to clean and dry up the flood damage.

Here is an apt painting for today, “Noah's Family Assembling Animals before the Ark” by Jan van Kessel II (Flemish, 1626-1679).  It is after a painting by Jan Brueghel the Younger (Flemish, 1601-1678), painted about 1660 in the Baroque period. The animals gathered by Noah's family to take on the ark in the distance reflect both the amazing variety of nature and man's dominion over nature. The majority were considered exotic by 17th-century Europeans: For example, parrots, the rare purple gallinule, and turkeys from the New World, African ostriches and porcupines with their incredibly long quills raised in defense, as well as lions and leopards. The painting could be enjoyed like a visit to the menagerie or zoo.

This is a descendant of a painting from 1613 by Jan Brueghel the Elder (J. Paul Getty Museum, Los Angeles), the composition was also painted by Jan Brueghel the Younger. Here, the groupings of animals are distinct, encouraging viewers to study them separately. This is characteristic of animal paintings by Jan van Kessel, nephew of Jan Brueghel the Younger.

Saturday, 6 March 2010

HAILSTORM IN MELBOURNE


 “Climate is what we expect, weather is what we get.” – Mark Twain

We have had a massive hailstorm here in Melbourne today, followed by heavy rain that came down in bucketfuls. It was about 2:45 p.m. in the afternoon when the sky darkened as if it were night and the wind howled. The sound of the hailstones falling on the roof was deafening and we though the roof would cave in! The hailstones were the size of large marbles, with some areas reporting golf-ball sized ones, while in other areas hailstones the size of tennis balls were seen. Falls of anything between 30 to 70 mm of rain were recorded in different parts of the city. The hailstones covered the ground like snow and the streets turned into rivers as the flooding waters ran through creating havoc on the roads.

Two pedestrians that were walking outside our house came and found shelter on our porch so we let them in while the storm raged outside. The damage was amazing. Trees were stripped of their leaves, cars had windscreens broken and had dents all over their panels. There were hundreds and hundreds of phone calls to the State Emergency Service and many cars were stranded on flooded city streets. Events were cancelled (including the horse racing), public transport ground to a stand-still and there was gridlock on city streets in the middle of Melbourne. The Southern Cross train station had to be evacuated as heavy rain tore a hole in its roof and a deluge splashed down on the train platforms.

I had to go out through the City at about 4:00 pm, and it was all fine until I got to Queen St, wanting to cross the Yarra at Queen’s Bridge. The road was flooded at Flinders St and nobody was game to cross the flooding torrent. I turned back and tried going via Spencer St, however, the traffic was horrendous and there was no way to cross. I cut through Flinders Lane, up Market St and went down to Queen St again. The water had subsided a little and as I saw a smaller car in front of me cross the flooded road, I followed suit and managed to get through.

The whole of the City was a mess. The beautiful plane trees had all of their leaves shredded by the hail and the footpaths were littered by leaf debris, looking like lawn. Piles of hailstones were still around, looking like snow. People were wading through the flooded streets and some cars had been abandoned as they had stalled and could not move. The scene was one of a catastrophe of huge proportions. The damage bill will climb to the millions I should think! More storms are said to follow.



Funnily enough the day started out very well with sunny blue skies. The weather bureau had predicted showers and “possible thunderstorms”. The ferocity and suddenness of the storm we had took everyone by surprise. Fortunately there was no damage to our house, although the garden did suffer somewhat. Tomorrow we’ll have to take stock of the damage…

In the meantime, here is a suitably wet song, sung by Greek singer, Notis Sfakianakis:

Thursday, 4 March 2010

HOME COOKING - YOUVARLAKIA!


“Where we love is home, home that our feet may leave, but not our hearts.” - Oliver Wendell Holmes, Sr

Back home today after flying in with the red eye special this morning and going straight to work! All sorts of crises to handle, which magically seem to appear when I am away. After putting in about 10 hours of work, I came back home and it was very nice to find a home-cooked meal on the table and smell the delicious scents of the garden, the kitchen, the rich aromas of home.

