Thursday, 17 November 2016

ALL ABOUT BROCCOLI

“Then Maura made something with butter and Calla made something with bacon and Blue steamed broccoli in self-defense.” - Maggie Stiefvater

Broccoli is an edible green plant in the cabbage family whose large flowering head is eaten as a vegetable. The word broccoli comes from the Italian plural of broccolo, which means “the flowering crest of a cabbage”, and is the diminutive form of brocco, meaning “small nail” or “sprout”. Broccoli is often boiled or steamed but may be eaten raw. Broccoli is classified in the Italica cultivar group of the species Brassica oleracea.

Broccoli has large flower heads, usually green in colour, arranged in a tree-like structure branching out from a thick, edible stalk. The mass of flower heads is surrounded by leaves. Broccoli resembles cauliflower, which is a different cultivar group of the same species. Broccoli is a result of careful breeding of cultivated Brassica crops in the northern Mediterranean starting in about the 6th century BC. Since the time of the Roman Empire, broccoli has been considered a uniquely valuable food among Italians. Broccoli was brought to England from Antwerp in the mid-18th century by Peter Scheemakers. Broccoli was first introduced to the United States by Southern Italian immigrants, but did not become widely popular until the 1920s.

There are three commonly grown types of broccoli. The most familiar is Calabrese broccoli, often referred to simply as “broccoli”, named after Calabria in Italy. It has large (10 to 20 cm) green heads and thick stalks. It is a cool season annual crop. Sprouting broccoli has a larger number of heads with many thin stalks. Purple cauliflower is a type of broccoli sold in southern Italy, Spain, the United Kingdom and Australia. It has a head shaped like cauliflower, but consisting of tiny flower buds. It sometimes, but not always, has a purple cast to the tips of the flower buds.

In addition to the above, there are Broccolini or “Tenderstem broccoli”, which is a cross between broccoli and Chinese broccoli. Beneforté is a variety of broccoli containing 2–3 times more glucoraphanin that was produced by crossing broccoli with a wild Brassica variety, Brassica oleracea var villosa.

Broccoli is a cool-weather crop that does poorly in hot summer weather. Broccoli grows best when exposed to an average daily temperature between 18 and 23 °C. When the cluster of flowers, also referred to as a “head” of broccoli, appear in the centre of the plant, the cluster is green. Garden pruners or shears are used to cut the head about an inch from the tip. Broccoli should be harvested before the flowers on the head bloom bright yellow. While the heading broccoli variety performs poorly in hot weather, mainly due to insect infestation, the sprouting variety is more resistant, though attention must be paid to sucking insects (such as aphids), caterpillars and whiteflies. Spraying of Bacillus thuringiensis can control caterpillar attacks, while a citronella vase may ward off whiteflies.

Like other members of the cabbage family, broccoli is healthful and nutritious. 100 gram serving of raw broccoli provides 34 kcal and is an excellent source (20% or higher of the Daily Value, DV) of vitamin C and vitamin K. Raw broccoli also contains moderate amounts (10–19% DV) of several B vitamins and the dietary mineral manganese, whereas other essential nutrients are in low content. Broccoli has low content of carbohydrates, protein, fat, and dietary fibre. 

Boiling broccoli reduces the levels of sulforaphane, with losses of 20–30% after five minutes, 40–50% after ten minutes, and 77% after thirty minutes. However, other preparation methods such as steaming, microwaving, and stir-frying had no significant effect on the compounds, making these cooking methods preferable to boiling. Broccoli also contains the carotenoid compounds lutein and zeaxanthin in amounts about 6 times lower than in kale.

Some recipes including broccoli here:
and also part of the Friday Greens meme.

Wednesday, 16 November 2016

POETS UNITED - INVISIBILITY

“It is only with the heart that one can see rightly; what is essential is invisible to the eye.” - Antoine de Saint-Exupery

Poets United mid-week motif is “invisibility”. We are gifted with sight to see what is readily visible to all, however, relatively few people have vision and see what is invisible to most. We are surrounded by optical illusions, distorting mirrors and smoke screens in a world that has become more and more shrouded in deception and falseness. What is true, fundamental and crucial to us lies hidden and invisible. To see the essential we have to use more than our eyes…
Here is my poem:

The Invisible

The eyes are blind to the essential
And that is why we must have an open heart,
With which to see the invisible.

