Friday, 17 February 2012

PEACE FOR YOU ON SATURDAY


“If you wish to experience peace, provide peace for another.” - Tenzin Gyatso, The 14th Dalai
I was invited by the University of Melbourne to give a guest lecture in a postgraduate program this morning. It all went well and the group of 30 or so students were alert, engaged, eager, bright-eyed and bushy-tailed – and they all laughed at the right spots too! It does make an academic’s job a pleasure to lecture to a group like that. It was so wonderful to be back at the University, this time not a student, but once again as an academic. It reminded of how fast the years are going by. It seems only yesterday I was on campus as a bright-eyed and bushy-tailed young thing myself…

At 1:00 pm we went to Cinema Nova in Carlton where we had tickets to the Leonardo Live program direct from the National Gallery in London. That was quite a magnificent production and we enjoyed it very much. But more of that tomorrow on Art Sunday on this blog!

For a little Saturday Serenity, here is the second movement ‘Adagio cantabile’ of Ludwig van Beethoven’s Septet in E flat, opus 20 performed by The Gaudier Ensemble. The Septet was first performed in 1800 and published in 1802. It is scored for clarinet, horn, bassoon, violin, viola, cello, and contrabass. It is in six movements:
1. Adagio; Allegro con brio
2. Adagio cantabile
3. Tempo di minuetto
4. Tema con variazioni: Andante
5. Scherzo: Allegro molto e vivace
6. Andante con moto alla marcia; Presto

The overall layout resembles a serenade but Beethoven expands the form by the addition of substantial introductions to the first and last movements. The main theme of the third movement had already been used in Beethoven's Piano Sonata, (Op. 49 No. 2), which was an earlier work despite its higher opus number. The finale features a violin cadenza. The Septet was one of Beethoven’s most successful and popular works and circulated in many editions and arrangements for different forces. In about 1803 Beethoven himself arranged the work as a Trio for clarinet (or violin), cello and piano, and this version was published as his op. 38 in 1805.

The photo is taken from our back garden, last winter. This post is part of the Saturday Sareenity meme.
 
 

A FRIDAY TREAT


“Work is the meat of life, pleasure the dessert.” - B. C. Forbes

Another hard week is over and another evening of exhaustion. I am certainly glad that the weekend is here and that Friday evening at home can be a relaxing time of unwinding and de-stressing. After a delightful home-made meal, what better dessert than rum baba, the classic French pâtissier’s delight?

BABÁ AU RHUM
Ingredients - for the babá
2          cups plain flour
125g    molten butter
3          whole eggs
1/2        cup milk
1/2        cup sugar
1               packet dried active yeast (7g)
Vanillin sugar, pinch of salt

for the rum syrup
2          glassfuls water
2          glassfuls brown sugar
1/2        cup white rum.

Method
Take one cup of flour and mix with it the butter, sugar and the yeast that has been dissolved in the warm milk. Mix thoroughly until all ingredients have been well incorporated. Add each egg, well beaten and continue to mix, finally adding the vanilla, salt and remaining flour. Pour into a 2-litre turban cake mould and leave to rise in a warm place until double in bulk. Bake in a moderate oven (175˚C) for about half an hour or until golden brown. Boil the sugar and water until a syrup is formed (approximately 18 minutes). Remove from the flame and allow to cool slightly then stirring in the rum. Pour the cool syrup over the hot babá and allow to cool thoroughly. Serve with whipped Chantilly cream and fresh fruit if desired.

Thursday, 16 February 2012

ANEMONE

“O, wind, if winter comes, can spring be far behind?” - Percy Bysshe Shelley

The anemone, Anemone coronaria, is the flower assigned to the birthdays falling on this day. The generic name for the plant is derived from the Greek anemos = “wind”, referring to the growth of the flower on high, windswept places. Windflower and granny’s bonnet are alternative names for the plant.  Classical legend attributes the origin of the flower to another of the passionate, soap-opera type of mythological tales the Greeks and Romans were excessively fond of:

Anemone was a beautiful young woman, a handmaiden of Chloris, the goddess of vegetation.  Chloris’s husband, Zephyr the West Wind, fell in love with Anemone, who returned his feelings. Chloris was furious when she found out and banished Anemone to a distant place, where she pined away and died.  Zephyr asked Aphrodite, goddess of Beauty and Love, to transform Anemone’s body to a flower so that he could caress her petals.  Aphrodite obliged but fickle male that Zephyr was, he lost interest in poor Anemone soon after.  Boreas the North Wind then tried to win Anemone’s affections, but constant female that she was, she would not surrender. Ever since then, anemones have been blown by the fierce North winds on high hills but they hold on tenaciously and do not yield:
            The wind forbids the flowers to flourish long,
            Which owe to winds their name in Grecian song.