We had a traditional Greek dish today, which is called Youvarlakia (meatballs in egg and lemon soup).

Youvarlakia

Ingredients
1 tbsp. butter
1 large onion
5 cups clear beef broth (or vegetable broth)
500 g lean ground beef
1 tsp. salt
1/2 tsp. celery salt
1/2 cup uncooked short-grain rice
1 tbsp. chopped parsley
1 tsp chopped dill
ground pepper, to taste
4 eggs
1/2 cup fresh lemon juice

Method
Peel and finely grate the onion into a bowl. Add the beef, salt, parsley, dill, ground pepper, and the uncooked rice. Form the mixture into 3.5 cm meatballs. And roll so that they become even and smooth.

Add butter to a large pot to melt. Add the pepper and celery salt and stir through. Add the broth and bring to a boil. Drop the meatballs into the broth carefully so that they don’t break up. Reduce the heat and simmer, half covered, for about 20-25 minutes, until meatballs cook through and the rice is done (add more broth if needed). Season to taste with more salt and pepper if desired. Remove from heat. In a medium bowl, whisk the eggs with the lemon juice well, until combined. While whisking, slowly drizzle the broth from the meatballs into the egg and lemon mixture, stirring continuously so as not to curdle the eggs (this is best done by two people, one whisking one adding the hot broth, or you may use a mixer on low speed). Slowly pour the egg/lemon/broth mixture back into the meatballs, again stirring continuously as you do so. Season to taste again, if necessary.

Serve meatballs with a generous amount of soup and garnish with chopped parsley.

ON THE ROCKS


“Travel is fatal to prejudice, bigotry, and narrow-mindedness.” – Mark Twain

I had a wander through The Rocks district today. The Rocks are in Sydney’s city centre, on the western side of Circular Quay, and is the area of the first European settlement in 1788. Before the 1820's it evolved into one of Sydney Town’s most unsavoury districts, full of convicts and prostitutes, although this has changed over the centuries from slums to three-story houses.

It was in its second stage of life overtaken by warehouses and the maritime industry, but later again demolished due to the plague and then the Harbour Bridge Construction. Since the 1970’s it has developed into a tourist area, full of cobbled streets, pretty old-style buildings, numerous little shops and a lively nightlife filled with bars, pubs and restaurants.

The Rocks is also home to a variety market at the weekend, as well as live music at various venues around the area. There are a full range of stalls offering local craft and unusual gifts, as well as food stalls, Aboriginal art, and much more.

Walking tours around the area can be made by following the directions on number of guide books available at the Rocks Discovery Centre. One of the most interesting is a historical walking tour of the area. There are many stops along these tours including Sydney's first gaol, Cadman's Cottage and Sydney’s shortest street. Spectacular views of Circular Quay and Sydney Harbour Bridge are also to be enjoyed here. The oldest house in Sydney can be found in The Rocks and it is Cadman's Cottage on George Street, built in 1816. It was once home to John Cadman but now is the National Park Information Centre.

George Street is the main street through the Rocks area, which is the oldest street in the whole of Australia. There are a number of notable buildings along George Street, including Billich Gallery, the Old Police Station, the Union Bond Store, the Vault Restaurant and the nearby Museum of Contemporary Art in a stylish Art Deco building.

Just behind George Street is Kendell Lane featuring more historical buildings: The Coachhouse as well as Puppet Cottage, and at the end of Kendell Lane the lively Rocks Square. South from the Square, one can head past the Argyle Stores before arriving at Susannah Place which is a beautiful row of old terraced houses. From here there are fantastic views of the Sydney Harbour Bridge.

Tomorrow back to Melbourne!