A beautiful face can hide an evil mind,
And that is why we must have a pure soul
With which to sense the invisible.

Hypocrisy, flattery, cant are rife
And that is why we must have wisdom,
With which to reason the invisible.

Sweet words and lulling music dull our ears,
And that is why we must have clean hands
With which to feel the invisible.

The world around us is corrupt and filled with devils,
And that is why we need faith and love and hope
With which to make the invisible, visible;
To make the hidden manifest;
To uncover the truth obscured by lies;
To find the innocent amongst the damned.

Tuesday, 15 November 2016

TRAVEL TUESDAY #53 - OSLO, NORWAY

“We have to find compromises. That's the way it is in Norway.” - Kjell Magne Bondevik

Welcome to the Travel Tuesday meme! Join me every Tuesday and showcase your creativity in photography, painting and drawing, music, poetry, creative writing or a plain old natter about Travel!


There is only one simple rule: Link your own creative work about some aspect of travel and share it with the rest of us!


Please use this meme for your creative endeavours only. Do not use this meme to advertise your products or services as any links or comments by advertisers will be removed immediately.

Oslo is the capital and the most populous city in Norway. It constitutes both a county and a municipality. Founded in the year 1040, and established as a “kaupstad” or trading place in 1048 by King Harald III, the city was elevated to a bishopric in 1070 and a capital under Haakon V around 1300. Personal unions with Denmark from 1397 to 1523 and again from 1536 to 1814 and with Sweden from 1814 to 1905 reduced its influence. After being destroyed by a fire in 1624, the city was moved closer to Akershus Fortress during the reign of King Christian IV and renamed Christiania in his honour.

It was established as a municipality (formannskapsdistrikt) on 1 January 1838. Following a spelling reform, it was known as Kristiania from 1877 to 1925, at which time its original Norwegian name was restored. Oslo is the economic and governmental centre of Norway. The city is also a hub of Norwegian trade, banking, industry and shipping. It is an important centre for maritime industries and maritime trade in Europe. The city is home to many companies within the maritime sector, some of which are among the world’s largest shipping companies, shipbrokers and maritime insurance brokers.


Oslo is a pilot city of the Council of Europe and the European Commission intercultural cities programme. Oslo is considered a global city and ranked “Beta World City” in studies carried out by the Globalisation and World Cities Study Group and Network in 2008. It was ranked number one in terms of quality of life among European large cities in the European Cities of the Future 2012 report by fDi magazine. A survey conducted by ECA International in 2011 placed Oslo as the second most expensive city in the world for living expenses after Tokyo. In 2013 Oslo tied with the Australian city of Melbourne as the fourth most expensive city in the world, according to the Economist Intelligence Unit (EIU)'s Worldwide Cost of Living study.


As of January 1, 2016, the municipality of Oslo has a population of 658,390, while the population of the city’s urban area was 942,084. The metropolitan area had an estimated population of 1.71 million. The population is currently increasing at record rates, making it the fastest growing major city in Europe. This growth stems for the most part from international immigration and related high birth rates, but also from intra-national migration. The immigrant population in the city is growing somewhat faster than the Norwegian population, and in the city proper this is now more than 25% of the total.


This post is part of the Our World Tuesday meme,

and also part of the Wordless Wednesday meme.

