Saturday, 30 January 2010

GIGLIOLA!


“A man is not old until regrets take the place of dreams.” - John Barrymore

January is nearly over, one twelfth of the new year is already over. How time flies! How our lives flutter by! The earth keeps turning, the moon (full as it is tonight) keeps on shining, only we like candles burn our wax and shortly sputter out.

For Song Saturday a golden oldie from Italy sung by a stupendous singer, Gigliola Cinquetti. Here is the original 1973 version, and below the same song sung many years later by the same singer.



An older but still pretty, and evergreen Gigliola. Her voice is still amazing!



ALLE PORTE DEL SOLE
(Pace - Panzeri - Pilat - Conti)

Un'anima avevo
così candida e pura
che forse per paura con te
l'amore non ho fatto mai.
Cercavo le strade
più strane del mondo
invece da te si arrivava
per chiari sentieri.

E adesso che sento
il tuo corpo vicino
io nel buio ti chiedo
di portarmi con te.
Alle porte del sole
ai confini del mare
quante volte col pensiero
ti ho portato insieme a me
e nel buio sognavo
la tua mano leggera.
Ogni porta che si apriva
mi sembrava primavera.

Alle porte del sole
ai confini del mare
quante volte col pensiero
ti ho portato insieme a me
ti ho portato insieme a me
ti ho portato insieme a me.

Che cosa mi dici?
Che cosa succede?
Mi dici di cercare una casa
per vivere insieme:
un grande giardino
sospeso nel cielo
e mille bambini con gli occhi
dipinti d'amore.

Allora i pensieri
non sono illusioni,
allora è proprio vero che io
sto volando con te.

Alle porte del sole
ai confini del mare
quante volte col pensiero
ti ho portato insieme a me
e nel buio sognavo
la tua mano leggera.
Ogni porta che si apriva
mi sembrava primavera.

Alle porte del sole
ai confini del mare
quante volte col pensiero
ti ho portato insieme a me
e nel buio sognavo
la tua mano leggera.
Ogni porta che si apriva
mi sembrava primavera.

Alle porte del sole
ai confini del mare
quante volte col pensiero
ti ho portato insieme a me
ti ho portato insieme a me
ti ho portato insieme a me
insieme a me.

TO THE GATES OF THE SUN

I had a candid and pure soul,
And perhaps because I was afraid,
I’d never made love with you.
I walked the strangest paths
All over the world,
But it was you who cleared
The way for me.
And now that I feel your body
Near me in the dark,
I ask you to take me with you,

To the gates of the sun,
To the end of the seas.
How many times I brought
My thoughts with me,
Dreaming in the dark
Of your gentle hand.
Every door opening
I thought was spring.

To the gates of the sun,
To the end of the seas.
How many times I brought
My thoughts with me,
I brought my thoughts with me

What do you say?
What has happened?
You tell me to look for a house,
So we can live together?
A big garden
Suspended from the sky
And thousand children
With eyes painted with love.

Then my thoughts
Are no illusions!
It is at last true
That I’m flying with you!

To the gates of the sun,
To the end of the seas.
How many times I brought
My thoughts with me,
Dreaming in the dark
Of your gentle hand.
Every door opening
I thought was spring.

To the gates of the sun,
To the end of the seas.
How many times I brought
My thoughts with me,
I brought my thoughts with me

Have a great weekend!

Friday, 29 January 2010

FOOD FRIDAY - MUFFINS


“There is no such thing as pure pleasure; some anxiety always goes with it.” - Ovid

Had a full and busy day at work again today with numerous crises to deal with. At least, I managed to clear my desk and all is ready for next week’s onslaught. A highlight today was being brought a muffin for morning tea by one of my colleagues as a “special Friday treat”. It was delicious and I managed to get the recipe:

Passionfruit Muffins


Ingredients - Muffins
2 cups sifted self-raising flour
125g melted and cooled unsalted butter
2 eggs, lightly beaten
1/2 cup caster sugar
100 g chopped white chocolate
1/3 cup milk
1/4 cup passionfruit pulp
1 teaspoon vanilla extract

Passionfruit icing

1 and 1/4 cups pure icing sugar
2 teaspoons hot water
1 and 1/2 tablespoons passionfruit pulp
A few crystals of citric acid

Method
Preheat the oven to 200°C and lightly butter a 12-hole 1/3-cup capacity muffin pan. Combine the flour, sugar and chocolate pieces in a bowl, making a well in the centre.

Whisk the butter, milk, egg, passionfruit and vanilla in a jug. Pour into well. Begin by gently mixing the ingredients from the centre until just combined. This gradually incorporates the ingredients to ensure a smooth batter.For a light texture, be careful not to over-mix the batter.

Three-quarter fill the muffin holes with the batter. Bake for 15 to 20 minutes or until a skewer inserted into the centre comes out clean. Let to stand in the pan for 5 minutes. Turn onto a wire rack to cool.

For the passionfruit icing: Stir the icing sugar, water and passionfruit in a bowl until smooth. Spoon over muffins, allowing to drizzle down sides. Allow to set and serve.

Enjoy your weekend!

Wednesday, 27 January 2010

TECHNOPHILIA



“Western society has accepted as unquestionable a technological imperative that is quite as arbitrary as the most primitive taboo: not merely the duty to foster invention and constantly to create technological novelties, but equally the duty to surrender to these novelties unconditionally, just because they are offered, without respect to their human consequences.” - Lewis Mumford

OK, I admit it, I am a technophile, a technology junkie! I was eagerly awaiting the announcement of Apple’s new iPad, today. Seeing how I am a dedicated Apple computer user and I have an iPod and iPhone, I thought that this new device would be a fantastic new addition to the armamentarium of my Apple toys. My Apple toys are all wonderful, they talk to each other and I can concentrate on my work without worrying about the hardware and the software. Compared to PCs, my Apple computer allows me to be more productive and I have fun while working (OK, Mr Jobs, my advertising bill is in the mail!).

When the announcement was made, I must admit that I was rather underwhelmed. I had secretly thought that I was going to be one of the first people to invest in one of these new iPads. After seeing it all, I quickly relinquished my urgent desire to obtain one and shelved my ownership plans for a couple of years, at least. My Apple MacBookPro, my iPhone and iPod deliver everything the iPad does and more. For me at least, the iPad broke no new ground and for a seasoned Apple product user, the whole release was a bit of a “ho-hum” affair. “Awww, but all of my toys do all of that, already!”