Wednesday, 3 March 2010

POSTCARD FROM SYDNEY


“A good traveler has no fixed plans, and is not intent on arriving.” - Lao Tzu

I am in Sydney for two days attending a staff development seminar, which is proving to be very interesting, although the hours are long and there is much to get through. The weather in Sydney has been very changeable but it was good to get out during the breaks and in the evening and enjoy the sun. Then night came and the lights of the city lit up like a million diamonds in a jewel box…

The City


The city smiles at me tonight
And I watch her, silent, fascinated, my eyes full
Of her beauty.

Lights shine like diamond brooches
The air pure, violet, perfumed, feminine,
Desires a kiss.

My thoughts fly like swallows in the sky,
My desires chained to your distant face; if only you were here,
Beside me!

The night, tonight is a silken ladder, like your hair,
The moon, almost full, blond, sweet lovable, gives me only
A distant smile.

Jacqui BB hosts Poetry Wednesday

Monday, 1 March 2010

ST CHAD'S DAY & SAMPHIRE


“It is doubtlessly true that religion has been the world's psychiatrist throughout the centuries.” - Karl Menninger

Today it is St Ceadda’s Feast Day, the saint more usually known as St Chad. St Chad (died on this day in 672) is the British patron saint of medicinal springs. He was one of four brothers who were all priests. He was a monk at the Abbey of Lastingham and succeeded his brother, St Cedd as Abbot. He was made bishop of York by king Oswy but the Archbishop Theodore of Tarsus challenged Chad’s consecration. Chad withdrew to Lastingham and Wilfrid became bishop. Chad was then made bishop of the Mercians with his seat in Lichfield. He was very humble, always travelling on foot, until Theodore ordered him onto a horse and put him onto it with his own hands. Chad was warned of his impending death by an angel.

The saint was buried in the Church of St Mary. At once, according to the Venerable Bede, he was adored as a saint and his relics were translated to the Cathedral Church of St Peter. Cures were claimed in both churches. Bede described his first shrine as “a wooden coffin in the shape of a little house with an aperture in the side through which the devout can take out some of the dust, which they put into water and give to sick cattle or men to drink, upon which they are presently eased of their infirmity and restored to health”.

On St Chad’s Day eggs should be becoming plentiful in the northern hemisphere:
    By David and Chad
    Every hen, duck or goose should lay, good and bad.

(St David’s day was yesterday)

The rock samphire, Crithmum maritimum, is today’s birthday flower.  The generic name is derived from the Greek krithe = “barley”, as the plants seeds resemble that cereal.  The specific name is in connection with the favourite habitat of the plant, along rocky coastlines, shingle and sandy shores.  Samphire may be a corruption for the old French name of the plant, herbe de St Pierre. The herb is in culinary use, eaten raw as a salad, boiled as a vegetable or pickled.  An old herbal remarks: “It is more agreeable as a pickle than useful as a medicine”.  The samphire symbolises the welcoming shore and is under the dominion of Jupiter.

Sunday, 28 February 2010

RESERVOIR DOGS


“Children will watch anything, and when a broadcaster uses crime and violence and other shoddy devices to monopolize a child's attention, it's worse than taking candy from a baby. It is taking precious time from the process of growing up.” - Newton N. Minow

Last weekend we saw Quentin Tarantino’s 1992 film “Reservoir Dogs”, which was another of these movies that we had bought ages ago and did not want to watch until we were “in the right mood”. It proved to be the wrong day to watch it as it was a very bad experience. This is a movie that we did not enjoy seeing, and there is hardly anything good that I can say about it. Tarantino has been hailed as a genius in film-making, but I must say, his “work” is not my cup of tea. It is the cinema of a degenerate society in free-fall and his films highlight the decline of civilisation as we know it. The bad thing about his films is that they seemingly glorify this decline. Maybe it is irony and sarcasm, but it is lost on me as I refuse to be part of such a decline.