Add your own travel posts using the Linky tool below, and don't forget to be nice and leave a comment here, and link back to this page from your own post:

Monday, 14 November 2016

MOVIE MONDAY - RED

“I love conspiracy theories. I used to just live on it. You know it’s all hype and garbage, but you’re still really paranoid afterwards. It’s fun entertainment.” - Doug Stanhope

We watched an amusing film at the weekend. Pure escapist nonsense, but we weren’t in the mood for anything else and this one seemed to be just the thing. On reflection, it wasn’t quite politically correct and it gave conflicting messages, but it was enough of a spoof to give it the ultimate thumbs up. However, one has to worry about subliminal messages delivered and how these are perceived by younger audiences…

It was the 2010 Robert Schwentke comedy/action movie “RED”, starring Bruce Willis, Helen Mirren, Morgan Freeman, Mary-Louise Parker, Karl Urban, Rebecca Pidgeon, John Malkovich, Brian Cox, Richard Dreyfuss and Ernest Borgnine. Yes, the old familiar faces kept popping up throughout the movie. The screenplay was based on a graphic novel and one could detect the excesses of violence and action that these are replete with.

RED refers to “Retired, Extremely Dangerous” and this describes perfectly Francis, or Frank to his friends (Bruce Willis). He is a retired, bored, and lonely ex-CIA agent living off his government pension in an ordinary house in an ordinary suburb of an ordinary town. The only highlight in Frank’s life is his calls to the government pension processing centre when he gets to talk to his case worker, Sarah (Mary-Louis Parker). Sarah is as bored and lonely as Frank and marks her conversations with the unknown Frank and her spy novels as the only things fun in her life.

Suddenly out of the blue, Frank is attacked in his home by some armed CIA agents who obviously want him utterly dead. Frank’s old skills ensure he survives, but he goes to meet Sarah as he perceives she is also under threat. An initially reluctant Sarah is taken by Frank in tow as he tries to discover who wants them dead and why. Along the way, Frank’s ex-colleagues (Freeman, Malkovich, Mirren) join them and the intrigue is gradually uncovered. Along the way, the motley crew of REDs have to deal with CIA baddies Cooper (Urban) and Wilkes (Pidgeon) who are desperately trying to liquidate them.

The film is violent and there is a lot of use of weaponry of every description, meaning there are lots of bullets flying all the time, explosions, chases, bloody altercations, deaths and vaporisations. This action is quite extreme, to the extent that it resembles comic book violence although people are show to be injured and killed. Although there is presentation of a baddie as an illegal arms dealer, the use of lethal weaponry by the good guys is widespread as well. As I said this gave me a conflicting message and one has to question the film’s advocation of the use of weapons by “good guys” as a good thing. The whole USA gun-thing and the “right to bear arms” reared its ugly head, but we couldn’t be bothered to take issue with that.

The bottom line is, if the film is not taken seriously it is good entertainment value. The acting is good and the actors have fun with the excesses of the plot and the send-up of the whole action/spy/shoot-‘em-up genre. Willis has his tongue firmly wedged in his cheek as he plays a comedy part that sends up similar “serious” roles he played before, and Malkovich steals every scene he appears in, playing a mentally deranged conspiracy theorist who refuses to retire peacefully from the CIA. The direction is suitably light, but also tight and the action scenes are well staged and suspense does build up. There is a running joke with postcards from the places the REDs go to and the movie is almost like a road trip that wreaks havoc in every place they stop.

If you watch this film and expect Shakespeare, you’ll be disappointed. If you are on some high and mighty morality bandwagon you will abhor the movie, vilify the director, pour scorn on the actors and excommunicate the writers. If you are an intellectual and expect witticisms, subtle humour and delightful repartee, go watch a Shaw play. If you begin with low expectations, have an hour and a half to pass, take this film lightly and with a grain of salt, you’ll quite probably be entertained. It is a comic book tale for grown ups, requires no thinking and you’ll enjoy it as long as you suspend belief and engage in a forgiving move. Otherwise go watch an Ingmar Bergman film…

Sunday, 13 November 2016

ART SUNDAY - FERDNAND KHNOPFF

“The road to freedom lies not through mysteries or occult performances, but through the intelligent use of natural forces and laws.” - Ernest Holmes

Fernand Khnopff, in full Fernand-Edmond-Jean-Marie Khnopff (born September 12, 1858, Grembergen, near Termonde, Belgium—died November 12, 1921, Brussels) was a Belgian painter, draughtsman, photographer, sculptor, and writer associated with Symbolism and known best for his paintings that blend precise realism with an ethereal dreamlike atmosphere.