Now, if I were a bright-eyed, bushy-tailed young thing just starting out and not having been exposed to so much technology and to so many Apple computers since year dot, I would be wowed by this iPad and would have pawned my grandmother to get one! Having been nurtured on Apple products since their inception and having set my expectations so very high, I am understandably disappointed.

Much of the disappointment comes from my constant use of my MacBookPro, which I carry about everywhere (I don’t have a desktop computer at home or at work) and this laptop computer does everything I wish it to do on a nice, large, high resolution display. Who needs Apps when one has all the programs that one needs? When one does on it everything that one needs? The internet is accessible everywhere, Skype allows me to talk to anyone I want, I have a DVD drive (grizzle, grizzle – where is that BluRay drive Apple?) that can let me watch movies, or record my own DVDs. I have on it iTunes, iCal, Safari (as well as another three web-browsers), Office, Adobe Creative Suite, my music software, my eBooks, etc, etc.

If I had a clunky old desktop PC running Windows or Doors and having to click left button or right button or search the hard disk for hours to see where my stuff was saved, I could understand that the iPad would be a magical, heavenly, fantastic; a leap into the future. If I had a black and white Kindle with its limited usefulness, I would leap at the iPad and switch to it immediately. If had an old mobile phone or a old iPod, I would quickly ditch them and move towards the Apple solutions of iPhone and/or iPad.

Now if the iPad came with solar charging (;-), and iPhone capabilities in terms of making phone calls, if the iPad were equipped with powerful new apps that were different to the iPhone and Apple apps already in use, if it had a few hundred gigabytes HD storage, if it had a DVD (preferably BluRay drive), I would be queuing to get one. All that of course together with the reasonable under $1,000 price!

Oh, to have a jaded palate. It’s such a tyranny of old age and experience!

technophile |ˈteknəˌfīl| noun
A person who is enthusiastic about new technology (a “technology junkie”).
DERIVATIVES
technophilia |ˌteknəˈfilēə| noun
technophilic |ˌteknəˈfilik| adjective
ORIGIN: From Greek tekhnē ‘art, craft’ + Greek philos ‘loving.’

Tuesday, 26 January 2010

MIDNIGHT COUNSEL



“Man is a knot into which relationships are tied.” - Antoine de Saint-Exupéry

What causes us to fall in love? A vexed question, because logic has nothing to do it. It’s all emotions and hormones and first impressions, it’s our expectations and our wish to love and be loved in return. A confection of spun sugar, decorated with flowers and lit by starlight. It’s all twilight and sweet whisperings, a thousand joys shared and even its sorrows are sweet sorrows.

What causes us to fall out of love? Perhaps easier to answer, as logic has much to do with it. Love dies of routine and discovery of truths. Love dies when the veil of self-deception is lifted from our eyes, when we experience the other person as they really are… We may fall in love in the twinkling of an eye, in a split second, as a flash of lightning. We fall out of love gradually, slowly, over a long time, while we resist it with all our might.

A poem I wrote several years ago while pondering these questions.

Midnight Counsel


The midnight hours so short in sleep,
Endlessly drag on in sleeplessness.
My life behind me, needles me,
My life in front of me, daunts me.

The sheets so downy soft in dreams,
Are like sandpaper in wakefulness.
My thoughts of yesterday, wrestle with me,
My thoughts at midnight give me poor counsel.

Your soft and even breath in slumber,
Belies your alert belligerence.
My love in seasons past, strong and true
My love tomorrow, a dying species.

Jacqui BB hosts Poetry Wednesday, please visit her page for more poems!

AUSTRALIA DAY



“In an earlier stage of our development most human groups held to a tribal ethic. Members of the tribe were protected, but people of other tribes could be robbed or killed as one pleased. Gradually the circle of protection expanded, but as recently as 150 years ago we did not include blacks. So African human beings could be captured, shipped to America and sold.  In Australia white settlers regarded Aborigines as a pest and hunted them down, much as kangaroos are hunted down today. Just as we have progressed beyond the blatantly racist ethic of the era of slavery and colonialism, so we must now progress beyond the speciesist ethic of the era of factory farming, of the use of animals as mere research tools, of whaling, seal hunting, kangaroo slaughter and the destruction of wilderness. We must take the final step in expanding the circle of ethics.” - Peter Singer

Today, January 26th, is Australia Day. This commemorates that fateful day on January 26th, 1788, when a fleet of English ships landed at what is now Sydney, Australia. The ships were under the command of Captain Arthur Phillip and had brought a load of deported prisoners from England. These prisoners were not all criminals convicted for terrible crimes like murder. Many of them were people who had been arrested because the government didn't like what they had to say and hence represented a perceived threat for the stability of the English political system. Some were people from debtors’ prisons who had been jailed because they owed money and had no means to pay it back.

Nevertheless, these prisoners were the first Europeans to settle in Australia. Before 1783 (when the Americans won the Revolutionary War of Independence) many of Britain’s unwanted criminals had been sent to the United States. A new place had to be found for Britain’s cast offs. Botany Bay in Australia possessed a magnificent harbour, had good resources and appeared fertile and was thought to make a good port of call for British ships travelling in that part of the world. As time proved, Australia's raw materials were an attractive reason for colonising the country.

It soon transpired that Australia was too good to be used as a place for deportation of prisoners and many free settlers were attracted to the bounteous land. Millions more have chosen Australia as their home, my family and I being part of them. Wherever these new settlers are from, they all take part in celebrating Australia Day. In Sydney in particular, the celebrations are very widespread and extremely well-attended. This year, celebrations began at 8am with an indigenous ceremony in the Royal Botanic Gardens, and various other activities are under way in parks throughout Sydney. Hyde Park in Sydney’s centre, is celebrating its 200th birthday by being transformed into Sydney’s biggest backyard, with a huge barbeque that started at 10am. Captain Arthur Phillip's landing in the harbour was reenacted again this year.

As usual, the harbour was a focal point for traditional Australia Day events such as the annual Ferrython at 11am and the Tall Ships Race at 1pm. The skies above the harbour came alive with flyovers from a navy Sea King helicopter towing a giant Australian flag at 1.45pm, an RAAF F-111 flyover at 3pm, followed by a Qantas A380 Superjumbo at 3.10pm.