The “Kill Bill” duet (about to become a terrible trio with “Kill Bill III” announced for release in 2014) was equally distasteful to me. “Pulp Fiction” was another disappointment, as was “Death-Proof”. “Inglorious Basterds” is yet another such trashy offering pandering to the tastes of the lowest common denominator. I am not a fan of Quentin Tarantino, I think you have guessed…

Let me explain myself, perhaps in the context of “Reservoir Dogs”. The film tries to be “modern” and pushes all the “cinema nouveau” buttons (you know the ones, flash-backs, flash-forwards, flash-nowheres, flash-and-trash-because-this-story-is-not-interesting-enough-to-be-presented-linearly; it uses “unconventional” characters, it uses smarmy directorial tricks; it has foul language in every line of dialogue, etc, etc). It uses some big name actors who have jumped at the opportunity to be in a “cult-classic” by a young and up-coming writer-director (yes, Tarantino wrote the bloody thing as well!). It uses violence to shock and was planned to be controversial from its inception: “Let’s shock the viewing public into submission!” The trouble is that this trash won eight awards and six nominations…

It is a trite tale, that has been told again and again in a numerous other films (with less blood and violence and with not as much foul language). Apparently, this film is a copy of Chow Yun Fat’s “City On Fire”. A group of strangers, unknown to each other and all criminals, is assembled by a master-mind who plans a jewellery heist. It goes terribly wrong and there is a bloody aftermath. All of the criminals manage to kill each other or be killed by police; many police are killed and there is much needless, on-screen bloody violence. In the end, the moral of the story is that “crime pays” (at least for one criminal).

We loathed this offensive and disgusting film and saw it as a landmark of the decline of cinema as an art form. This was a pornographic film targetted towards sadists. Senseless violence for the sake of violence masquerading as “art” reminded me yet again of the tale of the “Emperor’s New Clothes”. I do not recommend you watch this movie, unless you are a sadist and love to see senseless violence because it turns you on. This was a pitiful, mind-rotting, inane waste of time that left a terrible taste in my mouth and made me shudder. The attempts at humour throughout fall flat and are in terrible taste. If this is what our society awards prizes to, pity us! It is the decline and fall of the Roman Empire all over again!

CHILE EARTHQUAKE


“He who sees the calamity of other people finds his own calamity light” – Arabian proverb

The massive 8.8 Richter earthquake that shook Chile on Saturday killing at least 300 people, came in the wake of the destruction wrought by the killer earthquake in Haiti. It seems that earth is well and truly sick of all of us vermin pullulating on its skin and is shuddering constantly to rid itself of our unwelcome and polluting presence…

The result of course is more than a trail of twisted buildings, crushed cars, gaping crevasses, ripped up roads and collapsed lives as people try to cope with the tragedy.  It is a reminder that our earth is very small planet indeed, with the tsunami waves roaring at jet-speed across the vast Pacific Ocean with all of the shorelines around it on alert. We are all part of it all. The international community will once again support the devastated people of Chile and provide hope to the survivors. How fragile we are!

I can think of nothing more apt to comment eloquently on this new tragedy, except Giovanni Belini’s “Pietà” of 1505 (Oil on wood, 65 x 90 cm, Gallerie dell'Accademia, Venice).

Saturday, 27 February 2010

QUISQUEYA


“In music the passions enjoy themselves.” – Friedrich Nietzsche

Today is the Independence Day of the Dominican Republic  (celebrated since 1844). The Dominican Republic gained its independence from Spain in 1821.  It is in the Eastern part of the Caribbean island of Hispaniola, the Eastern part of the island occupied by Haiti.   The mountainous country has an area of about 48,500 square km and a population of 7.5 million people.  The capital San Domingo is found on the Southern coastal plain where the island’s main agricultural products are grown.  Coffee, cocoa, sugar and tobacco are the main exports.  Mineral resources include bauxite, gold, silver and nickel. The Dominican Republic has become the Caribbean's largest tourist destination and its economy is the second largest in the Caribbean. The country's year-round golf courses are among the top attractions. “Quisqueya”, as Dominicans often call their country, has an average temperature of 26 °C. Music and sport are of the highest importance in Dominican culture, with merengue as the national dance and song and baseball the favorite sport.