Khnopff was one of three siblings and was born into a well-to-do family. He spent his childhood in the old Belgian city of Bruges, a place that he was obviously impressed by and would feature in many of his works later in life. The family then moved to Brussels, spending summers in the country in Fosset, Belgium, another place appeared in his paintings later in life.

In 1875 he set out to study law at the Free University of Brussels, but within a year he left to study art and literature at that city’s Royal Academy of Fine Arts. There he studied painting with Xavier Mellery. Throughout his years at the academy, Khnopff spent his summers in Paris to broaden his studies in the arts, and at the 1878 Exposition Universelle (world’s fair) he discovered works by Pre-Raphaelite Edward Burne-Jones and by Symbolist Gustave Moreau, artists who would have a major impact on the direction of his painting career.

His painting career began with landscapes, which he began exhibiting in 1881 with the Belgian exhibition society called “L’Essor”, and by 1882 he was showing his own Symbolist works, many of which had subjects that were inspired by literature, especially by the writings of Gustave Flaubert. He soon found the support of poet Émile Verhaeren, who went on to connect Khnopff to the writers and poets of “La Jeune Belgique”, Brussels’s avant-garde literary review that led to a movement of the same name.

In 1883 Khnopff became a founding member of the Belgian avant-garde artists’ group “Les Vingt”, which at its founding included 19 other artists, James Ensor among them. Khnopff created notable works such as “Listening to Schumann” (1883), “After Joséphin Péladan: The Supreme Vice” (ca 1884), and “In Fosset. An Evening” (1886). “After Joséphin Péladan: The Supreme Vice” served as the frontispiece to French writer and Symbolist Joséphin Péladan’s popular erotic novel “Le Vice supreme” (1884).

By the time Les Vingt dissolved in 1893, Khnopff’s career had taken off. While holding a firm position within the avant-garde circles of Brussels, he also became known as a portraitist of the city’s elite. His best-known portraits from that period include “Portrait of Jeanne Kéfer” (1885), “Portrait of Marie Monnom” (1887), “Portrait of Jeanne de Bauer (1890), and “Portrait of the Children of Louis Nève” (1893). Khnopff used his sister Marguerite as a model repeatedly, even after her death when he used his photographs of her as guides. In 1896 he painted “The Caresses” (The Sphinx), his best-known work. The painting’s subject is an interpretation of Moreau’s “Oedipus and the Sphinx” (1864) and features a hybrid human-leopard nestled next to an androgynous Oedipus.

Khnopff designed a lavish house and studio for himself at 41 rue des Courses in Brussels (demolished 1936). During the decade beginning in 1903, he collaborated regularly with Brussels opera house Théâtre Royal de la Monnaie, designing costumes, scenery, and sets for many productions. He also decorated interiors for landmark buildings in Brussels: Stoclet House and the Hôtel de Ville, Saint-Gilles.

In his paintings, drawings, photographs, and sculptures of the 1900s, he continued to focus on mythological subjects and themes of introspection, memory, temptation, and mystery. Reflecting an ongoing interest in dreams and sleep, he turned to the Greek god of sleep Hypnos numerous times as a subject in his paintings and sculptures. Through the early 1910s he exhibited widely throughout Europe to great acclaim. Khnopff stayed in Brussels during World War I (1914–18), and, though his health and eyesight were declining, he taught painting classes, wrote on art and artists, and continued to create his own works.

The drawing above is titled “The Offering” and is drawn in pastel, graphite, and chalk on paper (34.9 x 74.9 cm), exhibited in the Metropolitan Museum of Art, NY City. A nude woman makes an offering to a portrait bust on an altar. She looks out as though the viewer’s appearance has interrupted her ritual. Khnopff’s Symbolism mixed an admiration for medieval and Renaissance imagery with a fascination with the occult, ritual, and the dream world. The altar here resembles one in his home, created to revere Hypnos, the Greek god of sleep. The blue cartouche at the centre is inscribed with a partially effaced NEVER MORE—a quote from Edgar Allen Poe’s “The Raven”. This soft pastel drawing is characteristic of Khnopff’s muted and hazy style.