Thousands of people across NSW officially became Australians at citizens ceremonies, including 3469 in Sydney's Hyde Park at 2pm. Sydney’s celebrations were capped off with a fireworks display at Darling Harbour tonight.

The celebrations around the nation had a similar theme, but ordinary people used the public holiday to enjoy the summer weather with family and friends around a barbeque at home, the beach or parks. We visited a friend who was admitted to hospital yesterday as she had had a bleeding gastric ulcer. Our visit pleased her to no end and it was good to cheer her up. Afterwards, we had a quiet day at home, relaxing and enjoying the beautiful weather.

Sunday, 24 January 2010

LAST CHANCE HARVEY



“Men are no more immune from emotions than women; we think women are more emotional because the culture lets them give free vent to certain feelings, “feminine” ones, that is, no anger please, but it’s okay to turn on the waterworks.” - Una Stannard

We sat and watched the 2008 Joel Hopkins “chick flick” “Last Chance Harvey” last weekend. As a term, I detest the characterisation “chick flick”, however, it is widely used. Speaking to some women friends, I was surprised to learn that they are OK with the use of the term and that in these liberated times, it seems to be regarded as a bit of a convenient joke. New age women are more likely to embrace their femininity and celebrate the characteristics that separate them from men. “Vive la difference”, it seems, and if a certain type of literature or art or films appeals more to women than men, then so be it, as long as it of good quality! There is nothing of course to prevent men enjoying “chick flicks” as well or women watching with pleasure films that are more appealing to men (the obvious “dick flick”). But I digress…

“Last Chance Harvey” has two big names in it: Dustin Hoffmann and Emma Thompson. There are some other familiar faces in secondary, supporting roles (e.g. James Brolin). The movie is a typical autumnal romance and as the lovers, Thomson and Hoffmann don’t have much chemistry going for them. They do a great job acting, but sadly, it works better when they don’t share the limelight. Thompson especially gives a sterling performance as the fragile, spinsterish Kate, a Londoner who has to deal with a heavily dependent mother and with several unsatisfactory liaisons in her history. Her typical British “stiff upper lip” and her brave front, her forced optimism and various coping strategies make her emotional discharges all the more powerful and pathetic to watch.

Hoffman (at 71 years!) plays Harvey, a divorced American who visits London for his daughter’s wedding and has to deal with his ex, happily remarried to Brain (Brolin) and his daughter who seemingly has rejected him as she has found a better father figure in the paternal Brian. The unlikely romance with Kate has him blossoming out in a fit of almost teenagerish abandon and as the action unfolds, we are reminded somewhat of his earlier filmic successes (I don’t know why, but I kept thinking of him playing Ben in the classic 1967 movie “The Graduate”. In any case, the roles are reversed here).

The film is conventional in plot (with even a reference to the classic tear-jerker “An Affair to Remember”) and directed in a rather pedestrian, if unoffensive way. The music does the right things at the right time, the production is slick, London looks quite gorgeous and the film ticks all the right “chick flick” boxes. I watched it with interest, but my brain was in neutral and I sketched out some work meeting agendas in my mind while watching parts of it. It was difficult for me to get emotional over it, but Emma Thompson was certainly worth seeing in it, and she had some quite amusing one-liners to recite in the film.

I got my own back the next day when we watched “Eraser” – Classic Schwarzenegger and typical “dick flick” – yeah!

ART SUNDAY - MEMENTO MORI



“No one can confidently say that he will still be living tomorrow.” - Euripides

For Art Sunday today, a painting by an American contemporary artist, Sean Delonas. He is a cartoonist, illustrator and talented artist, with some beautiful works in his oeuvre, as well as many humorous and quirky ones. He is best known for his cartoons that appear daily on page six of the New York Post.

The painting I have selected for today, is a typical “memento mori” work, which in the past was an extremely common and morally edifying genre of painting. “Memento mori” means in Latin “remember that you will die”. Its purpose was to remind the onlooker that whatever your present happy state, your death is inescapable. The art may convey the message “eat, drink, and be merry, for tomorrow you will die”, however, in most Christian art, in which the theme is seen often, it is more of a reminder of the vanity of earthly glory and pleasure. For this reason, these still life paintings were also known as “Vanitas” (vanity).

Typical symbols that are used in such paintings include skulls, hourglasses, snuffed candles, wilting flowers or fruit past their prime, and insects. Anything related to the passage of time can be a memento mori, and many public clocks once included memento mori phrases such as “tempus fugit” meaning “time flies”, or used an automated figure of Death to strike the bell on the hour. Personal watches were also often adorned with symbols of death, such as skulls. Other small memento mori objects were intended to be carried on one’s person as a reminder of mortality. For example, a coffin that opens on a scene of a rich man, in Hell.

Delonas’ painting is a typical vanitas, with numerous symbols of memento mori. The obvious skull, which is the face of death; the watch signifying the passage of time; the cracked egg indicating the fragility of our existence; the stack of old books, meaning that not even knowledge or wisdom will help one evade death. The painting also has elements of “trompe l’oeil” or a visual illusion as used to trick the eye into perceiving a painted detail as a three-dimensional object.

Saturday, 23 January 2010

MOURNING



“We must embrace pain and burn it as fuel for our journey.” - Kenji Miyazawa

I watched a video on the news this morning that coloured all of my day black. It was from Haiti and it had graphic images of two young men shot by police because they were suspected of stealing a few bags of rice. One of them survived even though shot in the back, while the other one expired there on the street, bleeding to death while everyone watched, including the cameramen taking the video. The body remained there for hours, until the relatives were notified and the wailing mother cried her eyes out over the body of her son, shot dead for a bag of rice.



Sainkho Namtchylak from Tuva, singing “Midnight blue”.

Friday, 22 January 2010

EATING WEEDS...



“By working faithfully eight hours a day you may eventually get to be boss and work twelve hours a day.” - Robert Frost

Another very busy week, with lots of meetings, much to chase up on, lots of submissions to write and quite a few issues to resolve. At least I have quite a feeling of achievement as there have been some very favourable outcomes in the last couple of days to show for all my hard work. It is also good to work with people that one can depend on and to be able to collaborate with as a team. One can achieve a lot more, but also there is that great feeling of camaraderie that bonds people together.

We have a fairly quiet weekend planned this week, with hopefully some time to rest and relax. It’s always hard to have a weekend full of commitments and activities when the week has been so tiring. Nevertheless, the simple fact of being at home and not going into the office can be enough of a respite. Most people tend to bring work home nowadays, and yes, I am guilty of that. However, one can work differently at home and there is no pressure, precisely because one works alone.