The flower was thought to be an ill omen, no doubt because of the sad story of its origin, but in medieval times, anemones acquired supernatural powers and could be used as talismans.  The first spring blooms were picked by someone who said: “I gather thee for remedy against disease”, and the flowers then placed in a red cloth until required.  They would then be tied around the neck of the sufferer:
            The first spring-bloom anemone she in his doublet wove,
            To keep him safe from pestilence where’er he should rove.

The anemone symbolises sickness, sorrow and brevity, the ancient Egyptians firstly using the anemone as such a symbol.  In Christian tradition, the anemones are said to have sprung up on Calvary as the Virgin Mary wept and her tears dropped on the ground.  Astrologically, the plant is under the dominion of Mars.

The wood anemone (Anemone nemorosa) is used as a weather oracle.  It flowers at the end of March or the beginning of April and closes its petals at the approach of rain. This is useful in these months when sudden showers are very common.

Tuesday, 14 February 2012

A VALENTINE


“Love is of all passions the strongest, for it attacks simultaneously the head, the heart and the senses.” - Lao Tzu
Magpie Tales must have been in Valentine Day mood when selecting this week’s prompt. A striking image by Christophe Gilbert, with several lines of subtext that I won’t go into. I will succumb to the Valentine mood and write of love.

Serenata

The pagan tribes of Araby revere the sun
The Saracens all to the moon pay homage.
The stars and winds in blackest Africa are adored
And I my love only your eyes do worship.

In times of strife all men the saints invoke
In hardship ev’ryone to gods does turn,
In tempests raging, sailors Christ recall
But I my love to you in my misfortune pray.

All slaves crave for their freedom sweet,
All prisoners to loose their fetters try,
All cagéd birds to escape their bars attempt,
And I, my love, to you myself enchain.

To war, searching for glory soldiers go,
To power king and noble all would sacrifice
To miser more than life the glint of gold is worth,
But I my love would for your smile expire.

ATHENS BURNS


Greece is at a crucial crossroads. The choices that are made and the policies that are enforced will have a decisive impact on the wellbeing of Greeks. The way forward will not be easy but the problems can be solved, and will be solved, if there is unity, co-operation and consensus. - Lucas Papademos
The dire news from Greece over the last couple of days has caused great consternation amongst the community here. We watched the footage from Athens and felt deeply saddened and dismayed. Greek parliament met to approve a new round of draconian austerity measures despite a long day of street battles between police and protesters. An altercation that left tens of Athens buildings ablaze and the streets in the historic centre of the City in chaos. Despite the 100,000-strong turnout in Athens and Thessaloniki the Greek Prime Minister Lucas Papademos denounced the violence in the debate leading up to the vote, saying the street battles around the parliament building had no place in a democracy. The result was approval of another round of stringent budget cuts requested by Greece’s international creditors in return for a further $160 billion bailout.

In the meantime, the damage was being done. Although the majority of protesters were peaceful and wanted nothing more than to express their consternation at the impossibility of having to cope with even more reductions in salaries, increases in taxes, deterioration of working conditions and an ever-increasing insecurity of jobs, a small but highly organised element of anarchists were hell-bent on destruction and immolation. These are the “known unknowns” or “hooded ones” who infiltrate the milieu of peaceful demonstrations in order to push their own agenda: Destabilisation of the establishment, destruction of private and public property, looting, demolition of the status quo, ruination of the state, anarchy. To what end? Chaos, disorder, nihilism, the law of the jungle, the downfall of civilised society.

What a terrible thing to befall the Greek people and Athens. We watch it all on TV in disbelief and cannot understand what motivates these small groups of hooligans that burn, destroy, loot and destabilise. It’s all so sad and it is so disappointing. The birthplace of Western civilisation now looks as though it is becoming its deathbed… It is all the more poignant for us of Greek origin who live in faraway lands. We may have created new lives here and our primary loyalty may now be to other states, however, our heart still beats tenderly for the land of our fathers. How very disconsolate we feel, watching it all and not being able to do anything about it.

