Sunday, 6 January 2013


“I dream of painting and then I paint my dream.” - Vincent Van Gogh

Ivan Konstantinovich Aivazovsky (1817-1900) was born in the family of a merchant of Armenian origin in the town of Feodosia, in the Crimea.  His parents suffered economic hardship and he spent his childhood in poverty. With the help of people who had noticed the talented youth, he entered the Simferopol gymnasium, and then the St. Petersburg Academy of Arts, where he took the landscape painting course and was especially interested in seascapes.

In the autumn of 1836 Aivazovsky presented 5 marine pictures to the Academic exhibition, which were highly appreciated. In 1837, Aivazovsky received the Major Gold Medal for “Calm in the Gulf of Finland” (1836) and “The Great Roads at Kronstadt” (1836), which allowed him to go on a long study trip abroad. However, the artist first went to the Crimea to perfect himself in his chosen genre by painting the sea and views of Crimean coastal towns.

During the period of 1840-1844 Aivazovsky, as a pensioner of the Academy of Arts, spent time in Italy, traveled to Germany, France, Spain, and Holland. He worked much and had many exhibitions, meeting everywhere with success. He painted a lot of marine landscapes, which became very popular in Italy: “The Bay of Naples by Moonlight” (1842), “Seashore; Calm” (1843), “Malta; Valetta Harbour” (1844). His works were highly appreciated by J.W.M. Turner, a prominent English landscape and marine painter.

In the course of his work, Aivazovsky evolved his own method of depicting the motion of the sea – from memory, without preliminary sketches, limiting himself to rough pencil outlines. Aivazovsky’s phenomenal memory and romantic imagination allowed him to do all this with incomparable brilliance. The development of this new method reflected the spirit of the age, when the ever-increasing romantic tendencies put an artist’s imagination to the front.

When in 1844 the artist returned to St. Petersburg, he was awarded the title of Academician, and became attached to the General Naval Headquarters. This allowed him to travel much with Russian fleet expeditions on different missions; he visited Turkey, Greece, Egypt, America. From 1846 to 1848 he painted several canvases with naval warfare as the subject; the pictures portrayed historical battles of the Russian Fleet “The Battle of Chesme” (1848), “The Battle in the Chios Channel” (1848), “Meeting of the Brig Mercury with the Russian Squadron” (1848).

Towards the 1850s the romantic features in Aivazovsky’s work became increasingly pronounced. This can be seen quite clearly in one of his best and most famous paintings “The Tenth Wave” (1850) and also in “Moonlit Night” (1849), “The Sea; Koktebel” (1853), “Storm” (1854) and others.

The process, which determined the development of Russian art in the second half of the 19th century, also affected Aivazovsky. A new and consistently realistic tendency appeared in his work, although the romantic features still remained. The artist’s greatest achievement of this period is “The Black Sea” (1881), a picture showing the nature of the sea, eternally alive, always in motion. Other important pictures of the late years are “The Rainbow” (1873), “Shipwreck” (1876), “The Billow” (1889), “The ‘Mary’ Caught in a Storm” (1892).

Aivazovsky left more than 6000 pictures, which vary greatly in artistic value. There are masterpieces and there are second-rate works. He failed in drawing landscapes, and was challenged when attempting to paint the human figure. Aivazovsky got good commissions and became quite rich. He spent much money for charity, especially for his native town, he opened in Feodosia the first School of Arts (in 1865), then the Art Gallery (in 1889). He was a member of Academies of Stuttgart, Florence, Rome and Amsterdam.

The artist visited Constantinople several times throughout his life and returned to the subject often. Aivazovsky’s talents were recognised by Sultan Abdülaziz (1830-1876) who commissioned a series of views of Constantinople in 1874 to decorate the Dolmabahçe Palace. Sotheby’s London achieved the record price for a Turkish view by Aivazovsky with “View of Constantinople and the Bosphorus”, (1856 – see above) which sold for £3,233,250 in April 2012.

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