Saturday, 12 November 2016

MUSIC SATURDAY - HEINICHEN DRESDEN CONCERTI

“If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music.” ― Albert Einstein

Johann David Heinichen (17 April 1683 – 16 July 1729) was a German Baroque composer and music theorist who brought the musical genius of Venice to the court of Augustus the Strong in Dresden. Heinichen’s music lingered in obscurity for a long time, but fortunately it is now being rediscovered and played again.

Johann David Heinichen was born in the small village of Crössuln, near Weissenfels. His father, Michael Heinichen, had studied music at the celebrated Thomasschule Leipzig associated with the Thomaskirche, served as cantor in Pegau and was pastor of the village church in Crössuln. Johann David also attended the Thomasschule Leipzig. There he studied music with Johann Schelle and later received organ and harpsichord lessons with Johann Kuhnau. The future composer Christoph Graupner was also a student of Kuhnau at the time.

Heinichen enrolled in 1702 to study law at the University of Leipzig and in 1705-1706 qualified as a lawyer (in the early 18th century the law was a favoured route for composers; Kuhnau, Graupner and Georg Philipp Telemann were also lawyers). Heinichen practiced law in Weissenfels until 1709. However, Heinichen maintained his interest in music and was concurrently composing operas. In 1710, he published the first edition of his major treatise on the thoroughbass.

He went to Italy and spent seven formative years there, mostly in Venice, with great success with its operas. In 1712, he taught music to Leopold, Prince of Anhalt-Köthen, who took him as composer. The same prince would appoint Johann Sebastian Bach Kapellmeister at the end of 1717. In 1716, Heinichen met in Venice the Prince Elector of Saxony, and was appointed Kapellmeister to the Elector of Saxony in Dresden. His pupils included Johann Georg Pisendel.

In 1721, Heinichen married in Weissenfels; the birth of his only child is recorded as January 1723. In his final years Heinichen’s health suffered greatly; on the afternoon of 16 July 1729, he was buried in the Johannes cemetery after finally succumbing to tuberculosis. His music is enjoying a resurgence of popularity, with some of his concerti, masses and his final work, a Magnificat, now receiving some attention in the recording world.

Here are his Dresden Concerti with Reinhard Goebel and Musica Antiqua Köln.


Friday, 11 November 2016

FOOD FRIDAY - MONACO BISCUITS

“Nostalgia is a seductive liar.” - George Ball

I remember when I was in High School, I’d visit a friend of mine at his house and his mother would serve up some “Monaco Biscuits”, which she baked herself. These were the homemade version of the good old Monte Carlo variety that were available in the supermarket. I must admit that after eating the homemade variety, those shop-bought ones just didn’t cut the mustard. Recently I found this recipe and I must admit they turned out quite well!

Monaco Biscuits
Ingredients - Biscuits
180g softened unsalted butter,
1/2 cup sugar
1 egg
2 tbsp. honey
1 and 1/4 cups self raising flour, sifted
3/4 cup plain flour, sifted
1/2 cup desiccated coconut
Filling
Raspberry jam
80g softened unsalted butter
1 and 1/4 cups icing sugar, sifted
1 tsp. milk

Method
Preheat the oven to 175˚C.
Cream the butter and sugar together until light and fluffy. Add the egg and honey. Beat well until combined.
Add dry ingredients to the mixture, and stir to combine.
Roll a teaspoon of the mixture into a ball. Press your thumb into the middle of it and place onto a lined baking tray. Using a fork, gently texture the surface. Repeat this procedure with the rest of the mixture until all of the biscuits are shaped and ready to bake.
Place the biscuits into the oven and bake for 10 minutes, or until golden brown.
Meanwhile, make the filling. In a stand up mixer, whip the butter and icing sugar until they are light and fluffy. Add the milk and set aside.
Remove the biscuits from the oven and cool on a wire rack.
When biscuits are cool, spread a teaspoon of jam in the middle of the flat side of one of the biscuits. Using another biscuit, place a teaspoon of buttercream icing in the middle of the flat surface. Gently sandwich the biscuits halves together. Repeat the process until all of the biscuits have been filled. You may dust with icing sugar if you wish.