Juan Luis Guerra (b. 1957) is a Dominican singer/songwriter who has sold 20 million records, and won numerous awards including nine Latin Grammy awards, two Grammy awards and two Latin Billboard Music Awards. He does not limit himself to one style of music, instead, he incorporates diverse rhythms like the merengue, bolero-bachata, balada, salsa, rock and gospel.

Here is a wonderful love song of his, “Señales de Humo” (Smoke Signals):

Te mando señales de humo
como un fiel apache
pero no comprendes el truco
y se pierde en el aire
Te mando la punta de un beso
que roza la tarde
y un código Morse trasmite
el "te quiero" de un ángel
se pierde en el aire...
Ay, amor...


I send you smoke signals
Like a loyal Apache,
But you don’t understand the trick
And it loses itself in the air.
I send you the tip of a kiss
On the edge of the afternoon,
And a Morse code that transmits
The “I love you” of an angel,
But it is lost in the air,
Ah, love!

Thursday, 25 February 2010

DIET DESSERT


“If I had been around when Rubens was painting, I would have been revered as a fabulous model. Kate Moss? Well, she would have been the paintbrush.” - Dawn French

A friend is trying to lose weight but she is cursed with a sweet tooth… She cannot live without her sweets and desserts. I must admit I have a mouth full of sweet teeth also, and always tend to want something sweet after dinner. For all of us sweet-tooths, out here, there are some healthy option that do not pile on the calories and yet can satisfy a sweet tooth and taste much more unhealthy than they really are. Here is an example, which is high in fibre and vitamins, while low in sodium and fats.

Summer Fruit Crumble


Ingredients – for the filling
400 g cherries, pitted and halved
4 cups peeled, pitted and sliced mixed summer stone fruits (nectarines, peaches, apricots)
1 tablespoon wholemeal flour
1 tablespoon firmly packed brown sugar

Ingredients – for the bottom and topping
2/3 cup rolled oats
1/2 cup blanched, lightly toasted, almond slivers
4 tablespoons whole-meal flour
2 tablespoons firmly packed brown sugar
1/4 teaspoon ground cinnamon
1/8 teaspoon ground nutmeg
1/8 teaspoon ground cloves
3 tablespoons walnut oil
2 tablespoons honey

Method
Preheat the oven to 175˚C. Lightly coat a 24 cm square baking dish with cooking spray. In a bowl, combine the cherries and stone fruits and sprinkle with the flour, add the sugar and toss gently to mix.
In another bowl, make the topping by combining the oats, almonds, flour, sugar, cinnamon, cloves and nutmeg. Mix well to blend. Stir in the oil and honey and mix well.
Take half of this mixture and spread it thinly on the bottom of the pan, packing it well. Put in the oven and bake for a few minutes until it becomes golden brown in colour (be careful that you don’t burn this!). Take the pan out of the oven and spray the base with cooking spray again.
Spread the fruit mixture evenly in the prepared baking dish. Sprinkle the remaining topping mixture evenly and lightly over the fruit. Bake until the fruit is bubbling and the topping is lightly browned, about 45 to 55 minutes. Serve warm or at room temperature (OK, if you're not on a diet, serve it with cream, or ice-cream, or both!).

A LULLABY


“There will be sleeping enough in the grave.” - Benjamin Franklin

A Dutch study published recently suggests that lack of sleep is associated with shrinkage of some areas of our brain, with less gray matter in insomniacs, than in people who sleep normally. An imaging study on the brain of people with chronic sleep problems found there was a decreased area in the region of gray matter, which is used to make decisions. The worst loss was demonstrated in severe insomniacs, regardless of how long they had suffered from the disorder. It was not determined whether the insomnia preceded the gray matter loss or whether it followed it.

It has long been reported by sleep researchers that insomnia disrupts brain function and behaviour, but this study begins to answer why that malfunctioning happens. This may also shed some light on how to more effectively treat it. It could cause a shift in paradigm in the way that we deal with insomnia. That is, treating insomnia specifically, relying on recognising a problem, diagnosing it using a test, and developing a specific treatment plan.