For food Friday today, I’ll tell you what we had for dinner, which was derived totally from our own garden in the back yard. No, it wasn’t roses (some of you may know that our back garden has mainly rosebushes in it), but rather food from the few small plots that we have where we grow seasonal vegetables and some fruit. In summer, we have a couple of tomato plants, some cucumber vines, an eggplant, a couple of capsicum plants, some bean plants, a couple of zucchini plants and some seasonal greens. In winter there are leeks, some broad beans, lettuces, spinach, snow peas, broccoli, etc. All year around of course, there are herbs growing everywhere so we always have on hand some parsley, dill, mint, rosemary, oregano, sage, chives, etc.

In summer a characteristic green that we plant is a typical Greek one, which is considered a weed in most Western countries, although consumed widely in various other places around the world. It is the humble blite or purple amaranth (Amaranthus blitum, to give it its botanical name). This needs little care, is multi-cropping and provides for a delicious, healthful and satisfying meal. It is always prepared and served together with other vegetables and greens. For example, also growing in the garden we have the black nightshade (Solanum nigrum) which is added to this dish in smaller amounts, and some French beans, a few baby zucchini and a couple of potatoes, as well. Blites, black nightshade, zucchini, beans and potatoes are all boiled together until tender, strained and served with a simple olive oil and balsamic vinegar dressing. Some crusty bread and a few pieces of cheese complete the meal, which believe it or not is very filling and satisfying.

The blites have lots of vitamins, minerals and fibre, as do the black belladonnas and the other vegetables. However, the black nightshade (a distant cousin of the deadly nightshade – Atropa belladonna) also contain some bitter principles that act as liver tonics. A very healthful meal, and completely organic, as it is harvested right from our own backyard! (we have sometimes even planted a few potatoes).

Enjoy your weekend!

Thursday, 21 January 2010

AGNES'S PALLIA



“Faith is the bird that sings when the dawn is still dark.” - Rabindranath Tagore


Today is the feast day of St Agnes, who was held in very honour amongst all of the virgin martyrs of Rome by the primitive church, since the fourth century. Her name in Greek means “pure” and the Christmas rose, Helleborus niger, is dedicated to St Agnes.  Her feast day was celebrated on this day from 354 AD. Although there are numerous apocryphal stories regarding her martyrdom, there is no accurate and reliable narrative, at least in writing, concerning the details of her life and death. One thing seems to be universally agreed upon, this being that she was only 12 or 13 years old when she died a violent death under torture.

According to tradition, she was a beautiful virgin who turned away all suitors, declaring that she could have no spouse but Jesus (nuns are still to this day known as “Brides of Christ”). The rejected suitors informed Roman officials that she was a Christian, and she was punished by being exposed in a brothel. There she was left miraculously unharmed; the only man who attempted to violate her was struck blind, and she healed him with prayer. She was later murdered during the persecutions ordered by Diocletian, which occurred in 304 AD. After this point, Agnes's name appears several times in the historical written record. In the decades after her death, Agnes's tomb became a place of pilgrimage and she is considered a protector saint of young girls.

On St Agnes's feast day, two lambs from the Trappist monastery at Tre Fontane outside Rome are adorned with crowns and ribbons of red and white and blessed at her church by the Pope. They are then taken to the abbey of St. Cecilia in Trastevere, in Rome, where Benedictine nuns raise them. Their wool is shorn on Holy Thursday, and palliums (or pallia, if you want to be picky!) are then made from it. These are circular ceremonial bands worn over the shoulders in Roman Catholic ecclesiastical dress and signify one of the highest church offices. The Pope bestows a dozen or so annually to his archbishops.

Young girls in England made cakes on this day to commemorate St Agnes’s martyrdom. In some villages, once the cakes were made, the young women took one and climbing the stairs backwards, prayed to St Agnes and then ate the cake. This ritual was meant to reveal in a dream the man the young woman was to marry. Several other divinatory traditions relate to St Agnes. On St Agnes’s Eve, young women took their shoes put a sprig of rosemary in one, a sprig of thyme in the other, sprinkled them with water, placed them one on each side of their bed and said:
    St Agnes, that’s to lovers kind,
    Come ease the trouble of my mind.

They would then dream of their future husband.

pallium |ˈpalēəm| noun ( pl. pallia |ˈpalēə| or palliums )
1 a woolen vestment conferred by the pope on an archbishop, consisting of a narrow, circular band placed around the shoulders with short lappets hanging from front and back.
2 historical a man's large rectangular cloak, esp. as worn by Greek philosophical and religious teachers.
3 Zoology the mantle of a mollusk or brachiopod.
4 Anatomy the outer wall of the mammalian cerebrum, corresponding to the cerebral cortex.
DERIVATIVES
pallial |ˈpalēəl| adjective (in senses 3 and 4) .
ORIGIN Middle English: from Latin, literally ‘covering.’

Wednesday, 20 January 2010

PAGES FROM THE PAST



“The past is not a package one can lay away.” - Emily Dickinson

Readers of this blog may remember me mentioning on a couple of occasions that I have been in the habit of keeping journals and visual diaries for a few decades now. Occasionally when I have a clean-up around the house I will find a mysterious box all taped up and marked “N’s personal papers”. It more often than not contains some of these journals and diaries. It happened last weekend when I was cleaning my study that I shifted some furniture allowing me to get into a little cupboard under one of my bookcases. I had not been able to open this cupboard fully for several years. In it I found one of these “personal papers” packages that I mentioned and I spent a couple of hours immersed in browsing through its contents and reading some of what I had written ages ago – ah, youth!

This experience stimulated me to write the poem below.

Pages from the Past

A notebook by pure chance discovered,
Brings back old pages from the past;
As my experiences lie bare, uncovered
My feelings backwards are cast.

The even script, my younger self belies
My thoughts of yore, there are manifest.
Old tears, laughter, truths and even lies
Appear in pages, like flowers pressed.

My heart’s first stirrings faithfully recorded
The bitter disappointments, and the sheer joy;
I read, and on the train of the past boarded,
Travel to foreign parts of me, when a boy.

My inner being revels and perfectly resonates
With my younger self, my innocence engaged;
I look at my lined face, surprised that the fates
Have willed a youth, in body so much aged.