Thursday, 10 November 2016

REMEMBRANCE DAY

“What a cruel thing war is... to fill our hearts with hatred instead of love for our neighbors.” - Robert E. Lee

Tomorrow is Remembrance Day here in Australia. This is because the eleventh hour of the eleventh day of the eleventh month marks the signing of the Armistice, on 11th November 1918, which signalled the end of World War One. At 11 a.m. on 11th November 1918, the guns of the Western Front fell silent after more than four years of continuous warfare. Initially, when WWI ended, the day was known as Armistice Day but was renamed Remembrance Day after WWII. In the USA the day is known as Veterans’ Day.

Each year Australians observe one minute’s silence at 11 a.m. on 11th November, in memory of all those men and women who have died or suffered in all wars, conflicts and peace operations. This is a simple yet very effective way of remembering the massive loss of life and immense suffering that humankind has been subjected to in all of the various armed conflicts that have blotted recorded history. In Australia, Remembrance Day ceremonies are held in almost every city and town across Australia. All major cities have a Shrine of Remembrance and every town has a monument honouring the fallen Anzacs.

Melbourne’s Shrine of Remembrance and the Australian War Memorial in Canberra hold formal ceremonies that are very well organised and well-attended. This year, ceremonies will be very significant for the families of Australian soldiers recently killed in Afghanistan. The National Remembrance Day Ceremony includes a formal wreath-laying and will be attended by many high level dignitaries and diplomats. Australian’s Federation Guard and the Band of the Royal Military College will be on parade. Members of the public are of course also invited to join the National Remembrance Day Ceremony at the Australian War Memorial.

Lest We forget...

Wednesday, 9 November 2016

POETS UNITED - PATH

“Many are stubborn in pursuit of the path they have chosen, few in pursuit of the goal.” - FriedrichNietzsche

In the Midweek Motif this week, Poets United has the theme of “Path”. Contributors are requested to produce a poem that explores this theme.
Here is my poem:

The Path

We make our own path in life as we walk it,
And it will lead us where our heart desires;
Once the first step is taken, the die is cast
And we walk on until our lamp expires.

We trudge through desert and through jungle,
Our goal forever shining far ahead;
It takes all of our courage, strength, tenacity
To onward march, and firmly tread.

The risks are many, dangers lurk,
So many easier roads lead from our goal away.
With purpose and determination we choose
The rocky, winding path on which we stay.

Many we’ll meet who try to tempt us
With easy words, fool’s gold and false rewards;
Our goal obscured, the forest dark,
The night long, and yet we march towards
What in our heart we know is right and true.

We make our own path in life as we walk it,
And what we hope is that at its end
We find kindred spirits, sister souls, our meed;
For in that blessed place, eternity we’ll spend
And revel in a world all bright and new.

Tuesday, 8 November 2016

TRAVEL TUESDAY #52 - SAN FRANCISCO, USA

“East is East, and West is San Francisco, according to Californians. Californians are a race of people; they are not merely inhabitants of a State.” - O. Henry

Welcome to the Travel Tuesday meme! Join me every Tuesday and showcase your creativity in photography, painting and drawing, music, poetry, creative writing or a plain old natter about Travel!

There is only one simple rule: Link your own creative work about some aspect of travel and share it with the rest of us! Please use this meme for your creative endeavours only.

Do not use this meme to advertise your products or services as any links or comments by advertisers will be removed immediately.
San Francisco, officially the City and County of San Francisco, is the cultural, commercial, and financial centre of Northern California and the only consolidated city-county in California. San Francisco is about 121 km2 in area. It is located on the north end of the San Francisco Peninsula. It is the smallest county in the state. It has a density of about 7,124 people per km2, making it the most densely settled large city (population greater than 200,000) in the state of California and the second-most densely populated major city in the United States after New York City. San Francisco is the fourth-most populous city in California, after Los Angeles, San Diego, and San Jose, and the 13th-most populous city in the United States (with a Census-estimated 2015 population of 864,816).