An older Swiss study has linked insomnia with addiction to drugs. This is in support of a previous US study that found similar results in teenagers with insomnia. One in four teens showed significant symptoms of insomnia every day for a month. What is even more worrying is that the effect seems to be “transmissible” to other teens. That is, in a study of 8,000 adolescents in the US, a teen with a friend who sleeps under seven hours a night is 11% more likely to do the same and 19% more likely to try marijuana.

Furthermore, a Boston University School of Medicine study supports the fact that we need sleep for normal, organic functioning of our body. It was found that study participants that reported sleeping less than 6 hours, or more than 9 hours a day had an increased incidence of diabetes, compared to those study participants who slept the “average” 7-8 hours.

I sleep about five hours per night and have done so for several decades now. I seem to suffer no ill effects and have no addictions and no loss of brain substance (that I can tell, based on my activities!). There are many different patterns of sleep and the number of hours of sleep that people require seem to vary quite dramatically. I have friends and colleagues who need anything between 7-11 hours of sleep a night. The average adult generally requires 7-8 hours of sleep a night for optimal functioning. The number of hours of sleep each individual needs to sleep, however, is a matter of ‘circadian rhythm” or the biological clock that regulates our sleep-wakefulness cycle.

Some research suggests that intellectually active people require less sleep. For example, Leonardo da Vinci regularly slept only 2 hours per night! Isaac Newton slept 3-4 hours, Benjamin Franklin 2-4 hours, Napoleon 4 hours.

I think the general consensus is to sleep for as long as you need to and to not force yourself to stay awake nor force yourself to sleep if you don’t want to. In terms of insomnia, if you suffer from it, seek treatment, keeping in mind that there are some natural, effective non-drug treatments. Some people, of course will need medication, but your practitioner can advise you as to the best course of action.

insomnia |inˈsämnēə| noun
Habitual sleeplessness; inability to sleep.
DERIVATIVES
insomniac |-nēˌak| noun & adjective
ORIGIN early 17th century: From Latin, from insomnis ‘sleepless,’ from in- (expressing negation) + somnus ‘sleep.’

Tuesday, 23 February 2010

SCENT


“The past not merely is not fugitive, it remains present.” - Marcel Proust

The sense of smell is one that characterises more than any other of our senses, our animal origins. Smell is ever-present and can be associated with any situation, person, place or event in our life, stamping indelibly in our memory that peculiar smell with that time, place but more importantly emotions we were feeling then. Our olfactory memories have strong emotional associations and are linked with the experiences we lived through. The sense of smell is processed by the same part of the brain (the limbic system) that handles memories and emotions so it is not surprising that smell and sentiment feed off one another.

We find that we can immediately recognise and respond to smells from childhood such as the smell of Mum’s clean sheets, the cake baking in the oven, the smell of new books in grade one, or a musty cellar in Grandpa’s house. We remember the smell of the skin of our lover, the perfume that our high school teacher wore (and who we had a crush on!) or the smell of a street that we walked on during our first overseas holiday. Even if these smells cannot be specifically identified, their re-encounter later in life sparks off a shower of memories that trigger off a domino effect of strong emotional experiences.

This poem I wrote when I found a bottle of perfume belonging to an old flame, whose smell triggered off a cascade of sentimental reactions and feelings…

The Scent Bottle


A mislaid, forgotten bottle of your scent
I found today and opened to inhale;
A flood of memory spun a rich tale,
With costly perfumes from Tashkent
Souvenirs of whispers hidden by a veil.

Your pale demeanour, golden hair
Enveloped in a cloud of fragrance,
Enhancing so your silky elegance;
Reminded now by the scent so rare,
Again our parting making me despair.

The citrus, civet and the earthy musk
Are mixed with the delights of rose
That delicately caress the nose.
The summery afternoon, the violet dusk
What marvels for a scent bottle to enclose!