My pages from the past, the yellowed paper,
The mind’s awakening and the soul’s flight
Captured forever, and their evanescent vapour
Wafts in, a sweet aroma, a bright light…

Jacqui BB hosts Poetry Wednesday.

Monday, 18 January 2010

CRASH



“Out of this nettle, danger, we pluck this flower, safety.” - William Shakespeare

At the weekend, there was a horrific fatal car crash in a suburb a few kilometers from where we live. I know the road where it happened as it is a couple of blocks up from my previous job. Plenty Rd, the main road there is already notorious for car crashes and there are several markers on the verge commemorating the lives lost. It is a long straight stretch of road leading to the outer suburbs, with two lanes on either side, separated by a median strip planted with bushes and greenery.

The accident claimed the lives of five teenagers last Sunday and the 19-year-old driver was possibly intoxicated (toxicology reports are pending). The driver, who was also a P-plater had been drinking at a party immediately before taking the wheel of the car. The car hit a large tree after mounting the median strip and spinning out of control, at an estimated 150 km/hr. The immense force of the impact uprooted the tree and caused it to fall on the wrecked car. Five young men died at the scene and the sole survivor was a 15-year-old girl, whose brother bravely put his body across her to protect her from the impact. She is presently in hospital fighting for her life.

Distraught relatives of the same young man who protected his sister have described him as a fine young man who liked fast cars. His uncle and aunt were at a loss to comprehend why Anthony would be in a car travelling at a speed of at least 140kmh or why he would allow his little sister to be in that Ford Falcon XR6 sedan with him. As soon as the girl recovers she may be able to shed some light in the events that surround the accident. However, it is simple to understand the basics: Youth + alcohol + fast cars + inexperience = Fatality.

The very next day after the crash, three more teenagers were caught driving at high speeds within 10km of the same crash site. Police early on Monday morning intercepted a 19-year-old probationary driver from South Morang driving at 165km/h in a 70km/h zone along Mahoneys Road, Reservoir. He is to be charged on summons for excessive speed. Less than an hour later, an 18-year-old driver was caught in McDonalds Road, Epping, travelling at 89km/h in a 60 zone. A 19-year-old woman, also a P-plater, was detected driving at 106km/h along the same road about 2.30am Monday morning.

These drivers will lose their driving licence for one month and six months respectively, however, the Assistant Commissioner of Police, Mr Lay, conceded that hoon legislation doesn’t seem to be working. Already there are proposals to confiscate cars of young drivers who commit serious traffic offences (related to alcohol and speeding mainly). The cars should be crushed, some people suggest, while others say that they should be sold and the money donated to rehabilitation hospitals. Others suggest that speed delimiters be fitted to probationary drivers’ cars. In any case, the crash has started a big debate on the failing measure that are in place to reduce teenage fatalities on our roads.

I keep thinking of the families of the five dead teens. Imagine the telephone or the doorbell ringing in the middle of the night and being confronted with news of this sort. The sheer waste of young life, the immense stupidity of a few minutes that culminated in a few seconds of alcohol-fuelled, excess speed. I think of the young man who shielded his sister and try to imagine what was going through his mind for those last few split seconds. I think of that young girl who survived waking up in hospital asking to see her brother and her friends. Will she be able to sleep without having nightmares ever again? Lives lost, lives broken.

The grandmother of one of the victims encapsulates the pathos of the whole situation in one of the meorial notices published in the newspaper today:
            “A young man who lost his way, Rest in peace. Love – Nanna”.

Sunday, 17 January 2010

BURTON GOING APE



“Culture is roughly anything we do and the monkeys don't.” - Lord Raglan

We wanted some pure escapist nonsense on Sunday afternoon, as we stayed in, did some housework, some gardening and we were depressed enough with the news of the last week. We decided to watch the Tim Burton 2001 remake of “Planet of the Apes”. Of course we had seen the Franklin Schaffner 1968 original “Planet of the Apes” with Charlton Heston, but knew nothing of this remake. It was on special at the DVD shop so I had bought it on impulse, seeing it was directed by Tim Burton. Well. Its time to be watched came yesterday.

Burton has some good, offbeat films to his name: “Beetlejuice”, “Batman”, “Edward Scissorhands”, “Batman Returns”, “Ed Wood”, “Mars Attacks!”, “Sleepy Hollow”, “Big Fish”, etc, etc. I thought that if he were involved in a remake of a classic such as “Planet of the Apes” it would have a new twist, a new retelling of a familiar tale. The film was watchable, but not of the high standard of “Edward Scissorhands” or “Ed Wood”, for example. Compared to the original, Burton’s version fails on several grounds. The young protagonist Captain Leo Davidson, played by Mark Wahlberg is overwhelmed by the men in monkey suits and cannot command enough presence to even touch upon the heroic stature of Heston. He is still wet behind the ears as far as a heroic lead is concerned and his acting although tolerable is simply not commanding enough. The apes have the benefit of state of the art advanced make-up technology and the villainous Thade (played by Tim Roth) does an excellent job of aping it up, easily the best actor on the set. Ari (played by Helena Bonham Carter) tries to do as much as possible with her role, but the material she has to work with is flimsy. Kris Kristofferson has a cameo appearance as Karubi, an enslaved human (a waste of his talent, I think) and Estella Warren (playing Daena the scantily daughter of Karubi) provides some eye candy (I think she only uttered a dozen words in the whole film!) but is otherwise a weak ove interest and is easily overwhelmed by Ari, the apess(!).

The sets and cinematography are very good and the two moons of the planet look quite fetching in the sky. The ape city is convincingly alien and the ruined spaceship set is quite good. The battle scene is staged competently and the special effects are good. I loved the space pods (I want one for Christmas!) and the real chimps were cute and provided some pathos at times.

There was one flaw that made the whole movie predictable and its ending a given. When Captain Davidson gets in the pod and encounters the electromagnetic storm, we see the controls of his console. How much better the film would have been if we had not seen that vital detail – please oh please cut it out! Hence the surprise punch of the scene with the Statue of Liberty in the original movie! I also found the final scene of the remake very corny and a set up for a sequel if ever there was a set up for a sequel (however, thankfully, a sequel did not eventuate!).