The city and its surrounding areas are known as the San Francisco Bay Area, and are a part of the larger OMB-designated San Jose-San Francisco-Oakland combined statistical area, the fifth most populous in the nation with an estimated population of 8.7 million. San Francisco (Spanish for Saint Francis) was founded on June 29, 1776, when colonists from Spain established Presidio of San Francisco at the Golden Gate and Mission San Francisco de Asís named for St. Francis of Assisi a few miles away.

The California Gold Rush of 1849 brought rapid growth, making it the largest city on the West Coast at the time. San Francisco became a consolidated city-county in 1856. After three-quarters of the city was destroyed by the 1906 earthquake and fire, San Francisco was quickly rebuilt, hosting the Panama-Pacific International Exposition nine years later. In World War II, San Francisco was the port of embarkation for service members shipping out to the Pacific Theatre. After the war, the confluence of returning servicemen, massive immigration, liberalising attitudes, along with the rise of the “hippie” counterculture, the Sexual Revolution, the Peace Movement growing from opposition to United States involvement in the Vietnam War, and other factors led to the Summer of Love and the gay rights movement, cementing San Francisco as a centre of liberal activism in the United States.

Politically, the city votes strongly along liberal Democratic Party lines. A popular tourist destination, San Francisco is known for its cool summers, fog, steep rolling hills, eclectic mix of architecture, and landmarks, including the Golden Gate Bridge, cable cars, the former Alcatraz Federal Penitentiary, Fisherman’s Wharf, and its Chinatown district. San Francisco is also the headquarters of five major banking institutions and various other companies such as Levi Strauss & Co., Gap Inc., Salesforce.com, Dropbox, Reddit, Square, Inc., Dolby, Airbnb, Weebly, Pacific Gas and Electric Company, Yelp, Pinterest, Twitter, Uber, Lyft, Mozilla, Wikimedia Foundation, and Craigslist.

It has several nicknames, including “The City by the Bay”, “Fog City”, “San Fran”, and “Frisco”, as well as older ones like “The City that Knows How”, “Baghdad by the Bay”, “The Paris of the West”, or simply “The City”. As of 2015, San Francisco was ranked high on world livability rankings.

This post is part of the Our World Tuesday meme,
and also part of the Wordless Wednesday meme.

Add your own travel posts using the Linky tool below, and don't forget to be nice and leave a comment here, and link back to this page from your own post:

Monday, 7 November 2016

MOVIE MONDAY - SLOW WEST

“Ah, clear they see and true they say, That one shall weep, and one shall stray”― Dorothy Parker

You’ve heard of spaghetti westerns, right? Sergio Leone's 1964 “A Fistful of Dollars” starring Clint Eastwood is a classic example. They certainly put a new twist to the USA genre. But what about a “Fish-and-Chip” western? What is that you may ask? Well, it’s a western produced in UK… We watched it last weekend.

It is the 2015 John Maclean movie “Slow West” starring Kodi Smit-McPhee, Michael Fassbender, Caren Pistorius and Ben Mendelsohn. John Maclean is a Scott who studied BA drawing and painting at Edinburgh college of Art and MA at The Royal College of art in London. After graduating, he formed The Beta Band with friends, 1997 to 2004 and The Aliens 2005 to 2008. John made many of the band’s music videos. In 2009 John made “Man on a Motorcycle”, a short film starring Michael Fassbender, filmed on a mobile phone, then “Pitch Black Heist” in 2011, which won the best short film BAFTA. “Slow West: is Maclean’s first feature film.