We hope that somewhere amidst these burning destructive fires there is also another unquenchable flame, that of the Greek spirit that refuses to be extinguished. The spark of the that spirit that gave the world concepts and words with which to think about them: Philosophy, technology, politics, democracy, architecture, drama, comedy, theatre, philology, logic, mathematics, mythology, geometry, ethics, dialectics… And the list goes on and on. I sincerely hope that soon we shall see some resolution one way or another. Greece is a country with endless miseries in its history, yet it always manages to resurrect itself. There is a joy, imagination, creativity and ingenuity in the Greek soul and Greece still has much to give the world.

It is disheartening to see the ruins of Athens, the burned shells of neoclassic buildings, the clashes in the streets where Greek fights with Greek. It is deplorable to watch civilisation being consumed by flames, to witness anarchy looting and destroying that which exemplifies the classic beauty of the blossoming of fine minds. It is lamentable that a proud and resilient people have been reduced to this pitiful state. Thucydides said: “We Greeks are lovers of the beautiful, yet simple in our tastes, and we cultivate the mind without loss of manliness.” It is worth remembering this as inhuman and unmanly acts of cowardice take place. Greece sparked the flames of Western civilisation, Europe was illuminated. Now Europe has returned the flame to Greece, but it is a destructive conflagration. Has modern Greece lost what Thucydides was extolling?

Prometheus springs to mind. The sacred flame is both friend and foe. Fire can warm or burn. Fire can work miracles or it can destroy utterly. Beware the flame, for in evil hands it is a potent enemy. In wise hands, fire can illuminate the darkest parts and warm the frozen places, it can spark wild flights of intellect and lighten the deep recesses of the soul. Greece needs a Hercules that will slay the vulture that consumes Prometheus’s liver. Fire need be tamed, its deliverer liberated and days of prosperity need return. Athens has been in ruins many times before, it will rise from its ashes one more time.

Sunday, 12 February 2012

MOVIE MONDAY - SERAPHIM FALLS


“Therein lies the defect of revenge: It’s all in the anticipation; the thing itself is a pain, not a pleasure; at least the pain is the biggest end of it.” - Mark Twain
At the weekend we watched a good movie, one of those “new-fashioned Westerns” some of which have been done rather well in the last couple of decades. It was the David Von Ancken 2006 film “Seraphim Falls” starring Pierce Brosnan, Liam Neeson and Anjelica Huston.

The plot centres on two Civil War veterans, Carver (Neeson) and Gideon (Brosnan) the former bent on revenge, the latter on survival. It is set in the 1860s, with Carver and his four hired killers tracking Gideon across Nevada for more than two weeks. When they manage to shoot Gideon and wound him, they think this is the end of the game, but Gideon survives and gets away. The pursuit continues but the hunted man is intelligent, resourceful, tough, fit and skilled with a knife. The film follows Gideon’s flight and his hunt by Carver across the punishing terrain and the risky encounters they have along the way with a number of other people. We don’t know what the reason for Carver’s hunt is and what actually happened at Seraphim Falls. However, all is explained at the end!

As initially we are unaware of what the reason for the manhunt is, it is difficult to sympathise with either of the characters. My initial reaction was to be on Gideon’s side, seeing how he was being hunted by five men and he was being shot at. Carver made a pretty formidable “Javert” and I am a sucker for supporting the underdog. However, as the movie progressed, it became quite clear that Gideon was no angel and if Carver was pursuing him there must have been some pretty good reasons for him doing so. When all is revealed it is an extremely powerful and gut-wrenching scene and one feels quite benumbed.

This is not a film for the typical Western fan as it is not the formulaic one with a plot centred on shootouts between “good guys” and “bad guys”. The encounters that Carver and Gideon have with other characters in the film become more and more bizarre as the film progresses, until the final two meetings which are quite allegorical, the last one being surreal, bordering on the supernatural. This is also something that the typical Western fan may not appreciate. Perhaps the film may best be described as a psychological thriller, but the themes are quite deep: Loss, revenge, war, violence, crime and punishment, redemption.