The movie’s basic premise and “moral” if you like, is very much watered down compared to the original. In Schaffner’s original film, the apes are the only intelligent and articulate beings on the planet. Although they have only attained a pre-industrial level of civilisation they are a far more advanced species than the planet’s humanoid inhabitants, who lack the powers of speech and reason and live an animal-like existence. A true role-reversal. In Burton’s remake, humans and apes have similar powers of speech and intellect. The only reason humans are slaves is that the apes have greater physical strength, which enables them to dominate the planet even if they are a minority. The apes in the original film are noble and more civilised than humans. In Burton’s version, they are more aggressive and more obviously animals than in the original film; they can still move on all fours and emit fierce shrieks whenever angry or excited. The planet’s human population are like “noble savages” who long for freedom from the domination of the apes, and a few liberal, pro-human apes, especially Ari, the daughter of an ape senator are “human rights activists” who wish humans and apes to live as equals.

Schaffner’s film became a classic because it tackled head-on topical concerns of the late sixties: Racism, fear of a nuclear holocaust, the relationship between man and nature, the relationship between religion and science, Darwinism and animal rights. Burton’s film is a thinly veiled paean to animal rights (and a heavy-handed one at that).

Overall, the film was good for a Sunday matinee, which was when we watched it and it provided s with a few laughs. Watch it as a curiosity, as a “passa-tiempo”, as a bit of escapist nonsense.

PICASSO'S CHARNEL HOUSE



“From my rotting body, flowers shall grow and I am in them and that is eternity.” - Edvard Munch

Pablo Picasso for Art Sunday today. His painting “The Charnel House” (1944-45. Oil and charcoal on canvas. The Museum of Modern Arts, New York, NY, USA) encapsulates the horrors of violent death.

This was painted as reports of the death camps began to filter through Europe. The picture is painted in the gray tones of a newsreel and has an unfinished air. Picasso left ghostly, partially rubbed-out lines in the image; the colour is devoid of life. A still life in the upper left appears barren, abandoned. But “The Charnel House” is yet another example of Picasso's intuition about how an artist must approach the century's horrors. Not long after he painted the picture, writers would argue that art must fall mute before the Holocaust, that no image could represent its meaning in anything but the most broken, partial manner. In The Charnel House, Picasso begins but does not presume to end the accounting of the Holocaust: His lines fade toward nothingness.

Saturday, 16 January 2010

HAITI AGAIN...



“The keenest sorrow is to recognise ourselves as the sole cause of all our adversities.” – Sophocles

The devastation left behind the earthquake in Haiti is something that is tragic and extremely upsetting. The horror of the situation there is unimaginable and I feel quite powerless to help. I wish there were something more substantial I could do than handing over my donation.

"We have already collected around 50,000 dead bodies. We anticipate there will be between 100,000 and 200,000 dead in total, although we will never know the exact number," Interior Minister Paul Antoine Bien-Aime told Reuters.

Some 40,000 bodies had been buried in mass graves, Secretary of State for Public Safety Aramick Louis said. If the casualty figures turn out to be accurate, the 7.0 magnitude quake that hit impoverished Haiti on Tuesday would be one of the 10 deadliest earthquakes ever recorded.

Three days after it struck, gangs of robbers had begun preying on survivors living in makeshift camps on sidewalks and streets strewn with rubble and decomposing bodies, as quake aftershocks rippled through the hilly neighbourhoods.

These three extracts from the news point out the enormity of the disaster and the vile side of human nature that inevitably shows up following any such disaster. Not only do survivors have to cope with the shocking desolation, but they also have to fend themselves against the monsters intent on looting, robbery and murder. As if the ruination wrought by nature were not enough, some devils under the guise of human beings complete the destruction…

I can only turn to Bach for comment on this tragedy.



Andor Foldes plays Bach's Chromatic Fantasy & Fugue in D minor.

Thursday, 14 January 2010

CHUTNEY




“This is every cook's opinion -
no savoury dish without an onion, but lest your kissing should be spoiled, your onions must be fully boiled.” - Jonathan Swift

A couple of weeks ago I found myself in the kitchen all alone and got the urge to cook. We had a tea-towel hanging up to dry and on it was a recipe which I had always noted but we had never ever tried. On impulse, after reading through the ingredient list, I decided there and then to try it as we had all the requisites:

Apple & Pear Chutney

Ingredients
    • 1.5 kg chopped cooking apples
    • 1.5 kg chopped firm pears
    • 500 g chopped onions
    • 600 g brown sugar
    • 1.5 litres vinegar
    • 2 tbsp chopped mint
    • 5 tsp salt
    • 2 tsp ground allspice
    • 1 tsp mixed spice
    • 1 tsp curry powder
    • 1 tsp turmeric powder
    • 1 tsp mustard powder
    • 15 g coriander seeds ground
    • 20 g grated fresh ginger

Method
Combine all ingredients and simmer until thick. Put in sterilised glass jars and seal.

The result was quite delicious and was easy enough to make. Although chutney is considered as typically Indian (its name from the Hindustani chatni) is in fact a British specialty dating from the colonial era, just like pickles. Chutneys are put in glass jars and kept in the pantry like jams. They enliven slightly insipid dishes, mainly cold ones (chicken, fish, ham, leftovers). The sweet/sour/spicy/fruity taste may not be suitable for everyone’s palate and be warned if you’ve never tasted it before, this dish may be an acquired taste.

Wednesday, 13 January 2010

ON HATE AND HAITI



“Whatever you condemn, you have done yourself.” - Georg Groddeck

The catastrophic earthquake in Haiti is dominating our news bulletins and once again the world watches in horror as the death toll climbs. At present it is feared that up to 100,000 people may have lost their lives when the magnitude 7.0 Richter earthquake flattened massive areas of the capital Port-au-Prince yesterday. The city is plagued by poverty and has many rickety buildings built to deficient standards, while in the slums, the jerry-built hovels adhere to no regulation and are not part of the city planning process. Add to that the proximity to the city of the major tectonic plate rift (the closest being about 15 km) and the superficial nature of the quake, and one understands the magnitude of the damage and the destruction caused.

The world has responded swiftly to provide aid and immediate help in order to save as many of the lives of the people trapped in debris and dilapidated buildings. The threat of aftershocks, some of which may happen at any time now and which may be as high as 6.5 Richter is another factor to consider. Time is of essence and real help is needed urgently to help the devastated nation.