My wandering fingers on your skin
I recollect, absorbing with each touch
An aromatic kiss – in love so much!
Heady ambergris like sounds of violin,
Fading recall, as snowflake, I try to clutch.

A bottle of scent, and your memory I seek,
In billows of vetiver, nard and myrrh.
My loss, a perfume smelt, will now aver
Times past, of happiness gone to speak,
As echoes of long-lost love I stir.

Jacqui BB hosts Poetry Wednesday!

Monday, 22 February 2010

STELLARIA, POLYCARP AND TERMINUS


“Faith must be enforced by reason. When faith becomes blind it dies.” - Mahatma Gandhi

Today is the Roman Day VII Kalends March, the last day of the old Roman calendar, on which was celebrated the Terminalia Festival. This was a Roman feast that celebrated the god Terminus who protected boundaries and frontiers. Neighbours met at the boundaries of their properties to drape the termini (stone boundary markers) with garlands. Sacrifices of wheat, honey and wine were offered to Terminus. The women contributed torches ignited on their hearths; the sons brought baskets of produce from the property and the daughters added to the repast with special honey cakes. The women made two fires at the altar, these made carefully with interlaced sticks. Meanwhile, the sons held their baskets over the fire and their sisters shook them three times to scatter its contents into the fire, then sacrificed the cakes to the flames. Farm workers attended as well, dressed in white, carrying the wine. They concluded with singing the praises of the god. Ovid says the rites of the Terminalia form the close of all others. Anyone moving the sacred stones of the boundaries was accursed and would be punished by Terminus.

Legend says that around the sixth century BC, a Roman ruler ordered a temple built to Jupiter, the king of gods and men. He chose Rome’s Capitoline Hill as the favoured site. The legend continues, saying that none of the gods who were worshipped in this area objected to yielding their spots to Jupiter, none that is, except Terminus. Rather than becoming angry with Terminus or resorting to force, the king accepted the god’s decision. The king knew that, according to Roman custom, removing a boundary stone was forbidden. So, Jupiter’s temple was built around Terminus’ shrine. An opening was made in the roof of the temple directly above the stone considered especially sacred to Terminus, since, traditionally, sacrifices made to Terminus had to be offered under the open sky. Jupiter’s cult absorbed Terminus, the temple of Jupiter Terminalius thus serving the syncretised god.

Boundary stones were sacred to Terminus, and specific rituals accompanied the placing, or “planting”, of every new stone. An animal, usually a lamb or a pig, was sacrificed, and its blood and ashes, together with vegetables, fruits, honey, and wine, were placed in a hole made by the owners of the two adjacent properties. A stone or stump of wood, the boundary marker, was then put in place to fill the hole.

The Orthodox church celebrates the Feast Day of St Polycarp, Bishop of Smyrna today. Polycarp was born in 60 AD or thereabouts. When he was 20 years old he became a Christian. St Eirenaeus, who was his student, writes that Polycarp was wise, ethical and devoted to his belief in Christ. He was beloved of St John, the Evangelist, who instituted him as the Bishop of Smyrna. He was a zealous church leader and was a teacher, protector of the needy, guardian of the weak and leader of his church. When the Christian persecutions began under the Roman emperor Antoninus Pius (reigned 138-161 AD) he was suddenly, at age 86, to be arrested.

When he heard Roman officials were intent on arresting him, he decided to wait for them at home. His friends, terror-stricken, pleaded with him to flee, so to calm them, he finally agreed to withdraw to a small estate outside of town. But while in prayer there, he received some sort of vision and he reported to his friends that he now understood, “I must be burned alive”. Roman soldiers eventually discovered Polycarp’s whereabouts and came to his door, upon which he said: “God's will be done”, and he let the soldiers in.

He was escorted to the local proconsul, Statius Quadratus, who interrogated him in front of a crowd of curious onlookers. Polycarp seemed unfazed by the interrogation. He carried on a witty dialogue with Quadratus until Quadratus lost his temper and threatened Polycarp that he’d be thrown to wild beasts, he’d be burned at the stake, and so on. Polycarp just told Quadratus that while the proconsul’s fire lasts but a little while, the fires of judgment which were reserved for the ungodly cannot be quenched.

