Saturday 19 May 2018

MUSIC SATURDAY - SALIERI PIANO CONCERTO IN C

“The notes I handle no better than many pianists. But the pauses between the notes - ah, that is where the art resides.”― Artur Schnabel 

Antonio Salieri (18 August 1750 – 7 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.

Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school.

Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna’s musical life. Franz Liszt, Franz Schubert, and Ludwig van Beethoven were among the most famous of his pupils. Salieri’s music slowly disappeared from the repertoire between 1800 and 1868 and was rarely heard after that period until the revival of his fame in the late 20th century.

This revival was due to the dramatic and highly fictionalised depiction of Salieri in Peter Shaffer’s play “Amadeus” (1979) and its 1984 film version. His music today has regained some modest popularity via recordings. He is popularly remembered as a supposedly bitter rival of Wolfgang Amadeus Mozart. This includes rumours that Salieri murdered Mozart out of jealousy, when in reality, they were at least respectful peers.

Here is his Piano Concerto in C (1773) performed by Pietro Spada and the Philharmonia Orchestra:
1.Allegro maestoso 00:00
2.Larghetto 08:54
3.Andantino (Rondo) 16:12

Tuesday 15 May 2018

TRAVEL TUESDAY #131 - MADRID, SPAIN

“God worked six days, and rested on the seventh: Madrileños rest the six, and on the seventh... go to the bullfight.” - H O’Shea 

Welcome to the Travel Tuesday meme! Join me every Tuesday and showcase your creativity in photography, painting and drawing, music, poetry, creative writing or a plain old natter about Travel.

There is only one simple rule: Link your own creative work about some aspect of travel and share it with the rest of us. Please use this meme for your creative endeavours only.

Do not use this meme to advertise your products or services as any links or comments by advertisers will be removed immediately.
The Plaza de Cibeles is a square with a neo-classical complex of marble sculptures with fountains that has become an iconic symbol for the city of Madrid, Spain. It sits at the intersection of Calle de Alcalá (running from east to west), Paseo de Recoletos (to the North) and Paseo del Prado (to the south). Plaza de Cibeles was originally named Plaza de Madrid, but in 1900, the City Council named it Plaza de Castelar, which was eventually replaced by its current name. It is currently delimited by four prominent buildings: The Bank of Spain, the Palacio de Buenavista, the Palacio de Linares and the Cybele Palace.

These constructions are located in four different neighbourhoods from three different adjacent districts: Centro, Retiro and Salamanca. In the years Cybele Palace and her fountain have become symbolic monuments of the city. The Fountain of Cybele is found in the part of Madrid commonly called the Paseo de Recoletos. This fountain is named after Cybele, a Phrygian goddess who had a significant cult in Rome, and is seen as one of Madrid’s most important symbols.

The fountain depicts the goddess, sitting on a chariot pulled by two lions. The fountain was built in the reign of Charles III and designed by Ventura Rodríguez between 1777 and 1782. The goddess and chariot are the work of Francisco Gutiérrez and the lions by Roberto Michel. The fountain originally stood next to the Buenavista Palace, and was moved to its present location in the middle of the square in the late 19th century. Up until the 19th century both the fountain of Neptune and Cybele looked directly at each other, until the city council decided to turn them round to face towards the centre of the city.

This post is part of the Our World Tuesday meme,
and also part of the Ruby Tuesday meme,

and also part of the Wordless Wednesday meme.