In comments that add gross insult to the immense injury and loss that the Haitian people are struggling to come to terms with, American televangelist Pat Robertson has blamed the devastating earthquake in Haiti on a pact between the impoverished nation’s founders and the devil. Speaking on his television program The 700 Club, Mr Robertson said the pact happened “a long time ago in Haiti. They were under the heel of the French, you know Napoleon III [sic] and whatever. And they got together and swore a pact to the devil. They said 'We will serve you if you will get us free from the prince.' True story. 
And so the devil said, 'OK it's a deal'. And they kicked the French out.”

Mr Robertson said after the pact, the Haitians “revolted and got something - themselves free. But ever since they have been cursed by one thing after another.”
 Mr Robertson said the curse was evident when Haiti was contrasted with its neighbour, the Dominican Republic. “That island of Hispaniola is one island. It is cut down the middle - on the one side is Haiti, on the other is the Dominican Republic. 

Dominican Republic is prosperous, healthy, full of resorts, etc. Haiti is in desperate poverty. Same island. 

They need to have, and we need to pray for them, a great turning to God and out of this tragedy I’m optimistic something good may come.” Said Mr Robertson.

Mr Robertson’s outspoken comments have caused much controversy in the past. 

He was widely criticised for his 2005 call for Venezuelan President Hugo Chavez’s assassination. He also said the 2006 stroke suffered by then-Israeli prime minister Ariel Sharon was punishment from God. He blamed the September 11 terrorist attacks on civil liberties, promised a disastrous tsunami in America in 2006 and a terrorist attack on United States soil in 2007. When both predictions failed to happen, Mr Robertson said people must have prayed to God, and “God in his mercy spared us.”

At this time of great national tragedy, in Haiti, where immense human suffering is evident in all of its awesome extent, comments of the type made by Mr Robertson are neither Christian nor helpful, in my opinion. Adding to the country’s woes, which include years of social unrest, crime, political tumult and natural disaster, this latest earthquake has made the Haitian people regard it as an especially cruel and incomprehensible event. It is fortunate that people who do advertise themselves as “Christians” as Mr Robertson does, have been propelled into action and are providing real Christian charity, rapid and decisive action and not hurtful and insulting words; help, not blame; comfort and not threats of divine wrath…

Tuesday, 12 January 2010

MY BITTER BLOOD


“If I had a formula for bypassing trouble, I would not pass it round. Trouble creates a capacity to handle it. I don't embrace trouble; that's as bad as treating it as an enemy. But I do say meet it as a friend, for you'll see a lot of it and had better be on speaking terms with it. - Oliver Wendell Holmes

Our lives are a curious mixture of the external and internal, the things that we experience from without, and what we are within. We process and we balance, we mix and try to make of the mixture happiness, even in adversity. The measurements need be accurate for one drop too much or too little will make the mixture spoil and our world collapses around us. This is a poem I wrote as I recovered from my black mood of late…

My Bitter Blood


My blood is bitter, and it percolates though my flesh,
Making me twisted, rancorous, acrid;
My words astringent spilling from my dry mouth
Like falling, wilted autumn leaves.

My blood is acid, burning and eating my tissues,
Making of me an empty, burnt out husk;
My feelings ashes, my emotions charcoal
Like the forest devastated by a wild fire.

My blood is salty, and it hardens my body,
Drying me out, parching me, desiccating me;
My eyes unseeing, blinded, destroyed,
Like a withered mummy in a sarcophagus.

My blood is sour, and it makes my bones brittle,
Crushing, making them acerbic, dissolving them;
My resolve exhausted, my fortitude weakened,
Like a pearl melting in vinegar.

My heart only stays sweet,
Its dulcet beating unaffected
By bitter, acid, salty, sour blood.
Love still nourishes it, saves it from adversity,
And makes me live, still;
Even if my blood is poisoned from without…


Jacqui BB hosts Poetry Wednesday

Monday, 11 January 2010

MY FAIR LADY, PYGMALION & ROXXXY



“There is no such cosy combination as man and wife.” – Menander

You know about the musical, “My Fair Lady”, don’t you? It was even made into a film with Rex Harrison and Audrey Hepburn. You know, the one about “the rain in Spain falling mainly in the plain…” It is based on the George Bernard Shaw play “Pygmalion”. It is about the guttersnipe flower seller of Cockney London who is transformed into a society lady by a phonetics professor. There is a relationship with the Pygmalion of Greek mythology, hence the title. As you may not know the Greek myth of Pygmalion, here it is:

Pygmalion had some bad experiences with women and he came at last to abhor the whole sex, resolving to live his life as an unmarried misogynist. He was a sculptor, and had made a statue of a woman out of ivory, so beautiful that it resembled no living woman, so perfect was it. Pygmalion admired his own handiwork, and at last managed to fall in love with the statue. He would often lay his hand on it as if to assure himself if it were living or not, and could not even then believe that it was only ivory. He caressed it, and gave it presents such as young girls love, - bright shells, little birds, flowers, beads and trinkets. He put a coloured dress on its limbs, and jewels on its fingers, neck and ears. He laid it on a couch spread with expensive cloth, and called it his wife. He named it Galatea, meaning “milky white” on account of her lily-white ivory limbs.

The festival of Aphrodite, the goddess of beauty, came and when Pygmalion had performed his part in the solemnities, he stood before the altar and timidly said: “Ye gods, who can do all things, give me, I pray you, for my wife” - he dared not say “my ivory virgin,” but said instead – “one like my ivory virgin.”  Aphrodite who heard him knew the thought he would have uttered; and as an omen of her favour, caused the flame on the altar to shoot up three times into the air. When he returned home, he went to see his statue, and leaning over the couch, gave a kiss to the mouth. It seemed to be warm. He pressed its lips again, he laid his hand upon the limbs; the ivory felt soft to his hands. The statue was indeed alive! Pygmalion thanked the goddess and kissed his perfect woman. Galatea felt the kisses and blushed, and opening her eyes to the light, fixed them at the same moment on her lover. Aphrodite blessed the nuptials she had formed, and from this union Paphos was born, from whom the city, sacred to Aphrodite, received its name.

There are several cautions in these stories and their morals I’m afraid, are slightly immoral. All these stories are about manipulation and changing someone so that they conform with what we want, what we imagine to be perfect, what we need to satisfy our own selfish desires. In how many modern relationships would we find our partner acquiescing to our wants in this manner, willing to change themselves completely so that we conform to his/her ideal? Would we want a partner who is so malleable who is so much under our control? Is it a relationship or is it an enslavement? In this way both the Pygmalion myth and the Pygmalion play have disturbed me somewhat.