Both Brosnan and Neeson act extremely well and while their lines may be sparse, their faces do the acting. Anjelica Huston has an interesting cameo, looking very much like a female Mephistopheles, which no doubt was the intention… Angie Harmon looks lovely in another cameo role. The cinematography by John Toll is quite spectacular and the locales are amazing, ranging from snow-capped mountains and forests to arid wastelands of desert landscape. The music by Harry Gregson-Williams is excellent and although it dresses the action aptly and well, it never interferes with it. The film is quite long, but kept us engaged and interested throughout.

There are some violent scenes within it and the squeamish may actually flinch, however, these scenes are an integral part of the plot. I had no issue with the explicit violence in this case, it was rather the implicit violence that was quite upsetting and the scenes towards the end when all is explained are quite shocking. The movie was overall very satisfying and well worth watching. We recommend it to all who enjoy a good action drama and a psychological thriller.

ART SUNDAY - LESLEY DICKMAN


“I don’t paint pretty pictures. I love beautiful places but I am not interested in replicating what I see. The work is usually derived from landscape intertwined with social issues.” – Lesley Dickman
I posted on my photoblog a series of photos on the Melbourne Central Station concourse mural. This is quite an amazing large scale public art work that is highly decorative as well as having its intrinsic artistic worth. It is by local artist Lesley Dickman who works in Gembrook, Victoria, Australia. Today’s Art Sunday is devoted to this artist.

From 1964 to 1966 Lesley studied graphic art at Swinburne Technical College. She initially put her artistic ambitions aside to raise her family. Later in 1984, she obtained a Bachelor of Fine Arts degree from Monash University, majoring in painting and then received a Postgraduate Diploma of Art Philosophy, at Latrobe University in 1994.

From the mid-1980s, the artist worked as a theatre set painter for 10 years followed by six years teaching scenic art at Box Hill TAFE. During this time Lesley continued her studio practice exhibiting in solo and group shows. Lesley has continued teaching and runs classes from Three Stories Gallery in Healesville on life drawing and painting, as well as teaching privately from her home studio. She had a 12 months residency at St Vincent’s Hospital, Melbourne 2008 and in Open Studio Guildford Lane Gallery August 2009.

Although the body of her work is painting, Lesley’s relatively new interest in installation has evolved from previous studies in sculpture. Her “Salt and the Dress 1 and 2” installations were exhibited in 2008 and 2009 respectively and the third instalment of the series, was exhibited in June 2011 at galleries including Walker Street Gallery, Dandenong. Lesley’s mother worked as a dressmaker then moved into making costumes for television and theatre. This gave the artist memories of fabrics, patterns and the intricacy of the costume design process. This has clearly influenced the artist’s work  (as is visible in the Melbourne Station mural, for example). For Lesley, dress is not only indicative of creative expression, but symbolic of feminine identity and external appearance.

The image above is from the Pathways Series (2006) and is titled: “Metal Man”. It is Pastel on Paper, 250 x 170 cm. This was part of the Solo show, “Pathways” in the Goya Gallery, Docklands, Melbourne 2006. I particularly like this work as it has that element of the “informed landscape” that characterises this artist’s work. The earth tones are a reflection of the harsh Australian landscape, and the title that refers to “metal” immediately brings to my mind rust. The “Metal Man” is contemporary man consuming the land with his voracious appetite, destroying and despoiling it, while he himself is consumed by rust, the destruction having a karmic element to it.

The artist says: “I think my most significant achievement is the fact that I have maintained a love and a passion for art, starting from as far back as kindergarten when I first sloshed my hands into finger painting. That experience has never left me and although practising art is a hard road to travel, I am still inspired and still see the possibilities for invention ahead.”

Saturday, 11 February 2012

SWEET SATURDAY EVENING



“When we are unable to find tranquility within ourselves, it is useless to seek it elsewhere” - François de la Rochefoucauld
A relaxing day today with the usual morning of shopping and chores around the house, but a lovely afternoon and evening spent with good friends enjoying some fine food and wine.

For some Saturday Serenity, why not enjoy this delightful piece by Camille Saint-Saëns, “Le Cygne” - The Swan. This is the thirteenth movement of “The Carnival of the Animals”. The piece features a solo cello in tenor clef and two accompanying pianos. It is in 6/4 time, with a key signature of G major. It makes use of legato and slurring, the music flowing and giving the impression of a swan gliding through the water. This piece is often played using much vibrato.

