“Music is well
said to be the speech of angels.” - Thomas Carlyle
Attilio Malachia Ariosti (5 November 1666 – 1729) was a Servite Friar and Italian composer in the Baroque style, born in Bologna. He produced more than 30 operas and oratorios, numerous cantatas and instrumental works.
Ariosti was born into the middle class. He became a monk in 1688 at age 22, but he soon obtained permission to leave the order and become a composer in the court of the Duke of Mantua and Monferrato. He became a deacon in 1692, the same year he achieved the post of organist at Santa Maria dei Servi in Bologna.
In 1697, he went to Berlin at the request of Sophia Charlotte of Hanover, Queen of Prussia, a great-granddaughter of James I of England and daughter of the Electress Sophia of Hanover, an enlightened patroness of the arts with a keen interest in music. After enjoying the favour of the Queen, Ariosti wrote and collaborated in the writing of a number of stage works performed for the court in Berlin. He resided in Berlin as the court composer until 1703.
His first opera was performed in Venice in 1697. From 1703 to 1709 he was the General Austrian Agent for Italy, during the reign of Joseph I. After 1716 he achieved enormous success in Paris and London. In London, he shared with Georg Frideric Handel and Giovanni Bononcini the directorship of the Royal Academy of Music, and he played the viola d’amore in an entr’acte in Handel’s “Amadigi di Gaula”.
In 1724 he published a Collection of Cantatas, and Lessons for the Viola d’ Amore, which he sold by subscription. This publication may have been the most successful sale of music by subscription in the 18th century.
Although he could sing, write drama, play the violoncello and harpsichord; his favourite instrument was the viola d’ amore, for which he wrote 21 solo sonatas. These are usually called the Stockholm Sonatas, as the sole surviving source for most of them is in the Statens Musikbibliotek in Stockholm, Sweden. The Stockholm Sonatas display Ariosti’s liking for surprising harmonies, his inventive use of silence, and his wit.
Here are six lessons for viola d’ amore (London, 1724), played by Thomas Georgi (viola d’ amore), Joëlle Morton (viola da gamba & great bass viol) and Lucas Harris (theorbo, archlute, and baroque guitar).
Attilio Malachia Ariosti (5 November 1666 – 1729) was a Servite Friar and Italian composer in the Baroque style, born in Bologna. He produced more than 30 operas and oratorios, numerous cantatas and instrumental works.
Ariosti was born into the middle class. He became a monk in 1688 at age 22, but he soon obtained permission to leave the order and become a composer in the court of the Duke of Mantua and Monferrato. He became a deacon in 1692, the same year he achieved the post of organist at Santa Maria dei Servi in Bologna.
In 1697, he went to Berlin at the request of Sophia Charlotte of Hanover, Queen of Prussia, a great-granddaughter of James I of England and daughter of the Electress Sophia of Hanover, an enlightened patroness of the arts with a keen interest in music. After enjoying the favour of the Queen, Ariosti wrote and collaborated in the writing of a number of stage works performed for the court in Berlin. He resided in Berlin as the court composer until 1703.
His first opera was performed in Venice in 1697. From 1703 to 1709 he was the General Austrian Agent for Italy, during the reign of Joseph I. After 1716 he achieved enormous success in Paris and London. In London, he shared with Georg Frideric Handel and Giovanni Bononcini the directorship of the Royal Academy of Music, and he played the viola d’amore in an entr’acte in Handel’s “Amadigi di Gaula”.
In 1724 he published a Collection of Cantatas, and Lessons for the Viola d’ Amore, which he sold by subscription. This publication may have been the most successful sale of music by subscription in the 18th century.
Although he could sing, write drama, play the violoncello and harpsichord; his favourite instrument was the viola d’ amore, for which he wrote 21 solo sonatas. These are usually called the Stockholm Sonatas, as the sole surviving source for most of them is in the Statens Musikbibliotek in Stockholm, Sweden. The Stockholm Sonatas display Ariosti’s liking for surprising harmonies, his inventive use of silence, and his wit.
Here are six lessons for viola d’ amore (London, 1724), played by Thomas Georgi (viola d’ amore), Joëlle Morton (viola da gamba & great bass viol) and Lucas Harris (theorbo, archlute, and baroque guitar).
Lezione prima in
E-flat major
I. Allegro
II. Largo
III. Tempo
giusto
Lezione seconda
in A major
I. Cantabile:
Grave
II. Vivace
III. Sarabande:
Adagio
IV. Menuet
Lezione terza in
E minor
I. Adagio
II. Allemanda
III. Adagio
IV. Giga
[guitar]
Lezione quarta
in F major
I. Adagio
II. Andante
III. Corrente
IV. Giga
[guitar]
Lezione quinta
in E minor
I. Vivace
II. Largo
III. [Giga]
(guitar)
**Sonata No. 6
in D major
from RECUEIL DE
PIECES POUR VIOL D'AMOUR
I. [Andante]
II. [Menuet]from
LEZIONE VIIII.
Giga [guitar]
IV. Rondeau
**Sonata No. 7
in D major from LEZIONE VII.
A tempo giusto
II. Corrente from
RECUEIL DE PIECES POUR VIOL D'AMOUR
III. [Agadio]
IV. [Giga]
(guitar)
**[In Sonata n.
6 & 7, include all movements of Lezione sesta in D major.]
