Sunday, 17 November 2013


“The purest and most thoughtful minds are those which love colour the most.” - John Ruskin
August Macke (3 January 1887 – 26 September 1914) was born in Meschede, Germany. His father, August Friedrich Hermann Macke (1845-1904), was a building contractor and his mother, Maria Florentine, née Adolph, (1848-1922), came from a farming family in Germany’s Sauerland region. The family lived at Brüsseler Straße until August was 13. He then lived most of his creative life in Bonn, with the exception of a few periods spent at Lake Thun in Switzerland and various trips to Paris, Italy, Holland and Tunisia. In Paris, where he travelled for the first time in 1907, Macke saw the work of the Impressionists, and shortly after he went to Berlin and spent a few months in Lovis Corinth’s studio.
His style was formed within the mode of French Impressionism and Post-impressionism and later went through a Fauve period. In 1909 he married Elizabeth Gerhardt. In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter school.
Macke’s meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay’s chromatic Cubism, which Apollinaire had called Orphism, influenced Macke’s art from that point onwards. His “Shops Windows” can be considered a personal interpretation of Delaunay’s “Windows”, combined with the simultaneity of images found in Italian Futurism.
The exotic atmosphere of Tunisia, where Macke travelled in 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces. August Macke’s oeuvre can be considered as Expressionism, (the movement that flourished in Germany between 1905 and 1925) and also his work was part of Fauvism. The paintings concentrate primarily on expressing emotion, his style of work represents feelings and moods rather than reproducing objective reality, usually distorting colour and form.
Macke’s career was cut short by his early death at the front in Champagne in September 1914, the second month of World War I. His final painting, “Farewell”, depicts the mood of gloom that settled after the outbreak of war. It is in sharp contrast to the painting above “Girls under Trees”, also of 1914.


  1. I always include August Macke (and Franz Marc) in any classes I run on pre-war and wartime art. But because he died in his 20s, his tragically short career was limited. So I concentrated on the most exciting, albeit brief part of his art life in "Sidi Bou Said, Tunisia - colour, light and art".

    thank you for a great link

  2. Poor man, died so young in the war... Wasn't aware of him so thanks for the intro

  3. Your quote goes so well with the painting! Such a pity he died so young.

  4. how much is it worth if its signed too because i own one.