This is the only movement from “The Carnival of the Animals” that the composer would allow to be played in public during his lifetime as he thought the remaining movements were too frivolous and would damage his reputation as a serious composer.

The photograph is of a native black swan I photographed in our extensive and beautiful Botanic Gardens in Melbourne.

This post is part of the Saturday Sareenity meme.

Thursday, 9 February 2012

WORDS OF THE DAY: HALAL vs HARAM


“Grant that I may become beautiful in my soul within, and that all my external possessions may be in harmony with my inner self. May I consider the wise to be rich, and may I have such riches as only a person of self-restraint can bear or endure.” - Plato

I had an overseas guest at work yesterday so it was quite a mad rush to get everything done, as well as have numerous meetings with him and other staff members. It was a very long day but also a tiring one, as I had to not only do the requisite work-related tasks that the visit required, but had to entertain him as well. He was Muslim, so lunch had to be Halal. We fortunately have a Halal restaurant close by so that was not an issue, but it turned out that when he travels he also becomes a vegan. In his home country he consumes chicken, fish, dairy products and eggs, but in Australia he is vegan.

I was pleasantly surprised that after some negotiation with the waiter, the restaurant chef was able to provide him with a suitable dish that met his approval. It was a vegetable stir-fry with eggplant, beans, soy curd, zucchini, fried onion flakes, chopped nuts and chili. He pronounced it delicious and quite suitable for his sensibilities, and definitely not Haram!

Food that is not halal is termed Haram (forbidden). Food can be forbidden in Islam if it includes:  Blood, alcohol, meat or any products from a forbidden animal, including pigs and any carnivorous animals or birds of prey, meat or any products of an animal which has not been slaughtered in the correct manner in the name of Allah Under Islamic law (sharia). It is permissible (halal) to consume items that would otherwise be termed haram so long as it is a matter of survival and not just an act of disobedience.

Thinking about it afterwards, I concluded that it must be very difficult to have such a special dietary requirement when travelling. One has to constantly be very careful of what one eats and search for suitable eating places where one would be assured of one’s requirements being met. In a big city like Melbourne this would be quite easy, however, in smaller towns it may be more difficult. One would have to resort to eating fresh fruits and vegetables, nuts and grains, quite often. Especially so in countries where special dietary requirements are not all that common. However, as my guest demonstrated, discipline and self-restraint are what determine one’s adherence to one’s principles. No doubt, one would be prepared in many cases to go hungry rather than compromise oneself.

halal |həˈläl, həˈlal| adjective
Denoting or relating to meat prepared as prescribed by Muslim law: Halal butchers.
• Religiously acceptable according to Muslim law: Halal banking.
noun
halal meat.
ORIGIN mid 19th cent.: from Arabic ḥalāl ‘according to religious law.’

haram |ˈhe(ə)rəm, ˈharəm| adjective
forbidden or proscribed by Islamic law.
ORIGIN from Arabic ḥarām ‘forbidden.’

TREES, TEETH AND TOUR OF ELEVEN CITIES


“Even if I knew that tomorrow the world would go to pieces, I would still plant my apple tree.” - Martin Luther

Tu B’Shevat is a minor Jewish holiday, occurring on the 15th day of the Hebrew month of Shevat (in 2012 this occurred from sunset on February 7 through the time when you can see three stars in the sky on February 8). During Biblical times, Jewish farmers set out trees on this day and performed ceremonies to bless the standing orchards.  It was also customary to plant a new tree for every newborn child - a cedar for a boy and a cypress or pine for a girl.  It was also usual for boughs of these trees to form the marriage canopies for the bridal couple.  Children of modern Israel celebrate this day with tree plantings and outdoor games.  In other lands, Jews observe the Tu B’Shevat Festival by eating oranges, figs, pomegranates, dates, raisins and other fruits that grow in their homeland.

On February 9th, it is St Apollonia’s Feast Day. Apollonia was an aged deaconess of Alexandria. She was martyred by having all her teeth pulled out one by one. The mob of heathens then threatened to burn her alive unless she renounced her Christian faith. Apollonia eagerly jumped into the flames herself rather than submit to any further torture or threats. She is invoked by the faithful in cases of toothache and she is the patron saint of dentists.

February can be one of the coldest months, as this folk rhyme advises:
            Walk fast in snow
            In frost walk slow;
            When frost and snow are both together
            Sit by the fire and save shoe leather.