Soldiers then grabbed him to nail him to a stake, but Polycarp stopped them: “Leave me as I am. For he who grants me to endure the fire will enable me also to remain on the pyre unmoved, without the security you desire from nails.” He prayed aloud, the fire was lit, and his flesh was consumed. The chronicler of this martyrdom said it was “not as burning flesh but as bread baking or as gold and silver refined in a furnace.”

Polycarp in Greek means “many-seeded”, so this saint is beloved of farmers, who invoke his name:
    St Polycarp make our gardens grow
    St Polycarp ripen the wheat we sow.
                                               Greek folk rhyme


Chickweed, Stellaria media, is today’s birthday flower and is under the dominion of the moon.  It symbolises a rendezvous or a meeting. In the language of flowers it asks: “Will you meet me?”

Sunday, 21 February 2010

ONCE WERE WARRIORS


“We challenge the culture of violence when we ourselves act in the certainty that violence is no longer acceptable, that it's tired and outdated no matter how many cling to it in the stubborn belief that it still works and that it's still valid.” - Gerard Vanderhaar

We watched a very gruelling and confronting film at the weekend. I must admit that we had bought the DVD a couple of years ago but we were putting off seeing it as the jacket notes were rather graphic, however, all of the comments that I had heard about the film were very positive. It is from New Zealand, and is the 1994 Lee Tamahori film, “Once Were Warriors”. It is a film about decadence and loss of pride. About dignity and self-respect, about love and hate, and how all of these things are interwoven with violence and a reduction of the humanity of those who are caught in a web of powerlessness and spiritual degeneracy.

The action takes place in urban Auckland, New Zealand’s largest city. The story concerns itself with the Hekes, a family of Maoris living in a council house and caught between the unrelenting demands of two conflicting cultures. Jake Heke, the father, is a very violent man who frequently beats his wife, Beth, when drunk. This violence stems from his upbringing, the company he keeps and from his feelings of inferiority. Beth is of ‘noble’ lineage and he is of a ‘slave’ background. Jake obviously loves both his wife and his five children, but he is unable to show it in a way they can experience it. The macho man mentality and doing what he thinks is ‘manly’ get in the way of any show of emotion or tenderness towards his family.

The eldest son, Nig, is about to join a street gang and be initiated in the violence that he abhors in his father, while the second eldest son, Boogie, is in trouble with the police and faces court, which will put him into welfare custody. Jake's eldest daughter, Grace, is a sensitive and talented writer who in the youth of her 13 years already shows much promise and wants desperately to get in touch with her family, her culture, her emotions, her blossoming mind. The two youngest children are innocent and vulnerable and they cannot but witness the never-ending cycle of domestic and social violence they are exposed to on a daily basis.

Without spoiling the movie for those of you who haven’t seen it and wish to, all I shall say is that the feeling of tragedy that is ever-present from the film’s beginning finds release in a harrowing climax that has devastating effects for the Heke family and serves as a means of liberation for some of them, while for others it is the spark that sets off an explosion of self-destructive force that damns them eternally.

The film is a challenging one to watch and is full of bloody violence, which is never gratuitous but forms an integral part of the plot. Violence motivates and actualises the social groups that the Heke family lives in. We are introduced to all forms of violence and the film seemingly wishes to state its vocabulary by immersing us in the brutality that drives Jake and his mates, Nig’s gang and the street kids. The touches of tenderness that punctuate the film become all the more poignant and heart-rending when framed by all the cruelty and barbarity that tries to stifle out the humanity in each of the characters. The people that survive this environment must fight with all their might against violence and rise above it until it can no longer touch them.

This is a film you watch only when you are well-prepared for it and you must steel yourself to keep on watching without flinching. Ultimately, the message is one of hope and redemption. The survivors are only the strong, but those strong in spirit. Find it, watch it, it’s worth it!