The plot centres on young Scotsman, Jay Cavendish (Kodi Smit-McPhee), who leaves the lochs and glens of his country to find Rose (Caren Pistorius), his long-lost love who is now in the Wild West of America. A desperado, Silas Selleck (Michael Fassbender), decides to accompany Cavendish on his journey for a price… Cavendish hands over “protection money” for the journey, but the naïve youngster is unaware that Silas may also be wanting to cash in on a bounty that hangs over Rose’s head (something that Jay is unaware of).

The American West serves as an allegory of love and death and the journey that the two main characters undertake has a soul-searching depth that may be found in some road movies (only here they are on horseback!). The film was shot in New Zealand and Maclean certainly convinces us that we are looking at the American West (and Scotland as well, in a few flashback scenes). The cinematography is wonderful and the colours alternating between muted and hazy to crisp and vivid, as if the film switches between nightmare and beautiful dream.

The film is romantic and violent, hellish and paradisiacal, idealistic and cruelly realistic all at once. But there is also humour and light-heartedness in this film as well as tragedy. The intensity and purity of young, first love is contrasted with the wicked ways of the world, while the young and innocent Jay is quickly corrupted by circumstances and his interactions with tough man Silas. Yet, while Jay hardens on the outside and maintains his idealistic love internally, Silas sheds his toughness and softens by the end of the movie. I was reminded a little of “True Grit” where there is teaming up of a naïve youngster with a cynical older man, but “Slow West” has a charm and hardness that is not seen in the older movies.

The acting was wonderful, both from the first-billed actors to the supporting roles and the direction managed to maintain interest in what was essentially a slow movie, with lots of action and lots of character development, all stuffed into the extremely concise 84-minute run time. The musical score was appropriate and non-obtrusive while the costumes and sets great. This is a great little film if you can lay your hands on it and a wonderful directorial/script-writing debut from Maclean.

Sunday, 6 November 2016

ART SUNDAY - GASTON BUSSIÈRE

“The more people explore the world, the more they realise in every country there’s a different aesthetic. Beauty really is in the eye of the beholder.” - Helena Christensen

Gaston Bussière (April 24, 1862, Cuisery – October 29, 1928 or 1929, Saulieu) was a French Symbolist painter and illustrator. Bussière studied at L’Académie des Beaux-Arts in Lyon before entering the École des Beaux-Arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff prize. He was close to Gustave Moreau. He found inspiration in the theatre works of Berlioz (La Damnation de Faust) as well as William Shakespeare and Wagner.

He came in demand as an illustrator, creating works for major authors. He illustrated Honoré de Balzac's “Splendeurs et Misères des Courtisanes” published in 1897, “Émaux et Camées”, by Théophile Gautier, as well as Oscar Wilde’s “Salomé”. He also illustrated several works by Flaubert. An associate of Joséphin Péladan, the founder of the Rose-Croix esthétique, Bussière exhibited his works at Salon de la Rose-Croix over two years. Many of his works are on exhibit at the Musée des Ursulines in Mâcon.

Bussière revelled in the female form, many of his canvases depicting legendary women such as Salammbo, Isolde, Brünhilde, Helen of Troy, Salome and Juliet. He also painted many depictions of nymphs, nereids and fairies, scantily dressed and showing a typical Art Nouveau ideal of beauty and embellishment. His colours are glowing and vivid, but his aesthetic often teeters towards the kitsch side of good taste.

Above is one his paintings of an illustrative nature depicting a scene from Wagner’s “Ring”, more specifically Act II of “The Valkyrie”. It is called “The Revelation” and shows Brünnhilde discovering Sieglinde et Siegmund in the forest. Bussière was passionate about the great epics and the opera, especially Wagner and Berlioz. He painted poetic works of symbolist inspiration, evoking the heroes and heroines of the epic, mythology, history and legend.

“The Valkyrie” of Richard Wagner, was performed for the first time in Munich in 1870 and presented to the Parisian public on 12 May 1893. Bussière certainly attended the performance and was inspired to paint this scene. Brünnhilde was sent by her father Wotan, the chief of the gods punish Siegmund and Sieglinde, Brünnhilde is touched by the passionate love they show each other and decides to help them, thus disobeying Wotan. In the background one may see the other Valkyries riding their steeds.