The Northern Hemisphere is experiencing some very severe weather at the moment, with extremely low temperatures, snowfalls, ice and freezing of rivers and canals. In the Netherlands, the Elfstedentrocht (Eleven Cities Tour) looks like it will run this year, something which only happens in very cold winters. At almost 200 km, is the world's largest speed skating competition and leisure skating tour. It is held in the province of Friesland, Netherlands, only when the ice along the entire course of waterways is at least 15 cm thick.

The tour, almost 200 km in length, is conducted on frozen canals, rivers and lakes between the eleven historic Frisian cities: Leeuwarden, Sneek, IJlst, Sloten, Stavoren, Hindeloopen, Workum, Bolsward, Harlingen, Franeker, Dokkum, then returning to Leeuwarden. The tour is not held every year, mostly because the ice is not thick enough every Dutch winter, and also because about 15,000 amateur skaters may take part, putting high requirements on the quality of the ice. The last tours were held in 1985, 1986 and 1997. All skaters must be members of the Association of the Eleven Frisian Cities. A starting permit is required. Skaters must collect a stamp in each city, and at three secret check points, and must finish the course before midnight. The finishing point of the Elfstedentocht is a canal near Leeuwarden, called the “Bonkevaart”, close to the famous landmark windmill, De Bullemolen, Lekkum.

Monday, 6 February 2012

BLED


“The heart is the only broken instrument that works.” - T. E. Kalem
Magpie Tales has presented to us this week with an image of a grave at the Novodevichy Cemetery in Moscow. It is the grave of Aleksandr Nikolayevich Bakulev (1890 - 1967) who was a Soviet surgeon, one of the founders of cardiovascular surgery in the USSR, and his wife, Valentina Petrovna Bakuleva (1904 - 1990). The image of the hands holding the ruby-red heart is both apposite, given the métier of Bakulev, and striking in terms of artistic appeal. The image of heart and ruby was a strong prompt.

Bled

My heart last night was bled
The drops of blood, gout by gout extracted,
Falling like pomegranate grains
On barren soil.

Seeds of precious ruby
On rocky, drought-stricken land were thrown –
Pearls cast before the swine,
Such wasted toil.

My curious exsanguination
Casually observed by silent spectators,
Puzzled by my libations, mindless of the labours of
My midnight oil.

And yet the heart will fill again,
The pallid body will with rose blooms be coloured,
Ready for yet another sacrifice –
Again and yet again,
Until my final breath expires,
Until I shuffle off
This mortal coil

Sunday, 5 February 2012

MOVIE MONDAY - WATER FOR ELEPHANTS

“He who is cruel to animals becomes hard also in his dealings with men. We can judge the heart of a man by his treatment of animals.” - Immanuel Kant
Yesterday we watched a good film, Francis Lawrence’s 2011 “Water for Elephants” , starring Robert Pattinson, Reese Witherspoon and Christoph Waltz. This movie is based on the novel of the same name by Sara Gruen, an as with all movies that are based on books, much has been omitted, simplified or otherwise slightly tweaked. Ultimately one has to leave the book well alone, watch the movie and ask oneself does this work as a film? Was the screenplay good? Was the direction, the cinematography good? Was the casting appropriate, did the cast act well? Was the film of high quality, with good productions values, was it enjoyable to watch and engaging? Obviously if one has read a great book and enjoyed it, watching a film which is not exactly like the book or not up to one’s high expectations, will cause great disappointment…

Watching the film, one of us had read the novel and one had not. We both greatly enjoyed the film, and it was fortunate that we both watched the movie as a movie, without talking about the book before or during it. The discussion occurred afterwards, regarding differences between book and film. Yes, there are differences but a book, is a book, is a book, and a film, is a film, is a film. And the movie was a good one. Like a good, old fashioned, Hollywood movie, which they don’t often make nowadays.

In a nutshell, the plot has as follows: In the midst of the Great Depression and Prohibition in the USA, Jacob Jankowski (Pattinson), the son of Polish immigrants is left penniless and homeless after his parents die in a car accident. Although he is a veterinary student at Cornell University and only needs little time to become qualified, he leaves all and joins a circus as their vet. He befriends some fellow workers and fits in well enough, but he has to work under an unstable and violent boss, August (Waltz). August is unscrupulous, sadistic and violent making everyone be cautious around him, including his beautiful and quiet wife Marlena (Witherspoon), of whom August is very possessive and jealous. Jacob finds himself attracted to her, especially given her gentleness with the circus animals, which August mistreats. Rosie, an elephant that is acquired to star in a new act proves to be catalytic for all sorts of crises that will test each of the main characters.

