Rivera was in the United States from 1930 to 1934, where he painted murals for the California School of Fine Arts in San Francisco (1931), the Detroit Institute of Arts (1932), and Rockefeller Center in New York City (1933). His “Man at the Crossroads” fresco in Rockefeller Center offended the sponsors because the figure of communist Vladimir Lenin was in the picture; the work was destroyed by the centre but was later reproduced by Rivera at the Palace of Fine Arts, Mexico City. After returning to Mexico, Rivera continued to paint murals of gradually declining quality. His most ambitious and gigantic mural, an epic on the history of Mexico for the National Palace, Mexico City, was unfinished when he died. Frida Kahlo, who married Rivera twice, was also an accomplished painter. Rivera's autobiography, “My Art, My Life”, was published posthumously in 1960.
This is the South wall mural of the Detroit Institute of the Arts, painted in 1933. American Industry is depicted here, with the Caucasian race and Asian race shown above.
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