Showing posts with label infinity. Show all posts
Showing posts with label infinity. Show all posts

Monday, 12 June 2017

MYTHIC MONDAY - EGYPT 16, SESHAT

“Writing is an extreme privilege but it's also a gift. It's a gift to yourself and it's a gift of giving a story to someone.” - Amy Tan 

Seshat, under various spellings, was the Ancient Egyptian goddess of wisdom, knowledge, and writing. She was seen as a scribe and record keeper, and her name means ‘she who scrivens’ (i.e. she who is the scribe), and is credited with inventing writing. She also became identified as the goddess of accounting, architecture, astronomy, astrology, building, mathematics, and surveying. These are all professions that relied upon expertise in her skills. She is identified as Safekh-Aubi in some late texts. Mistress of the House of Books is another title for Seshat, being the deity whose priests oversaw the library in which scrolls of the most important knowledge were assembled and spells were preserved.

One prince of the fourth dynasty, Wep-em-nefret, is noted as the Overseer of the Royal Scribes, Priest of Seshat on a slab stela. Heliopolis was the location of her principal sanctuary. She is described as the goddess of history. In art, she was depicted as a woman with a seven-pointed emblem above her head. It is unclear what this emblem represents. Pharaoh Tuthmosis III (1479-1425 BCE) called her Sefket-Abwy (‘She of seven points’). Spell 10 of the Coffin Texts states “Seshat opens the door of heaven for you”.

Usually, she is shown holding a palm stem, bearing notches to denote the recording of the passage of time, especially for keeping track of the allotment of time for the life of the pharaoh. She was also depicted holding other tools and, often, holding the knotted cords that were stretched to survey land and structures. She is frequently shown dressed in a cheetah or leopard hide, a symbol of funerary priests. If not shown with the hide over a dress, the pattern of the dress is that of the spotted feline. The pattern on the natural hide was thought to represent the stars, being a symbol of eternity, and to be associated with the night sky.

As the divine measurer and scribe, Seshat was believed to appear to assist the pharaoh in both of these practices. It was she who recorded, by notching her palm, the time allotted to the pharaoh for his stay on earth. Seshat assisted the pharaoh in the ‘stretching the cord’ ritual. This ritual is related to laying out the foundations of temples and other important structures in order to determine and assure the sacred alignments and the precision of the dimensions. Her skills were necessary for surveying the land after the annual floods to reestablish boundary lines. The priestess who officiated at these functions in her name also oversaw the staff of others who performed similar duties and were trained in mathematics and the related store of knowledge. Much of this knowledge was considered quite sacred and not shared beyond the ranks of the highest professionals such as architects and certain scribes.

She also was responsible for recording the speeches the pharaoh made during the crowning ceremony and approving the inventory of foreign captives and goods gained in military campaigns. During the New Kingdom, she was involved in the Sed festival held by the pharaohs who could celebrate thirty years of reign. Later, when the cult of the moon deity, Thoth, became prominent and he became identified as a god of wisdom, the role of Seshat changed in the Egyptian pantheon when counterparts were created for most older deities. The lower ranks of her priestesses were displaced by the priests of Thoth. First, she was identified as his daughter, and later as his wife.

After the pairing with Thoth the emblem of Seshat was shown surmounted by a crescent moon, which, over time, degenerated into being shown as two horns arranged to form a crescent shape, but pointing downward (in an atypical fashion for Egyptian art). When the crescent moon symbol had degenerated into the horns, she sometimes was known as Safekh-Aubi, meaning she who wears the two horns. In a few images the horns resemble two cobras, as depicted in hieroglyphs, but facing each other with heads touching.

Monday, 5 June 2017

MYTHIC MONDAY - EGYPT 15, HEH

“We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.” - H. P. Lovecraft 

Ḥeḥ (also Huh, Hah, Hauh, Huah, Hahuh and Hehu) was in Egyptian mythology, the personification of infinity or eternity in the Ogdoad, his name itself meaning “endlessness”. His female counterpart was known as Hauhet, which is simply the feminine form of his name. Like the other concepts in the Ogdoad, his male form was often depicted as a frog, or a frog-headed human, and his female form as a snake or snake-headed human. The frog head symbolised fertility, creation, and regeneration, and was also possessed by the other Ogdoad males Kek, Amun, and Nun. Together with his female counterpart Ḥauḥet, Ḥeḥ represented a member of the Ogdoad of eight primeval deities whose worship was centred at Hermopolis Magna. The other members of the Ogdoad , Nu and Naunet, Amun and Amaunet, Kuk and Kauket, who joined together to create the cataclysmic event that gives rise to the sun and sun god, Atum. 

The other common representation depicts him crouching, holding a palm stem in each hand (or just one), sometimes with a palm stem in his hair, as palm stems represented long life to the Egyptians, the years being represented by notches on it. Depictions of this form also had a shen ring at the base of each palm stem, which represented infinity. Depictions of Heh were also used in hieroglyphs to represent one million, which was essentially considered equivalent to infinity in Ancient Egyptian mathematics. Thus this deity is also known as the “god of millions of years”.

The god Ḥeḥ was usually depicted anthropomorphically, as in the hieroglyphic character, as a male figure with divine beard and lappet wig. Normally kneeling (one knee raised), sometimes in a basket (the sign for “all”), the god typically holds in each hand a notched palm branch (palm rib). These were employed in the temples for ceremonial time-keeping, which use explains the use of the palm branch as the hieroglyphic symbol for rnp.t, “year”. Occasionally, an additional palm branch is worn on the god's head. In Ancient Egyptian Numerology, Gods such as Heh were used to represent numbers in a decimal point system. Particularly, the number 1,000,000 is depicted in the hieroglyph of Heh, who is position in his normal seated position.

The personified, somewhat abstract god of eternity Ḥeḥ possessed no known cult centre or sanctuary; rather, his veneration revolved around symbolism and personal belief. The god’s image and its iconographic elements reflected the wish for millions of years of life or rule; as such, the figure of Ḥeḥ finds frequent representation in amulets, prestige items and royal iconography from the late Old Kingdom period onwards. Heh became associated with the King and his quest for longevity. For instance, he appears on the tomb of King Tutankhamen, in two cartouches, where he is crowned with a winged scarab beetle, symbolizing existence and a sun disk. The placement of Heh in relation to King Tutankhamen's corpse means he will be granting him these “millions of years” into the afterlife.