Warning: Do not watch this film if you feel strongly about cruelty against animals. I had to grit my teeth and felt quite miserable when such scenes were shown. The makers of the movie certify that no animals were really hurt making the movie, but it was hard to remember that when watching the very realistic scenes of animal cruelty. They are graphic scenes and reflect the times and circumstances that film relates to, thus forming an integral part of the plot. But they really are heart-wrenching scenes that made very upset and angry.

The leads were excellent, especially Reese Witherspoon as the fragile Marlena and Christoph Waltz as the sadistic August. Pattnson shows great promise, and I am sure that he will make a fine actor as he matures. The supporting cast were very good and the illusion of the Circus worked well, in a very convincing set with the appropriate acts, costumes and props. The period atmosphere of the film was great and was transferred well to screen. With an estimated budget of $38 million, one can tell that things were not done on the cheap. The critics gave the film a fairly harsh criticism, but the public liked it well enough with opening weekend takings being  $16,842,353 (24 April 2011; 2817 Screens) and grossing $58,700,247 (7 August 2011, USA).

The direction, cinematography, music and production are excellent and as I said earlier reminded me of the golden age of Hollywood. The dialogue was ingenuous, earnest, believable and once again in keeping with the times and circumstances depicted in the movie. It is a beautiful looking film with many poignant moments, some humour and quite a lot of drama. I am determined now to read the novel and make up my own mind as to how well it was transferred to screen. However, as a movie it worked for us and we enjoyed it thoroughly. We can recommend it most highly.

Saturday, 4 February 2012

ART SUNDAY - GUSTAVE DORÉ


“If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.” - Albert Einstein
For Art Sunday today, a painting by Gustave Doré (1832 – 1883). Doré was the second of the three children of Pierre Louis Christophe Doré, an engineer, and his wife, Alexandrine Marie Anne Pluchart. He was born in Strasbourg on 6th January 1832. He was a child prodigy and as such received little formal artistic training, his talents as a draughtsman already apparent during his school years. Something that characterised this artist was the prodigious speed with which he drew and his output, which was as noteworthy for its quantity as it was for its quality

Doré’s first lithographic album was published by in Paris in 1847. He worked as a caricaturist until gaining fame as an illustrator in 1854 after working on a book by François Rabelais. Other commissions included illustrations for works by Honoré de Balzac, Dante Alighieri, Miguel de Cervantes and John Milton. In 1863 he was asked to illustrate the works of Lord Byron. This was followed by other work for British publishers including a new illustrated “Doré’s English Bible” (1865).

In 1867 Gustave Dore had a major exhibition of his work in London. This led to the foundation of the Doré Gallery in New Bond Street. In 1869, Blanchard Jerrold, the son of Douglas Jerrold, suggested that they worked together to produce a comprehensive portrait of London. Doré signed a five-year project with the publishers, Grant & Co, that involved him staying in London for three months a year. Doré was paid the vast sum of £10,000 a year for the proposed artwork. The book, “London: A Pilgrimage”, with 180 engravings by Doré, was eventually published in 1872. Although a commercial success, many of the critics disliked the book. Several were upset that Doré had appeared to concentrate on the poverty that existed in London. Gustave Doré was accused by the Art Journal of “inventing rather than copying”.

“London: A Pilgrimage” was a financial success and Doré received commissions from other British publishers. Doré’s later work included illustrated editions of “Paradise Lost”, “King Arthur: The Idylls of the King” and “The Works of Thomas Hood”. His work also appeared in the Illustrated London News.  Gustave Doré continued to illustrate books until his death on 23rd January 1883.

The painting above of 1862, is a detailed and painterly rendition of one of the drawings Doré made for an illustrated edition of Perrault’s (1628 – 1703) classic French Fairy Tales, which were reprinted in 1862. Doré chose to illustrate the more gruesome and bloody original fairy tale rather than the sanitised versions we are more familiar with nowadays. It depicts the near end of the tale where the already satiated wolf prepares to bite off Little Red Riding Hood’s head. Terror was a common theme in children’s tales in the past, where a strong moralising subtext was supported by striking a fear of retribution for sins committed. Romantic artists like Doré were attracted to such high drama and may explain why the artist chose a medium (oil on canvas) uncharacteristic of him to depict this scene. We are lucky to have this painting in the National Gallery of Victoria in Melbourne.