I now have cause to be disturbed even more. We are about to experience the Pygmalion legend in reverse, in real life! The real woman is becoming a statue! How? Well hitting the news lately (and the marketplace also, very soon) is Roxxxy, “the world’s first sex robot”! This is a full size doll specifically designed to engage in the sex acts of your fantasy – but there is more! It is a talking robot with a personality who knows your likes and dislikes and will even sense when it is being moved (it cannot move itself) and will respond appropriately when sensors in different parts of its body detect movement or pressure.

The robot is customisable to the extent of not only the obvious external characteristics like hair colour, bra size, height, etc, but also one may specify traits of personality, from “Frigid Farrah” to “Wild Wendy”. The robot will then respond accordingly, depending on the sensory inputs it receives and processes, true to its personality. The creators of the robot say that this is an important characteristic of their machine, which distinguishes it from the sex dolls that are already in the market. Their robot provides interactive sex, but also “more”, in the form of a “conversation” (if you can call pre-recorded phrases repeated ad nauseam a conversation) or even a “relationship” (now this I really object to!). However, no doubt there will be many men queuing up to hand over their $9,000 in order to purchase their own version of Galatea.

Roxxxy is only the beginning, as in the near future male sex robots will become available. As the technology improves, the life-like characteristics will increase in sophistication and the interactivity will no doubt become even more humanoid. Motion and artificial intelligence will compound the illusion so that in the near future we may see “robot companions” or “robot partners” marketed and no doubt widely used. We may even see humans falling in love with a robot! I have blogged about the topic of humanoids in a previous blog and I wondered about the legality of some of the activities that one engages in with a complex humanoid robot.

Are we to be grateful to technology for providing us with what our wildest fantasies can barely visualise? Are we to be grateful for the robot that will make prostitution obolete? Will such a robot be made available to the rapist so that humans do not suffer his violent advances? Are we to sanction the creation of child sex robots for the use of paedophiles? “Killable” robots so that the paranoid sex murderer may indulge his sick pleasures with impunity? Are we protecting society by allowing this to happen or are we contributing to its complete and utter moral, ethical, social and biological downfall (I can’t imagine there will be a sex robot that can become pregnant after having sex with its owner!)? Should we monitor the sex acts that are performed with each robot (remember the sensors?) and persecute “perverts”?

The whole topic has perplexed me and made me question deeply where we are progressing as a society. When the robots can walk amongst us and masquerade as humans, would we all succumb to the temptation of choosing a partner who not only fulfils our every desire in term of body type, physical traits and characteristics, who acquiesces to our every desire and whim, and who is the perfect partner in terms of sex, personality, conversation and also admires and “loves” us no matter how rotten a scoundrel we really are? This idea repels me and causes me to have great doubts as to whether long-term of our civilisation is possible…
(Picture is Paul Delvaux’s “Pygmalion” of 1939)
 
What do you think?

Sunday, 10 January 2010

MAN VERSUS MACHINE!


“The past is a foreign country; they do things differently there.” - Lesley P. Hartley

We watched a classic old movie yesterday, the 1957 Walter Lang film “Desk Set” with Katharine Hepburn and Spencer Tracy. This dynamic duo and real life “illicit” couple made several films together and was able to bring the marvellous chemistry of their real life onto the screen. Something which is not always the case (compare for example the lack of chemistry between Elizabeth Taylor and Richard Burton in “Cleopatra”). The movie was lightweight, enjoyable, fun and an insight into other times and other places – interesting how time changes a place so that it becomes almost unrecognisable! The New York of 1957 is another place to the New York of 1987 or of 2007…

I am sure that in a few decades old films will be widely used in schools to teach history, sociology, economics, science. They are already historical documents in their own right, but a well-made film conserves a picture of society as it was, it shows how people interacted, what their environment was like, their mores, their habits, their relationships, their beliefs, their fears, their joys, their ethical values. It is interesting also to see what emphasis was placed on dialogue, rather than special effects or convolutions of the plot. It is rare to see a modern film where witty repartee plays a central role in the action of the film.

The plot of this film revolves around a mysterious man hanging about the research department of a big TV network. This in itself is an interesting proposition as most people nowadays find this a wonderfully quaint notion: To have a whole department with many staff doing what a simple search engine like Google will do in seconds today. The man proves to be engineer Richard Sumner (Tracy), who’s been ordered to keep his real purpose secret. His task is to computerise the office with a super-duper (ginormous) IBM computer (using punched cards, now that’s antique!). Department head Bunny Watson (Hepburn), who knows everything, needs no computer to get to know who Richard is and what his agenda really is. The resulting battle of wits and witty dialogue pits Bunny's fear of losing her job against her attraction to Richard.

The tale of man versus machine is well told by this film and it makes an overwhelmingly positive statement in terms of who the winner is (or does it? And of course reality and the future has something to say about this battle – remember what I said about Google?). The fear of machines replacing people in their workplace has been with us for hundreds of years. During the industrial revolution anti-machine sentiment was raised high and it culminated with the Luddite movement. The Luddites were organised groups of early 19th-century English craftsmen who surreptitiously destroyed the textile machinery that was replacing them. The movement began in Nottingham in 1811 and spread to other areas in 1812. The Luddites, or “Ludds”, were named after a probably mythical leader, Ned Ludd. They operated at night and often enjoyed local support. Harsh repressive measures by the government included a mass trial at York in 1813 that resulted in many hangings and banishments. The term Luddite was later used to describe anyone opposed to technological change.

Most people would find this Luddite concept quaint, and who would, nowadays, give up their computer either at work or at home? We may have lost our old jobs, but we have created new ones to replace them. No machine will run itself – it needs human input at several stages of its operation. What computer will program itself or repair itself or build a clone of itself? We may have machines, but machines and technology requires constant human support.

Now back to the film. Lightweight it may be but nevertheless enjoyable. The acting is old fashioned, the script simple, but the interaction between the leads fantastic and the supporting cast well chosen (Gig Young, Sue Randall, Joan Blondell and Dina Merrill). The treatment of Bunny by her long-term lover (Young) is a sub-plot and may have many people today cringing at the way he mistreats her (but I guess, it still happens now, although I should hope not as commonly as it used to).

Watch it and relax – it’s bubbly, but it’s also good history and sociology!