SCHUBERT SERENITY


“And you would accept the seasons of your heart just as you have always accepted that seasons pass over your fields and you would watch with serenity through the winters of your grief.” - Kahlil Gibran

A quiet, relaxing day today with household shopping in the morning and then some chores at home. A brief lunch, and some relaxation. Out to dinner tonight and thoughts of serenity. Feelings of gratefulness for this ability to enjoy simple pleasures amidst a world where not much can be taken for granted any more. How many people around the world could say they had a day of serenity today? I doubt if it were the majority…

This post is part of the Saturday Sareenity meme.

A beautiful piece by Franz Schubert (1797 – 1828) tonight. His Notturno D 897 played by the Rubinstein Trio (A.Wesolowska, A. Kostecki, S.Firlej). This substantial but relatively neglected piece has affinities with the slow movements of both the String Quintet in C major D. 956, and the Piano Trio No. 1 in B-flat, D 898. Completed in the Autumn of 1827, it is possibly a rejected slow movement of the Piano Trio No. 1. It has the sublime slowness of the string quintet movement, together with a similar use of pizzicato at various points, and with the same paradoxical effect: the pizzicato decorations of the main tune seem to enhance the underlying tragedy of the music, rather than lightening it. The main thematic idea has a characteristic common to a number of Schubert’s most celebrated melodic ideas, including the second subjects of both the C major string quintet’s first movement and the ‘Unfinished’ Symphony No. 8's first movement: that of ‘not going anywhere’, pitch-wise, but seeming to revolve round a single note (the third note of the scale in this case).


Thursday, 2 February 2012

CASSATA CAKE



“Ice-cream is exquisite. What a pity it isn't illegal.” - Voltaire
Thank goodness it’s Friday! It’s been another very tiring week and I am looking forward to the weekend. When I came home this evening I just plopped down on an armchair, took off my shoes, stretched my legs and did nothing for a few minutes. The heat didn’t help either and it was stifling hot in the train coming home. Fortunately, home was a cool, shady haven of serenity and sanity!

We shall have some more hot days over the weekend and then a cooler week next week. So while the sun shines, let’s make cassata ice cream cake!

Cassata Cake
Ingredients
Light vegetable oil
1 x 20 cm square plain sponge cake (bought or homemade)
2-3 tbs Galliano liqueur
700 mL vanilla ice-cream
700 mL chocolate ice-cream
250 mL whipping cream
2 tbs icing sugar
Vanilla essence
100 g (2/3 cup) candied peel, chopped dried apricots and glace cherries
2 tbs grated dark chocolate
Cocoa powder, to dust

Method
  • Grease a 6cm-deep, 20 x 10cm (base measurement) loaf pan with oil.
  • Line the base and 2 long sides with plastic wrap, allowing the sides to overhang.
  • Carefully cut the cake in half horizontally. Halve each piece lengthways to make 4 cake rectangles. Line the base of the prepared pan with 1 cake rectangle. Press down slightly.
  • Use 2 cake rectangles to line the 2 long sides. Halve the remaining cake rectangle crossways and use to line the 2 short sides. Trim excess and use to fill any gaps. Brush the cake with liqueur to moisten the surface.
  • Transfer the chocolate ice-cream to a bowl. Set aside to soften slightly. Spread over the cake base. Smooth the surface and sprinkle with grated chocolate. Place in the freezer for 30 minutes or until firm.
  • Whip the cream, sugar and vanilla essence until stiff. Add the fruit and fold until just combined. Spoon into the prepared pan. Smooth the surface. Place in the freezer for 30 minutes or until firm.
  • Transfer the vanilla ice-cream to a bowl. Set aside to soften slightly. Spoon into the prepared pan carefully over the cream/fruit layer. Smooth the surface. Trim the excess cake. Cover with overhanging plastic wrap. Place in the freezer for 2 hours or overnight, or until firm.
  • Turn out the cake onto a serving platter and remove the plastic wrap. Dust with cocoa powder and if desired, decorate with whipped cream. Cut into slices to serve.

Buon appetito!